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A poetics of freedom: Anton Chekhov'...
~
Nankov, Nikita.
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A poetics of freedom: Anton Chekhov's prose fiction and modernity .
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
A poetics of freedom: Anton Chekhov's prose fiction and modernity ./
作者:
Nankov, Nikita.
面頁冊數:
557 p.
附註:
Adviser: Andrew Durkin.
Contained By:
Dissertation Abstracts International67-12A.
標題:
Literature, Comparative. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3243795
A poetics of freedom: Anton Chekhov's prose fiction and modernity .
Nankov, Nikita.
A poetics of freedom: Anton Chekhov's prose fiction and modernity .
- 557 p.
Adviser: Andrew Durkin.
Thesis (Ph.D.)--Indiana University, 2007.
The following two chapters, in the semiotic dialectic between interpretation and practical action, explain the poetic patterns that defer endlessly any ultimate meaning in Chekhov's works.Subjects--Topical Terms:
530051
Literature, Comparative.
A poetics of freedom: Anton Chekhov's prose fiction and modernity .
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Thesis (Ph.D.)--Indiana University, 2007.
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The following two chapters, in the semiotic dialectic between interpretation and practical action, explain the poetic patterns that defer endlessly any ultimate meaning in Chekhov's works.
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The last chapter explains that Chekhov can be interpreted according to the poetics of his prose fiction if the reader does not look for any pre-given meanings or rationally formulated ideals in this writer, but creates his or her own meanings instead.
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The next two chapters explore how the meaning of human life in Chekhov is not given in advance but is constantly created and, therefore, the major narrative levels of his work are in a process of going beyond themselves.
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The dissertation details certain major existential issues faced by men and women in the era of modernity (that is, the last two and a half centuries), as represented in the works of Anton Chekhov (1860-1904). It outlines a poetics of this writer's prose fiction based on the coexistence of dynamics and stasis. In the introductory chapter, these two principles of viewing the world are elaborated in terms of existential and phenomenological philosophy, semiotics, narratology, and theories of interpretation.
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Chapters four, five, and six explore Chekhov's depth model, which is a narrative mode that represents the fictional phenomena as possessing a potential that unfolds and tries to reach its fulfillment, a gradual deciphering of experience, which leads to increasingly greater comprehension. Chekhov's universal depth model reveals the human potential of social existence that is stifled by the status quo. Chekhov's personal depth model uncovers a character's talent suppressed by social norms.
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Chapter nine, a close reading of the short story "At Home" ("Doma," 1887) demonstrates that in Chekhov's prose fiction there are narrative realms expressing the qualitative uniqueness of the modern individual and narrative limits that make him or her a quantifiable object without a personal story.
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The link between Chekhov's oeuvre and modernity is provided by the presumption that the work represents reality not through what it says but by how it says it, that is, by its poetics. Chekhov's poetics points in the direction of modern creativity characterized by relativity, fragmentation, a focus on becoming rather than being, function rather than essence, and poetic patterns that bestow on the reader the freedom to co-author the meanings of the literary work.
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