Literature, Slavic and East European.
概要
| 作品: | 108 作品在 0 項出版品 0 種語言 | |
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書目資訊
Margins and marginality: Marginalia and colophons in South Slavic manuscripts during the Ottoman period, 1393--1878.
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Ghost images: Representations of second-generation memory in contemporary children's literature.
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Performing for Europe at its borders: Gender, nation and the Roma minority in post-communist Romania.
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The heteroglossic narratives of national history: Mythified histories and the postcolonial condition.
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Joseph Brodsky as self-translator: Analysis of lexical changes in his self-translations.
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A creative passion: Revolutionary terrorism in Dostoevsky's "Demons" and beyond, 1871--1916.
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Secularism and its discontents: Religion and modernity through the eyes of Maxim Gorky and Vasily Rozanov.
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Surviving in post-Soviet Russia: Magical realism in the works of Viktor Pelevin, Ludmila Petrushevskaya, and Ludmila Ulitskaya.
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The trauma of Stalinism narrated in Varlam T. Shalamov's "Kolymskie rasskazy": Missiological implications for contemporary Russia.
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Sacrifice and salvation: Twentieth-century Russian literature and Soviet ideology of the body.
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Empire by invitation? Russian empire-building in the Caucasus in the reign of Catherine II.
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On the Threshold of Eurasia: Intersecting Discourses of Empire and Identity in the Russian Empire.
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(Post)Yugoslav Identities and East-West Paradigm: Empires and Imperialism on the Margins of Europe.
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Constructing the other: Defining the nation and defining the self in early Soviet and British modernist prose.
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Teaching Russian verbal aspect: A survey of materials for proficiency-oriented curricula.
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Owning property, being property: Medieval and modern women shape the narratives of marriage.
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The grammar of have in a have-less language: Possession, perfect, and ergativity in North Russian.
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'Yung-Vilne': A cultural history of a Yiddish literary movement in interwar Poland (Leyzer Volf, Chaim Grade, Abraham Sutzkever).
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Literary ventriloquism: Pound, Celan, Mandelstam and twentieth-century poetic translation.
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Murder in the name of theory: Theoretical paradigms and ethical problems in works by Dostoevsky, Gide and DeLillo.
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Vaclav Havel: Political resistance, modern individualism and the responsibilities of citizenship.
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Fantasy, irony, and the grotesque: E. T. A. Hoffmann and Russian modernist theatre, 1910--1922.
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Handwriting, typography, illustration: The visual word of the Russian avant-garde.
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The modernist novel in Western and Eastern Europe: Virginia Woolf, Dezso Kosztolnyi, and Mateiu Caragiale.
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Predicaments and resolutions: A study of dramatic structure in Stoppard, Chekhov, and Shakespeare (Russia, Tom Stoppard, Anton Chekhov, William Shakespeare).
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Propaganda and aesthetics: The modern politics of avant-garde and workers culture.
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A rational transition: Economic experts and the construction of post-communist Slovenia.
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The patriotism of despair: Symbolic economies, national memory, and communities of loss in Russia.
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Imitatio or plagiarism: A quest for literary metamorphosis in the Russian chivalric romance "Bova Korolevich".
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Moonlighter's paradise: From the land of iron and steel to the land of irony and stealing.
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Gogol's Ghosts On the History of Nikolai Gogol in Russian Literary Criticism (1891--1944).
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The Eternal Stranger: The Superfluous Man in Nineteenth-Century Russian Literature.
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Perception and action: Sympathy, charity and ideal communities in Eliot's "Middlemarch" and Dostoevsky's "The Brothers Karamazov".
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On the Distinctiveness of the Russian Novel: "The Brothers Karamazov" and the English Tradition.
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The political forms and figures of Russian Futurism: Manifestos and media blitz, 1908--1914.
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The "other" place of language: Identity and heterotopia in Joseph Conrad and Witold Gombrowicz (Poland).
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Poetic text and socio-political reality in the work of Wallace Stevens and Osip Mandelstam.
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Tolstoy's dialogue on education and art: The educational writings, "Anna Karenina", and "What Is Art?".
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The Mary Stuart myth in 20th century Russian literature (Valerii Briusov, Marina Cvetaeva, Boris Pasternak, Joseph Brodsky).
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Writing on the margins: The experimental poetry of Lyn Hejinian, Yang Lian, and Arkadii Dragomoshchenko (China, Russia).
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Applied multimedia resources as instructional supplements in Russian language pedagogy: A reference guide.
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