Literature, Canadian (English).
Overview
| Works: | 128 works in 0 publications in 0 languages | |
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Titles
Care ethics and cloning: A speculative literary critique of human biotechnology.
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Theatrical re/enactments of Mennonite identity in the plays of Veralyn Warkentin and Vern Thiessen.
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Universe makers: Mythology and the creative work of women writers of speculative fiction.
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The female self, body and food: Strategies of resistance in Doris Lessing, Margaret Atwood, Zhang Jie and Xi Xi (China, Zimbabwe).
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Reading Canada biblically: A study of biblical allusion and the construction of nation in contemporary Canadian writing.
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Portraits of 'past actuality': The tragedy and triumph of Japanese-Canadians as portrayed in historically based Canadian literature.
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The terms of refuge: Collectivity in contemporary global Anglophone fiction.
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A world without maps: Post-national, English-language literature in the late twentieth century.
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Clothes reading: Sartorial consciousness in postmodern fiction by women.
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Developmental dramaturgy in the emerging Asian-Canadian playwriting community in Toronto.
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Promising transnational births: The womb and cyborg poetics in Asian Canadian literature.
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Monstrous textual and self-adaptation in contemporary women's fiction.
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The question of cross-cultural understanding in the transcultural travel narratives about post-1949 China.
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Troping the timeless: Ontological desires and the representation of childhood in coming-of-age narratives.
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Mixing in the postcolonial diaspora: Writing race as fiction in the works of Lawrence Hill, Shani Mootoo, and Danzy Senna.
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Roots to routes: Contemporary Indigenous fiction by women writers in the United States, Canada, Australia, and New Zealand.
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The madwoman in the theatre: A re-evaluation of Canadian women playwrights and the English Canadian Dramatic Canon, 1966-1977.
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The im/possibility of recovery in Native North American literatures.
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Texts like the World: The Use of Utopian Discourse to Represent Place in Works by Nicole Brossard and Dionne Brand.
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Cybercultural ecologies: Interfacing nature, virtuality, and narrative.
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Unframing the novel: From Ondaatje to Carson (Michael Ondaatje, Anne Carson, George Bowering, Joy Kogawa, Daphne Marlatt).
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Rape in feminist utopian and dystopian fiction: Joanna Russ's "The Female Man", Margaret Atwood's "The Handmaid's Tale", and Octavia Butler's "The Parable of the Sower" and "The Parable of the Talents".
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Differing bodies, defying subjects, deferring texts: Gender, sexuality, and transgression in Chinese Canadian women's writing.
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Re-membering women's bodies: The problems of voice and representation in two partition narratives (Bapsi Sidhwa, Pakistan, Shauna Singh Baldwin, India).
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Re-settling the "bard": Postcolonial parody in Canadian and Australian appropriations of Shakespeare (William Shakespeare).
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Women (w)ri(gh)ting wrongs: Contemporary female playwrights manipulate the past (Caryl Churchill, Sharon Pollock, Timberlake Wertenbaker, Anna Deavere Smith, Suzan-Lori Parks).
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"Words cannot express": Aesthetic trauma and strategies of representation in Timothy Findley's "The Wars", Steven Spielberg's "Saving Private Ryan", and Art Spiegelman's "Maus: A Survivor's Tale".
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Canadian military humor: A perspective on Canadian Army humour during World War Two and Korea.
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Melancholic poetics: The vagaries and vicissitudes of identity in three Canadian poetic novels and various psychoanalytical works (Kristjana Gunnar, Audrey Thomas, Anne Carson, Jacques Lacan).
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Hearing the silence: A legacy of post-modernism (Michael Ondaatje, Jacques Poulin, Nicole Brossard, Joy Kogawa).
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Identity, translation and embodiment in migrant and minority women's writings in Japan, English Canada and Quebec.
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A girlhood of myth, dreams, and trauma: Redefining the Asian North American female bildungsroman.
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The Invasion of the Home Front: Revisiting, Rewriting, and Replaying the First World War in Contemporary Canadian Plays.
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Inventing Interventions: Strategies of Reappropriation in Native American and First Nations Literatures.
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Violence against Indigenous women: Literature, activism, resistance.
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Visions of Sovereignty: Indigenous Narratives of Resistance in a Neoliberal Age.
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Ghost images: Representations of second-generation memory in contemporary children's literature.
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Theatre into television: Theory and practice in English Canadian drama, 1952 to 1987.
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Towards interculturalism: A critical history of contemporary drama in Canada.
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Postmodern feminist readings of identity in selected works of Judith Thompson, Margaret Hollingsworth and Patricia Gruben.
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Native theatre for the seventh generation: On the path to cultural healing.
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Towards a dramaturgy of appropriation: The re-vision of Shakespeare in two Canadian plays. Michael O'Brien's "Mad Boy Chronicle" and Djanet Sears's "Harlem Duet".
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English versus heritage languages: The politics of language in South Asian Canadian writing.
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Divided land, divided bodies: Representations of nationalism and violence in literature and films on the Partition of India.
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The taboo against female agression in "Moll Flanders", "Lady Audley's Secret", and "Alias Grace" (Daniel Defoe, Mary Elizabeth Braddon, Margaret Atwood).
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New national narratives for a new world order: Contemporary postcolonial fiction from Canada and the North of Ireland.
