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Every frame a Rembrandt = art and practice of cinematography /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Every frame a Rembrandt/ Andrew Laszlo, with additional material by Andrew Quicke.
Reminder of title:	art and practice of cinematography /
Author:	Laszlo, Andrew,
other author:	Quicke, Andrew.
Published:	Boston :Focal Press, : c2000.,
Description:	1 online resource (xvii, 253 p.) :ill. (some col.)
Notes:	Includes index.
[NT 15003449]:	About the Author; Foreword by John Mason; Preface by Andrew Quicke; Introduction; Southern Comfort; The Warriors; First Blood; Streets of Fire; Innerspace; Glossary, Filmography of Andrew Laszlo, ASC; Index.
[NT 15003449]:	Southern comfort -- The warriors -- First blood -- Streets of fire -- Innerspace.
Subject:	Cinematography. -
Online resource:	http://www.sciencedirect.com/science/book/9780240803999
ISBN:	9780240803999

Every frame a Rembrandt = art and practice of cinematography /
Laszlo, Andrew,1926-2011.{me_controlnum}

Every frame a Rembrandtart and practice of cinematography /[electronic resource] :Andrew Laszlo, with additional material by Andrew Quicke. - Boston :Focal Press,c2000. - 1 online resource (xvii, 253 p.) :ill. (some col.)

Includes index.

Filmography: p. 245-247.

About the Author; Foreword by John Mason; Preface by Andrew Quicke; Introduction; Southern Comfort; The Warriors; First Blood; Streets of Fire; Innerspace; Glossary, Filmography of Andrew Laszlo, ASC; Index.

This book examines the art and craft of motion picture photography through a veteran professional cinematographer's personal experiences on five major motion pictures, each selected to illustrate a particular series of challenges for the photographer. "Every Frame a Rembrandt" is an expression heard on sound stages and locations the world over. While in most cases the expression is used lightly and not infrequently with a certain amount of sarcasm, its true meaning speaks highly of most cinematographers' commitment to producing the best, most interesting, unusual and memorable images for the screen. Through the five films he selected for this book Laszlo is able to show the broad range of complexity in motion picture photography, from the relatively simple "point and shoot" in the typcal western to complex in-camera effects. In recounting his "war stories" Laszlo is able to show the day to day activities of a cinematographer before, during and after filming the project, discussing equipment, film stocks, testing, labs, unions, agents, budget requirements, and working with the director and producer. The five films discussed are Southern Comfort, The Warriors, Rambo: First Blood, Streets of Fire, and Innerspace. The book is illustrated throughout with production stills from Laszlo's extensive collection (12 in a color insert). The "war stories" of a seasoned Hollywood professional cinematographer Explains how specific problems and challenges were overcome for each film Illustrated with production stills from the author's personal collection.

ISBN: 9780240803999

Source: 92008:92007Elsevier Science & Technologyhttp://www.sciencedirect.comSubjects--Topical Terms:

546522
Cinematography.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: TR850 / .L38 2000

Dewey Class. No.: 778.5

Every frame a Rembrandt = art and practice of cinematography /
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245 1 0 $a Every frame a Rembrandt $h [electronic resource] : $b art and practice of cinematography / $c Andrew Laszlo, with additional material by Andrew Quicke.
260 $a Boston : $b Focal Press, $c c2000.
300 $a 1 online resource (xvii, 253 p.) : $b ill. (some col.)
500 $a Includes index.
504 $a Filmography: p. 245-247.
505 0 $a About the Author; Foreword by John Mason; Preface by Andrew Quicke; Introduction; Southern Comfort; The Warriors; First Blood; Streets of Fire; Innerspace; Glossary, Filmography of Andrew Laszlo, ASC; Index.
505 0 $a Southern comfort -- The warriors -- First blood -- Streets of fire -- Innerspace.
520 $a This book examines the art and craft of motion picture photography through a veteran professional cinematographer's personal experiences on five major motion pictures, each selected to illustrate a particular series of challenges for the photographer. "Every Frame a Rembrandt" is an expression heard on sound stages and locations the world over. While in most cases the expression is used lightly and not infrequently with a certain amount of sarcasm, its true meaning speaks highly of most cinematographers' commitment to producing the best, most interesting, unusual and memorable images for the screen. Through the five films he selected for this book Laszlo is able to show the broad range of complexity in motion picture photography, from the relatively simple "point and shoot" in the typcal western to complex in-camera effects. In recounting his "war stories" Laszlo is able to show the day to day activities of a cinematographer before, during and after filming the project, discussing equipment, film stocks, testing, labs, unions, agents, budget requirements, and working with the director and producer. The five films discussed are Southern Comfort, The Warriors, Rambo: First Blood, Streets of Fire, and Innerspace. The book is illustrated throughout with production stills from Laszlo's extensive collection (12 in a color insert). The "war stories" of a seasoned Hollywood professional cinematographer Explains how specific problems and challenges were overcome for each film Illustrated with production stills from the author's personal collection.
520 $a This book examines the art and craft of motion picture photography through a veteran professional cinematographer's personal experiences on five major motion pictures, each selected to illustrate a particular series of challenges for the photographer. "Every frame a Rembrandt" is an expression heard on sound stages and locations the world over. While in most cases the expression is used lightly, and not infrequently with a certain amount of sarcasm, its true meaning speaks highly of most cinematographers' commitment to producing the best, most interesting, unusual and memorable images for the screen. In recounting his "war stories" Laszlo is able to show the day to day activities of a cinematographer before, during and after filming the project, discussing equipment, film stocks, testing, labs, unions, agents, budget requirements, and working with the director and producer.--From publisher description.
588 $a Description based on print version record.
650 0 $a Cinematography. $3 546522
650 1 7 $a Films. $2 gtt $3 854143
650 1 7 $a Filmtechniek. $2 gtt $3 1375453
650 1 7 $a Cameravoering. $2 gtt $3 1375454
650 7 $a Fotografia cinematogr�afica. $2 larpcal $3 1375455
650 7 $a Cinema $z Estados unidos. $2 larpcal $3 854153
655 4 $a Electronic books. $2 lcsh $3 542853
700 1 $a Quicke, Andrew. $3 1375452
776 0 8 $i Print version: $a Laszlo, Andrew, 1926- $t Every frame a Rembrandt. $d Boston : Focal Press, c2000 $z 024080399X $z 9780240803999 $w (DLC) 99058083 $w (OCoLC)42863216
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