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Poetic text and socio-political real...

Kostova, Raina.

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Poetic text and socio-political reality in the work of Wallace Stevens and Osip Mandelstam.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Poetic text and socio-political reality in the work of Wallace Stevens and Osip Mandelstam./
作者:	Kostova, Raina.
面頁冊數:	261 p.
附註:	Source: Dissertation Abstracts International, Volume: 67-03, Section: A, page: 0926.
Contained By:	Dissertation Abstracts International67-03A.
標題:	Literature, Comparative. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3212375
ISBN:	9780542614408

Poetic text and socio-political reality in the work of Wallace Stevens and Osip Mandelstam.
Kostova, Raina.

Poetic text and socio-political reality in the work of Wallace Stevens and Osip Mandelstam. - 261 p.

Source: Dissertation Abstracts International, Volume: 67-03, Section: A, page: 0926.

Thesis (Ph.D.)--Emory University, 2006.

My dissertation, "Poetic Text and Socio-Political Reality in the Work of Wallace Stevens and Osip Mandelstam" places the work of Jewish-Russian poet Osip Mandelstam (1891-1938) in the context of the American modernist tradition, and more specifically, compares some of Mandelstam's speculations about poetry with the poetry and poetics of Wallace Stevens. Mandelstam's examination of the radical meaning-making power of language within the context of Soviet propaganda, finds unexpected support within Wallace Stevens' poetics of "reality" and "imagination." In examining Stevens' claim that "the imagination adheres to the reality" and "the reality adheres to the imagination," I focus on Stevens' view of the process of fusion implied by his almost covert or imperceptible notions of adherence and upholding . I maintain that the imagination, traditionally associated with poetry and fiction, becomes intrinsic to Stevens' perception of reality. In both Stevens' and Mandelstam's work, I pursue the interdependence of reality and imagination, as the "two sides" of a one-sided mobius strip (given the courage that poetic words require, the imagination leads to reality, reality to the imagination).

ISBN: 9780542614408Subjects--Topical Terms:

530051
Literature, Comparative.

Poetic text and socio-political reality in the work of Wallace Stevens and Osip Mandelstam.
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245 1 0 $a Poetic text and socio-political reality in the work of Wallace Stevens and Osip Mandelstam.
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500 $a Source: Dissertation Abstracts International, Volume: 67-03, Section: A, page: 0926.
500 $a Adviser: Elena Glazov-Corrigan.
502 $a Thesis (Ph.D.)--Emory University, 2006.
520 $a My dissertation, "Poetic Text and Socio-Political Reality in the Work of Wallace Stevens and Osip Mandelstam" places the work of Jewish-Russian poet Osip Mandelstam (1891-1938) in the context of the American modernist tradition, and more specifically, compares some of Mandelstam's speculations about poetry with the poetry and poetics of Wallace Stevens. Mandelstam's examination of the radical meaning-making power of language within the context of Soviet propaganda, finds unexpected support within Wallace Stevens' poetics of "reality" and "imagination." In examining Stevens' claim that "the imagination adheres to the reality" and "the reality adheres to the imagination," I focus on Stevens' view of the process of fusion implied by his almost covert or imperceptible notions of adherence and upholding . I maintain that the imagination, traditionally associated with poetry and fiction, becomes intrinsic to Stevens' perception of reality. In both Stevens' and Mandelstam's work, I pursue the interdependence of reality and imagination, as the "two sides" of a one-sided mobius strip (given the courage that poetic words require, the imagination leads to reality, reality to the imagination).
520 $a In two chapters devoted to Stevens, I analyze this one-sidedness in the context of what John Austin calls the "perlocutionary' and "illocutionary," or "performative" power of language, and what Mandelstam calls "two modulations of poetry: sensory and intellectual." While Mandelstam's distinctions are not synonymous with Austin's classification, they offer a useful complement. The contextualization of Stevens' work within the linguistic theories of Austin and Mandelstam allows Stevens' poetics to appear in a new light by clarifying the reciprocal exchange between the interior world of individual consciousness and the political discourse of the outside world. Mandelstam's poetics, generated in an era heavily charged with aestheticized political uses of language, marks the ability of the creative word to shape a new social reality. Two chapters consider Mandelstam's understanding of poetic language, which he developed partially as a result of his encounter with the aestheticized perception of language in the Soviet society. One of the chapters focuses on the debate among Mandelstam scholars regarding authorial intention in the "Ode to Stalin," and raises the question of whether the poem should be read as praise or as mockery of the supreme authority and the authoritative voice of the Soviet state. The second chapter explores the central issue of Mandelstam's new understanding of language in relation to contemporary poetics, namely, John Austin's concept of the performative aspect of language, and Stevens' insight that the interior world of the poet's consciousness, that is, his imagination, responds to the violence of the social world with a violence of its own, which results in the creation of a new "fused" perception of reality. In such a theoretical context, Mandelstam's depiction of the literal incorporation of ideological linguistic concepts into the real world provides a paradigm for interpreting Stevens' relationship between "imagination" and "reality" in terms of political and historical crisis.
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