Cinematography.
Overview
| Works: | 129 works in 5 publications in 5 languages | |
|---|---|---|
Titles
Cinematic storytelling : = the 100 most powerful film conventions every filmmaker must know /
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(Language materials, printed)
Spatial Truths and Temporal Fictions: Cinematic Representations of the American City 1938-1978.
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(Electronic resources)
African State of Mind: Hip Hop, Identity and the Effects of Africa Rising.
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(Electronic resources)
The Forest Is Not What It Seems: An Ecocritical Study of American Horror Films.
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(Electronic resources)
Utopias, Magic Realism and Rebellious Spirits: Films of Christine Parker 1990 to 2000.
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(Electronic resources)
A Disputed Country : = Italy, Migrants, and National Identity in Contemporary Films and Documentaries.
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(Electronic resources)
The Image in dispute : = art and cinema in the age of photography /
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(Language materials, printed)
Cinematography : = theory and practice : imagemaking for cinematographers, directors & videographers /
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(Language materials, printed)
The visual story : = creating the visual structure of film, TV and digital media /
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(Language materials, printed)
Design essentials for the motion media artist = a practical guide to principles & techniques /
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(Electronic resources)
Nuts and bolts filmmaking = practical techniques for the Guerilla filmaker [sic] /
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(Electronic resources)
"Looking to its Laurels": Representations of Cinema in Theatre, 1915--1927.
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(Electronic resources)
Repercussions of violence in the films of Clint Eastwood: The changing paradigm.
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(Language materials, printed)
Embodied Cognition and Cinema: The Sensory-Motor Grounding of Abstract Meaning in Film.
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(Electronic resources)
"The line between life and death in the high seas is very thin, almost invisible": Diasporic Vietnamese Remembrance.
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(Electronic resources)
Gothic agents of revolt: The female rebel in "Pan's Labyrinth", "Alice's Adventures in Wonderland" and "Through the Looking Glass".
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(Electronic resources)
The societal allure of fear: Horror films as representations of current day cultural fears.
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(Electronic resources)
Nightmares from the Past: Kaiki eiga and the Dawn of Japanese Horror Cinema.
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(Electronic resources)
Le mouvement de camera 3D: Projet d'interface tangible d'animation de camera virtuelle.
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(Electronic resources)
"The Rise Of The Robots" A sci-fi journey of creativity and collaboration.
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(Electronic resources)
Otherworldly Thresholds in Architecture and Cinema (Based on a Study of Shinto Shrines).
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(Electronic resources)
From Italian American Icon to Working Class Hero: Perspectives on Pietro di Donato's "Christ in Concrete".
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(Electronic resources)
From Attendance to Performance: Spectatorship, "Liveness," and the Emergence of Live Cinema.
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(Electronic resources)
I Saw That in a Movie: A Hermeneutic Study on Students' Historical Thinking Abilities.
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(Electronic resources)
Le cinematographe contemplateur dans la transmission du territoire nordique quebecois.
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(Electronic resources)
Revolution's Effect of Movie Title Sequences: An Analysis on the Movie Title Sequences Created Before and After the Revolutions of Cuba (1959), Iran (1979), and Venezuela (1999).
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(Electronic resources)
Affective Intensities and Evolving Horror Forms: From Found Footage to Virtual Reality.
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(Electronic resources)
From Script to Screen: Connecting Creatives in 360° Virtual Reality Filmmaking.
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(Electronic resources)
Making Lemonade: Examining Female Empowerment Through Visual Music Media.
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(Electronic resources)
Globalization and New Bollywood's Hat-Ke (Different) Directors: Nation, Gender, and Identity in the Films of Vishal Bhardwaj, Anurag Kashyap, and Abhishek Chaubey.
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(Electronic resources)
Atmosphere, architecture, cinema = thematic reflections on ambiance and place /
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(Electronic resources)
Fessenden's Worlds: Biosys. A Short Film Inspired by Edmond Hamilton's "Fessenden's Worlds".
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(Electronic resources)
Old Acquaintances and New Sisterhoods: Female Friendship in Classical Hollywood Cinema.
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(Electronic resources)
Elevating the Ugly: Technology and Aesthetics in the Films of Lars Von Trier.
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(Electronic resources)
The Art of Collecting Fancy Paper: Understanding the Assignment of Values to Collecting Alternative Movie Posters.
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(Electronic resources)
Communicating Graphic Design Career Experiences Using Feature Film Screenplay and Production Design.
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(Electronic resources)
Methods and Applications for Portrait Selection from Video, Light Field Photography, and Light Field Video Editing.
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(Electronic resources)
The Directing Vision, Style, and Development of a Short Film: Heroes of Edelstein.
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(Electronic resources)
Nation and Nurture : = Cultural Anthropology, World War II, and the Birth of National Cinema Studies.
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(Electronic resources)
Playing with Cinema : = The Development of Audio-Visual Style in Video Games.
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(Electronic resources)
Sound Images, Acoustic Culture, and Transmediality in 1920s-1940s Chinese Cinema.
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(Electronic resources)
Image-based lighting in integration of computer-generated imagery and live-action for cinematic visual effects.
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(Language materials, printed)
The emerging practice of web-based collaboration and production in nonfiction film.
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(Electronic resources)
Animation before the war: Nation, identity, and modernity in Japan from 1914-1945.
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(Electronic resources)
Sometimes the Sense of Time is lost or Disturbed while watching Paul Sharits' films.
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(Electronic resources)
Emptying the cabinet: An exploration of the origins, impact and legacy of the Expressionist film movement of post-World War I Germany.
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(Electronic resources)
Abjection, Telesthesia, and Transnationalism: Incest in Park Chan-wook's Oldboy.
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The audible future: Dolby Atmos and the immersive sound of science fiction in contemporary science fiction.
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(Electronic resources)
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