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The political forms and figures of R...

Reddaway, Darlene Lynn.

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The political forms and figures of Russian Futurism: Manifestos and media blitz, 1908--1914.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The political forms and figures of Russian Futurism: Manifestos and media blitz, 1908--1914./
作者:	Reddaway, Darlene Lynn.
面頁冊數:	618 p.
附註:	Source: Dissertation Abstracts International, Volume: 63-04, Section: A, page: 1373.
Contained By:	Dissertation Abstracts International63-04A.
標題:	Literature, Slavic and East European. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3048600
ISBN:	0493629971

The political forms and figures of Russian Futurism: Manifestos and media blitz, 1908--1914.
Reddaway, Darlene Lynn.

The political forms and figures of Russian Futurism: Manifestos and media blitz, 1908--1914. - 618 p.

Source: Dissertation Abstracts International, Volume: 63-04, Section: A, page: 1373.

Thesis (Ph.D.)--Stanford University, 2002.

This dissertation systematizes the pre-Revolutionary phase of the Russian Futurist movement (1908–1914), taking the polemics expressed in its manifestos and media campaign as the organizing principle. A close chronological reading of manifesto and media texts is undertaken in the context of critical and readership response as expressed in newspaper and journal articles. This reading enables deciphering the dynamics of the personal relationships, ambitions, declarations, world sense, and public relations tactics that drove the beginning phase of the Russian Futurist movement. Russian Futurism is thus seen to be a consistent bipolar movement that expressed its polemics in a political language steeped in the core issues of everyday life. The philosophically and historically anchored Ego-Futurist line (Ego-Futurists, Mezzanine, and Centrifuge) of the movement and the emancipated, scientifically engaged Cubo-Futurist line vied for ascendancy in the struggle to dominate over meaning in poetry and for the right to recreate meaning in the social sphere at large.

ISBN: 0493629971Subjects--Topical Terms:

1022083
Literature, Slavic and East European.

The political forms and figures of Russian Futurism: Manifestos and media blitz, 1908--1914.
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245 1 0 $a The political forms and figures of Russian Futurism: Manifestos and media blitz, 1908--1914.
300 $a 618 p.
500 $a Source: Dissertation Abstracts International, Volume: 63-04, Section: A, page: 1373.
500 $a Adviser: Gregory Freidin.
502 $a Thesis (Ph.D.)--Stanford University, 2002.
520 $a This dissertation systematizes the pre-Revolutionary phase of the Russian Futurist movement (1908–1914), taking the polemics expressed in its manifestos and media campaign as the organizing principle. A close chronological reading of manifesto and media texts is undertaken in the context of critical and readership response as expressed in newspaper and journal articles. This reading enables deciphering the dynamics of the personal relationships, ambitions, declarations, world sense, and public relations tactics that drove the beginning phase of the Russian Futurist movement. Russian Futurism is thus seen to be a consistent bipolar movement that expressed its polemics in a political language steeped in the core issues of everyday life. The philosophically and historically anchored Ego-Futurist line (Ego-Futurists, Mezzanine, and Centrifuge) of the movement and the emancipated, scientifically engaged Cubo-Futurist line vied for ascendancy in the struggle to dominate over meaning in poetry and for the right to recreate meaning in the social sphere at large.
520 $a The introduction to the dissertation illuminates five categories of the Futurist strategy for reformulating meaning in the literary and social spheres. Chapter 1 analyzes their strategy to present art as dominant over all other forms of discourse in determining meaning. Chapter 2 investigates their strategy to take on the role of strong egocentric personalities masquerading themselves as political figures. Chapters 3–6 present, in chronological and dialogical form, their platforms for poetic and socio-political change. Chapters 7–9 present the tactics they developed to overthrow the literary and socio-critical establishments. Chapter 10 analyzes the strategies they used to circumvent all authority and win support for themselves directly from the public via the press and performance. In the end, it was the Cubo-Futurist line of thought that was the most consonant with the age and the most resonant with the tenor of public conduct and thought. The Cubo-Futurist grasp of the new and modern “era of the crowd” enabled them to put together the winning campaign. By 1914, they had subdued all other Futurist groups, consolidating them within their sturdy “heights of skyscrapers,” to find that the war effort had muted all domestic struggles, whether in poetry or in life.
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