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Global cities/urban subjects: The literary rearticulation of identity.
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Memory, history, and identity: The trauma narrative in contemporary North American and British fiction.
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THE IMPERIAL THEME: A STUDY OF COLONIAL ATTITUDES IN ENGLISH NOVELS SET IN AFRICA.
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A people without a past: Isolation in selected post-colonial novels.
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The argument against tragedy in feminist dramatic re-vision of the plays of Euripides and Shakespeare.
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"Nomadic" modernisms, modernist "nomadisms": (Dis)figuring exile in selected works of Djuna Barnes, Jean Rhys, Jane Bowles, and Eva Hoffman.
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Recollecting memory, reviewing history: Trauma in Asian North American literature.
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Atwood, Moisan, and beyond: The question of diversity in comparative Canadian literature.
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National whiteness/national witness: Traumatic narratives by minorities in the United States and Canada, 1980--2000.
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Between myth and meaning: The function of myth in four postcolonial novels.
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A poetics of translation in twentieth-century writing (Nicole Brossard, Lyn Hejinian, bp Nichol, Gertrude Stein).
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Re-writing the wor(l)d: Experimental writing by contemporary American women (Toni Morrison, Betsy Warland, Theresa Hak Kyung Cha, Lyn Hejinian, Daphne Marlatt).
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Sympathetic adventures: Robinsonnades, settler narratives, historical romances, and fictionalized histories for children, 1802--1854.
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"The habit of close observation": An ecocritical investigation of Catharine Parr Traill's nature writing in "Studies of Plant Life in Canada".
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Worldwise: Global change and ethical demands in the cosmopolitan fictions of Kazuo Ishiguro, Jamaica Kincaid, J. M. Coetzee, and Michael Ondaatje (Antigua, South Africa).
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Resisting women: Orientalism, diaspora, and gender (Anita Rau Badami, Rachna Mara, Kirin Narayan, Bharati Mukherjee, Sara Suleri, India, Pakistan).
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A hybrid future? The role of diasporic literature in representing contemporary Canadian identity.
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Books and worlds: A literary cartography of the Canadian North (John Moss, Aritha van Herk, Rudy Wiebe).
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Representing resistance: Women's novels of the Americas and human rights (Toni Morrison, Rosario Castellanos, Mexico, Joy Kogawa, Paule Marshall, Barbados).
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Nomads and nomadologies: Transformations of the primitive in twentieth-century theory and culture.
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Alien Cities: Anxieties about Race, Space, and the Body Politic in the Science Fiction City.
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Motherlands: Re -imagining maternal function in contemporary women's fiction.
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Coming Home: Sovereign Bodies and Sovereign Land in Indigenous Poetry, 1990-2012.
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Law, literature, location: Contemporary aboriginal/indigenous women's writing and the politics of identity.
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Descartes' doubting daughters: The care of the self in the fiction of Atwood, Laurence, and Munro.
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Shattered Hearts: Indigenous Women and Subaltern Resistance in Indonesian and Indigenous Canadian Literature.
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Attending the languages of the other: Recuperating "Asia," abject, other in Asian North American literature.
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The political awakening novels of Margaret Atwood, Doris Lessing, and Michelle Cliff: Narrative strategy, reader response, and utopian desire (Zimbabwe, Jamaica).
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Narrative aesthetics, multicultural politics, and (trans)national subjects: Contemporary fictions of Canada.
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"Post-modern transferrence"/reading identity politics beyond modernity: Cases from contemporary world literature.
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Un/settled migrations: Rethinking nation through the second generation in black Canadian and black British women's writing.
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Borderland without borders: Chinese diasporic women writers in the Americas.
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Shaping infinity: American and Canadian women write a North American West.
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Journeys of self-transformation in contemporary literature (Annie Proulx, Margaret Atwood, Mark Salzman).
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Sexual revolutions: Desire as redemption in the twentieth-century dystopian novel.
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Flesh wounds: Reading the scar as text in the works of Sylvia Plath, Margaret Atwood and Toni Morrison.
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The truth to be told: Trauma and healing in selected writing by contemporary North American indigenous women.
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Constructions of home: The city as a site of spatial history and post-settler identity in four Commonwealth novels (David Malouf, Ian Wedde, Michael Ondaatje, Anne Michaels, Australia, New Zealand, Canada).
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The pagan writes back: Hetero-religiosity, heterology, and heterogeneous space in four contemporary novels.
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Laughing to survive: Humour in contemporary Canadian Native literature.
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"National Post"colonial: Representations of the "enemy within" in Canada's national newspapers.
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"Post-modern transference"/reading identity politics beyond modernity : = Cases from contemporary world literature /
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Space and identity formation in twentieth-century Canadian realist novels: Recasting regionalism within Canadian literary studies.
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Acimisowin as theoretical practice: Autobiography as Indigenous intellectual tradition in Canada.
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Alternate futures: The transposition of women's roles in science fiction from print to visual media.
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From Muse to militant: Francophone women novelists and Surrealist aesthetics.
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Negotiating the spaces of adultery: Domesticity and the feminist adultery narrative.
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Literary bilingualism as cosmopolitan practice: Vladimir Nabokov, Samuel Beckett, and Nancy Huston.
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