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Repercussions of violence in the fil...

Hamilton, Charles R.

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Repercussions of violence in the films of Clint Eastwood: The changing paradigm.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Repercussions of violence in the films of Clint Eastwood: The changing paradigm./
Author:	Hamilton, Charles R.
Description:	147 p.
Notes:	Source: Dissertation Abstracts International, Volume: 75-04(E), Section: A.
Contained By:	Dissertation Abstracts International75-04A(E).
Subject:	Cinema. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3606432
ISBN:	9781303635625

Repercussions of violence in the films of Clint Eastwood: The changing paradigm.
Hamilton, Charles R.

Repercussions of violence in the films of Clint Eastwood: The changing paradigm. - 147 p.

Source: Dissertation Abstracts International, Volume: 75-04(E), Section: A.

Thesis (Ph.D.)--Texas A&M University - Commerce, 2013.

This dissertation shows how Clint Eastwood, as actor and director, uses cinematic techniques and violence to emphasize the repercussions of violence and its effects on all who come in contact with it. After examining aspects of violence in film history, I offer a brief sampling of the presentation of violence in Eastwood films prior to 1992, in particular his Spaghetti Westerns and Dirty Harry films. I then focus on how by the early 1990s Eastwood confronts how the violence in our culture is reflected in the lives of his characters in a way very different from his earlier films. With Unforgiven (1992), A Perfect World (1993), Mystic River (2003), and Gran Torino (2008), films within different time periods, environments, and sociocultural groups, Clint Eastwood demonstrates how violence holds no prejudices and impacts everyone who comes in contact with it.

ISBN: 9781303635625Subjects--Topical Terms:

854529
Cinema.

Repercussions of violence in the films of Clint Eastwood: The changing paradigm.
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245 1 0 $a Repercussions of violence in the films of Clint Eastwood: The changing paradigm.
300 $a 147 p.
500 $a Source: Dissertation Abstracts International, Volume: 75-04(E), Section: A.
500 $a Adviser: Gerald Duchovnay.
502 $a Thesis (Ph.D.)--Texas A&M University - Commerce, 2013.
520 $a This dissertation shows how Clint Eastwood, as actor and director, uses cinematic techniques and violence to emphasize the repercussions of violence and its effects on all who come in contact with it. After examining aspects of violence in film history, I offer a brief sampling of the presentation of violence in Eastwood films prior to 1992, in particular his Spaghetti Westerns and Dirty Harry films. I then focus on how by the early 1990s Eastwood confronts how the violence in our culture is reflected in the lives of his characters in a way very different from his earlier films. With Unforgiven (1992), A Perfect World (1993), Mystic River (2003), and Gran Torino (2008), films within different time periods, environments, and sociocultural groups, Clint Eastwood demonstrates how violence holds no prejudices and impacts everyone who comes in contact with it.
590 $a School code: 1287.
650 4 $a Cinema. $3 854529
650 4 $a American Studies. $3 1017604
650 4 $a Cinematography. $3 546522
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710 2 $a Texas A&M University - Commerce. $b PhD English. $3 2104844
773 0 $t Dissertation Abstracts International $g 75-04A(E).
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856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3606432