Genre.
Overview
| Works: | 128 works in 94 publications in 94 languages | |
|---|---|---|
Titles
The greatest comic book of all time = symbolic capital and the field of American comic books /
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Contemporary women's gothic fiction = carnival, hauntings and vampire kisses /
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The Shawshank experience = tracking the history of the world's favorite movie /
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Paradoxical japaneseness = cultural representation in twenty-first century japanese cinema /
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Reassessing the Hitchcock touch = industry, collaboration, and filmmaking /
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Contemporary cinema and 'old age' = gender and the silvering of stardom /
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Actor-network theory at the movies = reassembling the contemporary American teen film with Latour /
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European cinema in the twenty-first century = discourses, directions and genres /
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Niche Formations: Rethinking Literary Opportunity in Modern Southeast Asian Literature.
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Living and Judging: Studies in Pragmatic Reasoning in Philosophy, Literature, and Law.
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The Role of Writing in International Undergraduate Education Students' Learning Experience.
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Technical Efficacy for Violin Improvisation : = How Not to Run Out of Fingers.
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'Getting into / Focus' : = Mapping the Influence of Cinema in Marginal British Poetry, 1927-1950.
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A Sociocognitive Approach to Audiovisual Translated Texts : = Dubbing /Subtitling in TV Series (English/Italian).
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Beyond Deadly Sins and Virgin Impairments : = Medieval Bodies in Disability Studies.
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Authorial Stance and Rhetorical Structure in English Research Articles in Tourism : = A Comparative Study of International and National Thai Journals.
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Absent Mothers, Guiding Sisters and Proper Ladies : = Familial Female Dynamics in Jane Austen's Novels = אמהות נעדרות, אחיות מנחות וגברות מהוגנות: דינמיקה משפחתית נשית ברומנים של ג'יין אוסטן.
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Transnational horror cinema = bodies of excess and the global grotesque /
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The postmillennial vampire = power, sacrifice and simulation in True blood, Twilight and other contemporary narratives /
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Hospitality, rape and consent in vampire popular culture = letting the wrong one in /
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Poison and poisoning in science, fiction and cinema = precarious identities /
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Genre trouble and extreme cinema = film theory at the fringes of contemporary art cinema /
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Alan Moore, out from the underground = cartooning, performance, and dissent /
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Screen adaptations and the politics of childhood = transforming children's literature into film /
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Phraseology and style in subgenres of the novel = a synthesis of corpus and literary perspectives /
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Discourse markers and beyond = descriptive and critical perspectives on discourse-pragmatic devices across genres and languages /
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The forest and the ecogothic = the deep dark woods in the popular imagination /
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Transmediating the Whedonverse(s) = essays on texts, paratexts, and metatexts /
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Academic literacy development = perspectives on multilingual scholars' approaches to writing /
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Discourses of home and homeland in Irish children's fiction 1990-2012 = writing home /
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Heightened genre and women's filmmaking in Hollywood = the rise of the cine-fille /
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Linked noun groups = opposition and expansion as genre and style markers /
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Reading for Enlightenment in the Beginning of Philosophical Transactions.
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"What I Do Is All I Have": Gesture and Contour in Harrison Birtwistle's Trio for Violin, Cello, and Piano.
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Employing a Genre-Based Approach to Teach Written Communication in Italian as a Foreign Language.
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"Play Your Broken Music to My Broken Song?" Contemporary Implications of Performing Schubert Lieder in English Translation.
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Making Room for Horror: The Adversity of Genre in the French Film Industry.
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A Corpus-Based Study of Academic Vocabulary in Foundation-Level Students' Assessed Academic Writing at a UK University.
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Chamber Music Fundamentals and Rehearsal Techniques for Advancing String Students.
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The Use of Co-constructions in Russian TV and Radio Political Interviews (on the Example of Vladimir Pozner and Alexey Venediktov).
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Chinese Avant-Garde Fiction in English Translation : = Contexts, Paratexts and Texts.
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The Effect of Perceived Complexity and Formal Location on Musical Preference.
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From Paintings to Pornography : = (Re)Animating Archives in French Documentary.
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Confession in Dostoevskii : = With Special Reference to Les Confessions of Jean-Jacques Rousseau : Three Case Studies.
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Speech, Speech Modes and Power Relations in Ancient Epic (Iliad, Odyssey, Argonautica, Aeneid, Metamorphoses).
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Melody Informatics : = Computational Approaches to Understanding the Relationships Between Human Affective Reasoning and Music.
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The Early Songs (1880-1885) of Claude Debussy : = An Analytical Approach to Defining a Repertoire.
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Prokofiev and the Soviet Dilemma : = Censorship, Autonomy and the Piano Transcriptions.
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