Literature, African.
概要
| 作品: | 154 作品在 0 項出版品 0 種語言 | |
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書目資訊
Cities of affluence and anger: Urbanism and social class in twentieth century British literature.
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National allegories, personal stories: The use of domestic narratives in India and Algeria.
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Rethinking Greek tragedy in African contexts: A study of Ola Rotimi and Wole Soyinka.
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Power relations and conflict in selected works of Tayeb Salih: Implications for a new history.
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The secret agent: An ethical-stylistic study of agency and the rhetoric of dissociation in narrative.
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At the Crossroads of Identity: Intersections Between Adoption and Colonization in Nineteenth Century French and Twentieth Century Francophone Literature.
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Dismantling the center from the margins: Patriarchy and transnational literature by women.
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Se representer entre deux cultures: L'autorepresentation de la femme artiste en litterature et en peinture.
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Diaspora's daughters: Buchi Emecheta, Julie Dash, Edwidge Danticat and the remapping of mother Africa (Nigeria, Haiti).
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Ghanaian popular theater: A historical ethnography of the concert party, 1895 to 1965.
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The political awakening novels of Margaret Atwood, Doris Lessing, and Michelle Cliff: Narrative strategy, reader response, and utopian desire (Zimbabwe, Jamaica).
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Representations of the disabled in Arab/Islamic culture and literature from North Africa and the Middle East.
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The female self, body and food: Strategies of resistance in Doris Lessing, Margaret Atwood, Zhang Jie and Xi Xi (China, Zimbabwe).
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The unsent/unanswered letter in epistolary fiction by modern women writers of color.
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Bordering on the impossible: Articulations of community in "Third World" films and fiction.
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An African in Paris...and New York and Rome: Bernard Dadie and the postcolonial travel narrative.
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Orphans and origins: Family, memory, and nation in Argentina and South Africa, 1983--2005.
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Writing violence and violence writing: The Haitian and African French novel between the nineteenth and twentieth century. A comparative study.
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Apocalyptic futures: Inscribed bodies and the violence of the text in twentieth-century culture.
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THE INTERNATIONAL NOVEL: ASPECTS OF ITS DEVELOPMENT IN THE TWENTIETH CENTURY WITH EMPHASIS ON THE WORK OF NADINE GORDIMER AND V. S. NAIPAUL.
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THE IMPERIAL THEME: A STUDY OF COLONIAL ATTITUDES IN ENGLISH NOVELS SET IN AFRICA.
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Writers and responsibility: George Orwell, Nadine Gordimer, John Coetzee and Salman Rushdie.
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White Eve in the 'petrified garden': The colonial African heroine in the writing of Olive Schreiner, Isak Dinesen, Doris Lessing and Nadine Gordimer.
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Unruly subjects: Nationhood, home and colonial consciousness in Olive Schreiner and Jean Rhys.
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By Europe, out of Africa: White women writers on farms and their African invention.
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"My heart's land": The significance of topography and the natural world in the works of Olive Schreiner, Isak Dinesen, Beryl Markham, and Nadine Gordimer.
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Taking objects for origins: Cultural fetishism and visions of Africa in the late imperial novel.
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The uncanny as "home": Doris Lessing, Toni Morrison, Keri Hulme, and Sheri Reynolds.
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From orality to literacy: Translating traditional Ugandan oral forms into texts for children.
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The Open Theatre: Its development and its potential contribution to the Arabic theatre in North Africa and the Middle East.
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The figure of woman and the distractions of desire: Psychoanalysis, postcolonial theory and the translation of difference.
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Transatlantic retrospections: Postcolonial engagements with the British eighteenth century.
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People's poet: Mzwakhe Mbuli and the power of the poet in the liberation struggle and in the "new" South Africa.
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Modernity in translation: Figures of empire in the works of Mary Shelley, Samuel Beckett, and Assia Djebar.
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Postcards from the edge-city: Mass-media and photographic images in contemporary novels of the Black diaspora.
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Les (en)jeux de la femme: Conflits et (re)solutions dans la litterature vietnamienne et senegalaise d'expression francaise.
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Speaking up, speaking out: The revolutionary potential of the adolescent girl in postcolonial African women's literature.
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Declarative moments: Literature, law and transatlantic postcolonialism, 1776--1996.
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Double agent: Fatima Mernissi's interventions in the narratives of the self, the nation, and the Other (Morocco).
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Rebellion and nihilism in the works of Leila Sebbar and V. S. Naipaul (Algeria, Trinidad and Tobago).
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Breaking the silence: Manifestations of the oral tradition in twentieth century Anglophone literature.
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Tarrying with the transcendent: Forms of religious experience in twentieth-century literature.
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Towards a transnational aesthetics: Literary displacement and translation as a transnational narrative space.
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Neocolonialism, postcolonial ecology, and ecofeminism in the works of Native American, Chicano/a, and international writers.
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Venus: Isotopies animales dans les oeuvres poetiques de Charles Baudelaire et de Leopold Sedar Senghor (French text, Senegal).
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Wedlock and fetters: Marriage, antislavery and abolition in eighteenth century British literature, 1759--1808.
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Contemporary cinematic constructions of French and Francophone African immigrant identities: (1950--The present).
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Reading the colonial Christian mission: Postcolonialism and liberation theology in novels by Mongo Beti and Rene Philombe.
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Toward a transnational feminist writing and reading practice: Virginia Woolf, Alice Walker, and Zoe Wicomb.
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Reading Africa into American literature: Senegambian roots, Creole routes, garrulous ghosts.
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Diasporic nationalisms, nationalist diasporas: Theorizing race in the black Atlantic (African diaspora).
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Writing, racial identification, and mental illness in A Question of Power and Wide Sargasso Sea.
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The ambiguity of the sign: Modes of imagining Africa in Francophone African and Caribbean literatures.
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The problem with English literature: Canonicity, citizenship and the idea of Africa.
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The representation of the cultural and social world in selected Nigerian children's literature.
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Islanders in transit: Insular migrancy and shifting identities in Atlantic narratives.
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The politics of representation in African women's literature and film: Gender, identity and nationalism.
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"The world is full of islands": Literary revision and the production of a transnational "Robinson Crusoe".
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The problematic postcolonial narrative: Intertextuality and empire in African and Afro -Caribbean fiction and film.
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Generic ideologies: The intersection of empire, the epic and the novel in French West African and Latin literatures.
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When the Personal Became Political: First-Person Fictions and Second-Wave Feminism.
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The passion imperative: Marriage and self in Edith Wharton's Summer, The House of Mirth, and The Age of Innocence.
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