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Writers and responsibility: George O...
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Hewson, Kelly Leigh.
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Writers and responsibility: George Orwell, Nadine Gordimer, John Coetzee and Salman Rushdie.
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Writers and responsibility: George Orwell, Nadine Gordimer, John Coetzee and Salman Rushdie./
作者:
Hewson, Kelly Leigh.
附註:
Source: Dissertation Abstracts International, Volume: 49-10, Section: A, page: 3033.
Contained By:
Dissertation Abstracts International49-10A.
標題:
Literature, African. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=NL45837
ISBN:
9780315458376
Writers and responsibility: George Orwell, Nadine Gordimer, John Coetzee and Salman Rushdie.
Hewson, Kelly Leigh.
Writers and responsibility: George Orwell, Nadine Gordimer, John Coetzee and Salman Rushdie.
Source: Dissertation Abstracts International, Volume: 49-10, Section: A, page: 3033.
Thesis (Ph.D.)--University of Alberta (Canada), 1988.
The old debate concerning the nature of the writer's responsibility has been revived with a new urgency in this decade, and it seems that the questions it raises are questions that agitate a number of contemporary writers.
ISBN: 9780315458376Subjects--Topical Terms:
1022872
Literature, African.
Writers and responsibility: George Orwell, Nadine Gordimer, John Coetzee and Salman Rushdie.
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The old debate concerning the nature of the writer's responsibility has been revived with a new urgency in this decade, and it seems that the questions it raises are questions that agitate a number of contemporary writers.
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In 1984 Salman Rushdie published "Outside the Whale," an essay which was clearly written in response to George Orwell's essay "Inside the Whale" (1940). As I see it, Rushdie's essay asks once again the question of the writer's responsibility: is the writer (simply by virtue of the fact that he or she is a writer) responsible for committing himself or herself in political terms? Or not? These are questions that also perplex Nadine Gordimer in, among other essays, one she published in 1985 entitled "The Essential Gesture: Writers and Responsibility." And in an ambivalent review of John M. Coetzee's novel, Life and Times of Michael K, Gordimer appeals to Georg Lukacs' theory of critical realism, the mode she favours for political expression. On the other hand, Coetzee, while expressing admiration for Gordimer's accomplishments in the critical realist mode, has stated in an interview (1978) that he thinks "the novel today is after a bigger game" than the critical realist type. As well, many claims have been made for the political import of Rushdie's fiction, fiction that draws on fantasy and that favours a kind of "magical realism."
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This thesis does not attempt to recommend on political grounds an ideal mode for political expression. It takes up the more fruitful project of investigating how effectively a writer treats political concerns within his or her chosen mode. It examines several contemporary novels--Nadine Gordimer's The Conservationist and Burger's Daughter, J. M. Coetzee's Waiting for the Barbarians and Life and Times of Michael K, and Salman Rushdie's Midnight's Children--in light of some of the questions raised by the recently reopened debate on the nature of the writer's responsibility.
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