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The looking glass vision in women's ...
~
Ward, Georgeann.
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The looking glass vision in women's literature.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The looking glass vision in women's literature./
作者:
Ward, Georgeann.
面頁冊數:
60 p.
附註:
Source: Masters Abstracts International, Volume: 45-05, page: 2191.
Contained By:
Masters Abstracts International45-05.
標題:
Literature, Modern. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1441989
The looking glass vision in women's literature.
Ward, Georgeann.
The looking glass vision in women's literature.
- 60 p.
Source: Masters Abstracts International, Volume: 45-05, page: 2191.
Thesis (M.A.)--University of Houston-Clear Lake, 2007.
In some of the most influential women's literature from the past two hundred years, female characters have evolved into fully empowered beings fighting to achieve a balance in their relationships with men. Representative works such as Jane Austen's Persuasion, George Eliot's Middlemarch, Virginia Woolf s A Room of One's Own, Margaret Atwood's Surfacing, and Alice Munro's The Love of a Good Woman help explain the gender roles that exist and conceive of alternatives to these prescriptions. Using psychoanalytic theory and feminist criticism of scholars such as Jacques Lacan and Julia Kristeva, one can examine each writer's use of mirror imagery as an indication of her conception of the construction and maintenance of self, both within and outside of marriage.Subjects--Topical Terms:
624011
Literature, Modern.
The looking glass vision in women's literature.
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Source: Masters Abstracts International, Volume: 45-05, page: 2191.
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In some of the most influential women's literature from the past two hundred years, female characters have evolved into fully empowered beings fighting to achieve a balance in their relationships with men. Representative works such as Jane Austen's Persuasion, George Eliot's Middlemarch, Virginia Woolf s A Room of One's Own, Margaret Atwood's Surfacing, and Alice Munro's The Love of a Good Woman help explain the gender roles that exist and conceive of alternatives to these prescriptions. Using psychoanalytic theory and feminist criticism of scholars such as Jacques Lacan and Julia Kristeva, one can examine each writer's use of mirror imagery as an indication of her conception of the construction and maintenance of self, both within and outside of marriage.
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