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Revolution's Effect of Movie Title S...
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Miri, Mahsa.
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Revolution's Effect of Movie Title Sequences: An Analysis on the Movie Title Sequences Created Before and After the Revolutions of Cuba (1959), Iran (1979), and Venezuela (1999).
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Revolution's Effect of Movie Title Sequences: An Analysis on the Movie Title Sequences Created Before and After the Revolutions of Cuba (1959), Iran (1979), and Venezuela (1999)./
作者:
Miri, Mahsa.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2019,
面頁冊數:
180 p.
附註:
Source: Masters Abstracts International, Volume: 81-02.
Contained By:
Masters Abstracts International81-02.
標題:
Film studies. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13903100
ISBN:
9781085688956
Revolution's Effect of Movie Title Sequences: An Analysis on the Movie Title Sequences Created Before and After the Revolutions of Cuba (1959), Iran (1979), and Venezuela (1999).
Miri, Mahsa.
Revolution's Effect of Movie Title Sequences: An Analysis on the Movie Title Sequences Created Before and After the Revolutions of Cuba (1959), Iran (1979), and Venezuela (1999).
- Ann Arbor : ProQuest Dissertations & Theses, 2019 - 180 p.
Source: Masters Abstracts International, Volume: 81-02.
Thesis (M.A.)--University of Lethbridge (Canada), 2019.
This item must not be sold to any third party vendors.
This study investigated opening title sequences of movies in relation to revolution as a sociopolitical event. The cinema industry has historically been manipulated by governments and their political ideologies. Conversely, cinematic productions, as part of public entertainment, have had remarkable cultural influence. Title sequences, by transporting audiences into a movie's story, play a part in these influences. A revolution is a defining point in time that ushers changes. This study considered three case studies, the revolutions of Cuba, Iran, and Venezuela. Six movies representing pre- and post-revolutionary cinema from each nation were examined from an aesthetic and narrative point of view. The results show that revolutions have had significant effects on movie title sequences as long as the act of making a movie is ideologically tied to the precepts of the revolution. Title sequences are responsive to technology, and advancements help filmmakers and graphic designers to make creative title sequences.
ISBN: 9781085688956Subjects--Topical Terms:
2122736
Film studies.
Subjects--Index Terms:
Cuba History Revolution
Revolution's Effect of Movie Title Sequences: An Analysis on the Movie Title Sequences Created Before and After the Revolutions of Cuba (1959), Iran (1979), and Venezuela (1999).
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This study investigated opening title sequences of movies in relation to revolution as a sociopolitical event. The cinema industry has historically been manipulated by governments and their political ideologies. Conversely, cinematic productions, as part of public entertainment, have had remarkable cultural influence. Title sequences, by transporting audiences into a movie's story, play a part in these influences. A revolution is a defining point in time that ushers changes. This study considered three case studies, the revolutions of Cuba, Iran, and Venezuela. Six movies representing pre- and post-revolutionary cinema from each nation were examined from an aesthetic and narrative point of view. The results show that revolutions have had significant effects on movie title sequences as long as the act of making a movie is ideologically tied to the precepts of the revolution. Title sequences are responsive to technology, and advancements help filmmakers and graphic designers to make creative title sequences.
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