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Between image and identity: Fantasy...

Eileraas, Karina Astrid.

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Between image and identity: Fantasy, transnational trauma, and feminist misrecognition (Leila Sebbar, Assia Djebar, Algeria, Marguerite Duras, Helene Cixous, France, Theresa Hak Kyung Cha).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Between image and identity: Fantasy, transnational trauma, and feminist misrecognition (Leila Sebbar, Assia Djebar, Algeria, Marguerite Duras, Helene Cixous, France, Theresa Hak Kyung Cha)./
作者:	Eileraas, Karina Astrid.
面頁冊數:	318 p.
附註:	Source: Dissertation Abstracts International, Volume: 64-04, Section: A, page: 1433.
Contained By:	Dissertation Abstracts International64-04A.
標題:	Women's Studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3088985

Between image and identity: Fantasy, transnational trauma, and feminist misrecognition (Leila Sebbar, Assia Djebar, Algeria, Marguerite Duras, Helene Cixous, France, Theresa Hak Kyung Cha).
Eileraas, Karina Astrid.

Between image and identity: Fantasy, transnational trauma, and feminist misrecognition (Leila Sebbar, Assia Djebar, Algeria, Marguerite Duras, Helene Cixous, France, Theresa Hak Kyung Cha). - 318 p.

Source: Dissertation Abstracts International, Volume: 64-04, Section: A, page: 1433.

Thesis (Ph.D.)--University of California, Los Angeles, 2003.

My dissertation addresses the autobiographical art and literature of postcolonial Francophone women from the Maghreb and Southeast Asia including Leila Sebbar, Assia Djebar, Marguerite Duras, Theresa Cha, and Hélène Cixous. Adopting a comparative approach, I consider how these artists choose to represent—and often reinvent—experiences of transnational trauma such as colonization, revolution, sexual violence, and exile. I conclude that the subjects of my study variously seek to challenge or “misrecognize” nationalist, colonialist, and Orientalist imagery, especially by confronting the racial and sexual fantasies embedded in colonial photography, film, and Orientalist painting. By exploring the creative powers of fantasy, alienation, and misrecognition in their autobiographical work, they vitally rewrite postcolonial history, and re-imagine the relationships between image, identity, and national memory.Subjects--Topical Terms:

1017481
Women's Studies.

Between image and identity: Fantasy, transnational trauma, and feminist misrecognition (Leila Sebbar, Assia Djebar, Algeria, Marguerite Duras, Helene Cixous, France, Theresa Hak Kyung Cha).
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100 1 $a Eileraas, Karina Astrid. $3 1945559
245 1 0 $a Between image and identity: Fantasy, transnational trauma, and feminist misrecognition (Leila Sebbar, Assia Djebar, Algeria, Marguerite Duras, Helene Cixous, France, Theresa Hak Kyung Cha).
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500 $a Chair: Francoise Lionnet.
502 $a Thesis (Ph.D.)--University of California, Los Angeles, 2003.
520 $a My dissertation addresses the autobiographical art and literature of postcolonial Francophone women from the Maghreb and Southeast Asia including Leila Sebbar, Assia Djebar, Marguerite Duras, Theresa Cha, and Hélène Cixous. Adopting a comparative approach, I consider how these artists choose to represent—and often reinvent—experiences of transnational trauma such as colonization, revolution, sexual violence, and exile. I conclude that the subjects of my study variously seek to challenge or “misrecognize” nationalist, colonialist, and Orientalist imagery, especially by confronting the racial and sexual fantasies embedded in colonial photography, film, and Orientalist painting. By exploring the creative powers of fantasy, alienation, and misrecognition in their autobiographical work, they vitally rewrite postcolonial history, and re-imagine the relationships between image, identity, and national memory.
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