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Gogol's Ghosts On the History of Nik...

Walker, Matthew.

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Gogol's Ghosts On the History of Nikolai Gogol in Russian Literary Criticism (1891--1944).

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Gogol's Ghosts On the History of Nikolai Gogol in Russian Literary Criticism (1891--1944)./
作者:	Walker, Matthew.
面頁冊數:	393 p.
附註:	Source: Dissertation Abstracts International, Volume: 72-05, Section: A, page: .
Contained By:	Dissertation Abstracts International72-05A.
標題:	Literature, Slavic and East European. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3448759
ISBN:	9781124547015

Gogol's Ghosts On the History of Nikolai Gogol in Russian Literary Criticism (1891--1944).
Walker, Matthew.

Gogol's Ghosts On the History of Nikolai Gogol in Russian Literary Criticism (1891--1944). - 393 p.

Source: Dissertation Abstracts International, Volume: 72-05, Section: A, page: .

Thesis (Ph.D.)--The University of Wisconsin - Madison, 2010.

"Gogol's Ghosts" reexamines a radical change in perceptions of the writer Nikolai Gogol (1809-1852) that occurs in Russian literary criticism during the Modernist period. For much of the nineteenth century the conventional wisdom considered Gogol the founder of Russian realism, but with the fin de siecle this consensus began to disintegrate, beginning with the writings of Vasilii Rozanov, who vehemently refused to accept Gogol as a realist, and later thanks to the efforts of critics associated with Symbolism and Formalism to make Gogol their own. Robert Maguire has described the result of these revisions in terms of a shift in reference: the "source of Gogol's art" was relocated from the "external world" to an "internal world," that is, from an objective reality to a subjective state of the soul. Instead of depicting the world as it is, as the Symbolist Valerii Briusov argued, Gogol populated it with the specters of his imagination.

ISBN: 9781124547015Subjects--Topical Terms:

1022083
Literature, Slavic and East European.

Gogol's Ghosts On the History of Nikolai Gogol in Russian Literary Criticism (1891--1944).
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245 1 0 $a Gogol's Ghosts On the History of Nikolai Gogol in Russian Literary Criticism (1891--1944).
300 $a 393 p.
500 $a Source: Dissertation Abstracts International, Volume: 72-05, Section: A, page: .
500 $a Adviser: Judith Deutsch Kornblatt.
502 $a Thesis (Ph.D.)--The University of Wisconsin - Madison, 2010.
520 $a "Gogol's Ghosts" reexamines a radical change in perceptions of the writer Nikolai Gogol (1809-1852) that occurs in Russian literary criticism during the Modernist period. For much of the nineteenth century the conventional wisdom considered Gogol the founder of Russian realism, but with the fin de siecle this consensus began to disintegrate, beginning with the writings of Vasilii Rozanov, who vehemently refused to accept Gogol as a realist, and later thanks to the efforts of critics associated with Symbolism and Formalism to make Gogol their own. Robert Maguire has described the result of these revisions in terms of a shift in reference: the "source of Gogol's art" was relocated from the "external world" to an "internal world," that is, from an objective reality to a subjective state of the soul. Instead of depicting the world as it is, as the Symbolist Valerii Briusov argued, Gogol populated it with the specters of his imagination.
520 $a With few exceptions, this understanding of the shift in criticism determined the course of twentieth-century Gogol scholarship, and it continues to exert a powerful influence in our own. When we read Gogol today, more often than not we do so in search of an aesthetic consciousness as it emerges and develops in Gogol's work. We attempt to read his "specters."
520 $a However, my dissertation argues that maintaining this narrative of the turn in Gogol criticism and the mode of reading it has inspired requires forgetting other aspects of the modernist critical legacy. Above all it requires ignoring the sheer negativity of Rozanov's initial critique: while Rozanov, anticipating his successors, at first attempts to read Gogol's works as psychobiography, he gradually fails to recognize anything in them but an inhuman, Medusa-like excess of writing. The question becomes not one of this or that referent, but of reference as such. My dissertation aims to return this question to Gogol's critical history, through close readings of criticism by Rozanov, Briusov, Annenskii, Eikhenbaum, Bakhtin, and Nabokov, among others, and to bring it to bear on the reading of Gogol's works, such as "Overcoat," "Portrait," and Dead Souls.
590 $a School code: 0262.
650 4 $a Literature, Slavic and East European. $3 1022083
690 $a 0314
710 2 $a The University of Wisconsin - Madison. $3 626640
773 0 $t Dissertation Abstracts International $g 72-05A.
790 1 0 $a Kornblatt, Judith Deutsch, $e advisor
790 $a 0262
791 $a Ph.D.
792 $a 2010
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3448759