東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

From Script to Screen: Connecting Cr...

Giusto, Gina M.

Linked to FindBook

Google Book

Amazon

博客來

From Script to Screen: Connecting Creatives in 360° Virtual Reality Filmmaking.

Record Type:	Electronic resources : Monograph/item
Title/Author:	From Script to Screen: Connecting Creatives in 360° Virtual Reality Filmmaking./
Author:	Giusto, Gina M.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	91 p.
Notes:	Source: Masters Abstracts International, Volume: 82-02.
Contained By:	Masters Abstracts International82-02.
Subject:	Cinematography. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28002930
ISBN:	9798662437371

From Script to Screen: Connecting Creatives in 360° Virtual Reality Filmmaking.
Giusto, Gina M.

From Script to Screen: Connecting Creatives in 360° Virtual Reality Filmmaking. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 91 p.

Source: Masters Abstracts International, Volume: 82-02.

Thesis (M.S.)--Drexel University, 2020.

This item must not be sold to any third party vendors.

Virtual reality is currently the only medium that provides a fully immersive narrative experience for audiences while traditional Hollywood films are limited to a passive experience in front of a flat screen with a framed area of vision. When filmmakers who are trained to work in 2-dimensional film enter the playing field that is 360° virtual reality films, they begin using story methods and tools that are currently in developmental infancy. Screenwriters and storyboard artists are among the first team members in the ideation process of 360° virtual reality films and it is here that the first hurdle within the workflow is approached. This research studied the methods screenwriters use to create their written work and storyboard artist who use tools that should require little to no translation and explanation for the next creative in the workflow process of 360° virtual reality films. Finally, the study addressed whether using standardized formats for traditional 2D methods is the best practice for 360° virtual reality filmmaking. It can be concluded that currently many tools and methods exist, but a one-size-fits-all approach is not a practical application at this point in the development of the craft.

ISBN: 9798662437371Subjects--Topical Terms:

546522
Cinematography.
Subjects--Index Terms:

360° film

From Script to Screen: Connecting Creatives in 360° Virtual Reality Filmmaking.
LDR:02334nmm a2200361 4500 001 2284668
005 20211124102934.5
008 220723s2020 ||||||||||||||||| ||eng d
020 $a 9798662437371
035 $a (MiAaPQ)AAI28002930
035 $a AAI28002930
040 $a MiAaPQ $c MiAaPQ
100 1 $a Giusto, Gina M. $0 (orcid)0000-0002-0279-5236 $3 3563854
245 1 0 $a From Script to Screen: Connecting Creatives in 360° Virtual Reality Filmmaking.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2020
300 $a 91 p.
500 $a Source: Masters Abstracts International, Volume: 82-02.
500 $a Advisor: Tedesco, Albert S.
502 $a Thesis (M.S.)--Drexel University, 2020.
506 $a This item must not be sold to any third party vendors.
520 $a Virtual reality is currently the only medium that provides a fully immersive narrative experience for audiences while traditional Hollywood films are limited to a passive experience in front of a flat screen with a framed area of vision. When filmmakers who are trained to work in 2-dimensional film enter the playing field that is 360° virtual reality films, they begin using story methods and tools that are currently in developmental infancy. Screenwriters and storyboard artists are among the first team members in the ideation process of 360° virtual reality films and it is here that the first hurdle within the workflow is approached. This research studied the methods screenwriters use to create their written work and storyboard artist who use tools that should require little to no translation and explanation for the next creative in the workflow process of 360° virtual reality films. Finally, the study addressed whether using standardized formats for traditional 2D methods is the best practice for 360° virtual reality filmmaking. It can be concluded that currently many tools and methods exist, but a one-size-fits-all approach is not a practical application at this point in the development of the craft.
590 $a School code: 0065.
650 4 $a Cinematography. $3 546522
653 $a 360° film
653 $a Immersive media
653 $a Pre-production
653 $a Screenwriting
653 $a Virtual reality films
690 $a 0454
690 $a 0435
710 2 $a Drexel University. $b Television Management (Westphal College of Media Arts and Design). $3 3172859
773 0 $t Masters Abstracts International $g 82-02.
790 $a 0065
791 $a M.S.
792 $a 2020
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28002930