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Women (w)ri(gh)ting wrongs: Contemp...
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Bigrigg, Carin.
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Women (w)ri(gh)ting wrongs: Contemporary female playwrights manipulate the past (Caryl Churchill, Sharon Pollock, Timberlake Wertenbaker, Anna Deavere Smith, Suzan-Lori Parks).
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Women (w)ri(gh)ting wrongs: Contemporary female playwrights manipulate the past (Caryl Churchill, Sharon Pollock, Timberlake Wertenbaker, Anna Deavere Smith, Suzan-Lori Parks)./
作者:
Bigrigg, Carin.
面頁冊數:
219 p.
附註:
Source: Dissertation Abstracts International, Volume: 65-04, Section: A, page: 1361.
Contained By:
Dissertation Abstracts International65-04A.
標題:
Literature, Modern. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3129619
Women (w)ri(gh)ting wrongs: Contemporary female playwrights manipulate the past (Caryl Churchill, Sharon Pollock, Timberlake Wertenbaker, Anna Deavere Smith, Suzan-Lori Parks).
Bigrigg, Carin.
Women (w)ri(gh)ting wrongs: Contemporary female playwrights manipulate the past (Caryl Churchill, Sharon Pollock, Timberlake Wertenbaker, Anna Deavere Smith, Suzan-Lori Parks).
- 219 p.
Source: Dissertation Abstracts International, Volume: 65-04, Section: A, page: 1361.
Thesis (Ph.D.)--The University of New Mexico, 2004.
This study examines how contemporary female playwrights---Caryl Churchill, Sharon Pollock, Timberlake Wertenbaker, Anna Deavere Smith, and Suzan-Lori Parks---manipulate the past in order to comment on the present. These five playwrights, whose wSubjects--Topical Terms:
624011
Literature, Modern.
Women (w)ri(gh)ting wrongs: Contemporary female playwrights manipulate the past (Caryl Churchill, Sharon Pollock, Timberlake Wertenbaker, Anna Deavere Smith, Suzan-Lori Parks).
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Source: Dissertation Abstracts International, Volume: 65-04, Section: A, page: 1361.
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Chair: David Jones.
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Thesis (Ph.D.)--The University of New Mexico, 2004.
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Chapter two centers on Sharon Pollock's Blood Relations and Suzan-Lori Parks's The America Play by exploring the motivations and mechanisms behind how individuals, victims of hegemonic constructions of gender and race, attempt to assert some sor
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Chapter three combines a discussion of Caryl Churchill's Vinegar Tom with an exploration of Anna Deavere Smith's Fires in the Mirror to shed light on the power of group identity and representation, the dangers of which are made explicit by their
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Finally, the last chapter associates Churchill's Light Shining in Buckinghamshire with Timberlake Wertenbaker's The Grace of Mary Traverse to investigate identity politics, image control, and representation, as individuals attempt and fail to cr
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