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3D cinematic aesthetics and storytelling

Liu, Yong.

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3D cinematic aesthetics and storytelling

Record Type:	Electronic resources : Monograph/item
Title/Author:	3D cinematic aesthetics and storytelling/ by Yong Liu.
Author:	Liu, Yong.
Published:	Cham :Springer International Publishing : : 2018.,
Description:	xiv, 217 p. :digital ;24 cm.
Contained By:	Springer eBooks
Subject:	3-D films - History and criticism. -
Online resource:	http://dx.doi.org/10.1007/978-3-319-72742-4
ISBN:	9783319727424

3D cinematic aesthetics and storytelling
Liu, Yong.

3D cinematic aesthetics and storytelling[electronic resource] /by Yong Liu. - Cham :Springer International Publishing :2018. - xiv, 217 p. :digital ;24 cm.

This book argues that 3D films are becoming more sophisticated in utilising stereoscopic effects for storytelling purposes. Since Avatar (2009), we have seen a 3D revival marked by its integration with new digital technologies. With this book, the author goes beyond exploring 3D's spectacular graphics and considers how 3D can be used to enhance visual storytelling. The chapters include visual comparisons between 2D and 3D to highlight their respective narrative features; an examination of the narrative tropes and techniques used by contemporary 3D filmmakers; and a discussion of the narrative implications brought by the coexistence of flatness and depth in 3D visuality. In demonstrating 3D cinematic aesthetics and storytelling, Yong Liu analyses popular films such as Hugo (2011), Life of Pi (2012), Gravity (2013), Star Trek Into Darkness (2013, and The Great Gatsby (2013) The book is an investigation into contemporary forms of stereoscopic storytelling derived from a unique, long-existing mode of cinematic illusions.

ISBN: 9783319727424

Standard No.: 10.1007/978-3-319-72742-4doiSubjects--Topical Terms:

3338797
3-D films
--History and criticism.

LC Class. No.: TR854 / .L589 2018

Dewey Class. No.: 791.436

3D cinematic aesthetics and storytelling
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245 1 0 $a 3D cinematic aesthetics and storytelling $h [electronic resource] / $c by Yong Liu.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2018.
300 $a xiv, 217 p. : $b digital ; $c 24 cm.
520 $a This book argues that 3D films are becoming more sophisticated in utilising stereoscopic effects for storytelling purposes. Since Avatar (2009), we have seen a 3D revival marked by its integration with new digital technologies. With this book, the author goes beyond exploring 3D's spectacular graphics and considers how 3D can be used to enhance visual storytelling. The chapters include visual comparisons between 2D and 3D to highlight their respective narrative features; an examination of the narrative tropes and techniques used by contemporary 3D filmmakers; and a discussion of the narrative implications brought by the coexistence of flatness and depth in 3D visuality. In demonstrating 3D cinematic aesthetics and storytelling, Yong Liu analyses popular films such as Hugo (2011), Life of Pi (2012), Gravity (2013), Star Trek Into Darkness (2013, and The Great Gatsby (2013) The book is an investigation into contemporary forms of stereoscopic storytelling derived from a unique, long-existing mode of cinematic illusions.
650 0 $a 3-D films $x History and criticism. $3 3338797
650 0 $a Cinematography. $3 546522
650 0 $a Motion pictures $x Aesthetics. $3 627458
650 0 $a Storytelling in mass media. $3 2088017
650 1 4 $a Cultural and Media Studies. $3 2165732
650 2 4 $a Film/TV Technology. $3 3220707
650 2 4 $a Digital/New Media. $3 3206146
650 2 4 $a American Cinema. $3 2200194
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