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The societal allure of fear: Horror ...

Cooley, Jennifer Nikita.

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The societal allure of fear: Horror films as representations of current day cultural fears.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The societal allure of fear: Horror films as representations of current day cultural fears./
Author:	Cooley, Jennifer Nikita.
Description:	46 p.
Notes:	Source: Masters Abstracts International, Volume: 55-03.
Contained By:	Masters Abstracts International55-03(E).
Subject:	Film studies. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10017806
ISBN:	9781339505022

The societal allure of fear: Horror films as representations of current day cultural fears.
Cooley, Jennifer Nikita.

The societal allure of fear: Horror films as representations of current day cultural fears. - 46 p.

Source: Masters Abstracts International, Volume: 55-03.

Thesis (M.A.)--California State University, Dominguez Hills, 2015.

The horror film genre emerged in the late nineteenth century and, with each passing decade since, a new era of terror has materialized with horror fans flocking to theaters in droves. While popular culture tends to explore why people possess a seemingly barbaric desire to be afraid, what is equally critical to understand is in what way and to what extent our collective fears are represented by the carefully calculated films that successfully depict our modem day societal fears. This thesis recognizes Western horror films as representations of culturally collective fears for periods spanning the 1960s and 1970s decades.

ISBN: 9781339505022Subjects--Topical Terms:

2122736
Film studies.

The societal allure of fear: Horror films as representations of current day cultural fears.
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245 1 4 $a The societal allure of fear: Horror films as representations of current day cultural fears.
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500 $a Adviser: Benito Gomez.
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520 $a The horror film genre emerged in the late nineteenth century and, with each passing decade since, a new era of terror has materialized with horror fans flocking to theaters in droves. While popular culture tends to explore why people possess a seemingly barbaric desire to be afraid, what is equally critical to understand is in what way and to what extent our collective fears are represented by the carefully calculated films that successfully depict our modem day societal fears. This thesis recognizes Western horror films as representations of culturally collective fears for periods spanning the 1960s and 1970s decades.
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650 4 $a Sociology. $3 516174
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