Musicians & conductors.
Overview
| Works: | 71 works in 0 publications in 0 languages | |
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Titles
Three Empirical Studies on the Evolution of Musical Syntax in Popular Music from the 1960s.
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Analysis and interpretation of Fanny Hensel's "Italien", "Notturno" and Piano Trio (first movement).
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The Curating City: A Functional Account of the Agglomeration of Creative Industries.
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Western and Chinese Musical Traditions in 20th Century China: Developing an American Pedagogy for "Chinese Classical Poetry Art Song".
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Nurturing Creativity and Innovation Through Activity-Based Courses for Undergrad Interior Design Curriculum.
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Performance Guide to Selected Solo Violin Works of Sergei Prokofiev and Krzysztof Penderecki.
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A Contemporary Adaptation of America's Musical Heritage: The American Folk Set by Steven Mark Kohn.
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Affective Dramaturgies in Contemporary Dance Leaky Encounters and Turbulent Spectating.
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"Play Your Broken Music to My Broken Song?" Contemporary Implications of Performing Schubert Lieder in English Translation.
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The Music Festival: A Case Study on the Establishment, Development, and Long-Term Success of an Instrumental Music Education Event From a Logistical Perspective.
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Symphonic Effects and a Performance Guide in Richard Strauss's Violin Sonata in E-flat Major, Op. 18.
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An Instrumental Song without Words about Hope: A Melodic Motivic Analysis of the Third Violin Sonata by Charles Ives (1874-1954).
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There Is a Body in the Sound: Timbre and Embodiment in the Overlap of Film, Music, and Dance.
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German Opera and Operetta at the new Orleans National Theatre, 1866--1878.
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Chamber Music Fundamentals and Rehearsal Techniques for Advancing String Students.
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From the Creative Drive to the Musical Product : A Psychoanalytic Account of Musical Creativity.
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The Memorization, Preparation, and Performance of Piano Music: Cognitive Foundations and Current Neuro-Music Research.
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Russian Jazz with Bolshevik Trimmings: Modernist Composer-Pianists in Revolutionary Russia.
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An Annotated Catalog of Flute Music by Female Composers between 1988 and 2021.
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Understanding Tattoos from the Indonesian Underground Music Scene of the Surabaya Region.
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Producing Bhangra : = Music, Culture and Technology - Mediating Culture in Music Production.
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Music and Exile in Twentieth-Century German, Italian, and Polish Literature.
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Effects of Reverberation Time on Classical Singers' Preferences upon Music Practice Rooms = = Klasik Sancilarin Muzik Calisma Odasi Tercihlerine Cinlama Suresinin Etkisi.
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A Synthesis of Contemporary Music Composition Pedagogy Practices for the Undergraduate and Graduate Level Sequences, and an Exploration of Time, Sound, and Space : = an Aleatoric Event Score in Collaboration with the LSU Museum of Art.
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Developing Successful Conductors : = A Survey of Feedback Methods for Undergraduate Instrumental Conducting Courses.
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Music Therapy with Adolescence and Young Adults on the Autism Spectrum : = Music Therapist Perspectives =תרפיה במוזיקה עם מתבגרים ובוגרים צעירים על הספקטרום האוטיסטי : נקודות המבט של מטפלים במוזיקה.
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Contemporary Improvised Music Methodologies, Modes of Reading, and Hybridity of Notation in Burr Van Nostrand's Voyage in a White Building I and Ae.M/Four-Mile Run for Fixed Media and Optional Performers.
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Learning and Teaching Conducting Through Musical and Non-Musical Skills : = An Evaluation of Orchestral Conducting Teaching Methods.
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High School Musicians' and Non-Musicians' Listening Preference for Authentic Versus Transcribed Musical Excerpts.
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Soundcurrents : = Exploring Sound's Potential to Catalyze Creative Critical Consciousness in Adolescent Music Students and Undergraduate Music Education Majors.
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Live Processing into the 21st Century : = Delay-Based Performance and Temporal Manipulation in the Music of Joel Ryan, Radiohead, and Sam Pluta.
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Jeff Scott's "Startin' Sumthin', Composed for the Monmouth Winds," Transcribed for Full Wind Band.
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Comparisons of Countermovement Jump and Isokinetic Performance in Youth Athletes : = Maturation and Early Sport Specialization Considerations.
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"Leave All that You Have, that You May Take All:" What Hugo Distler's Totentanz Reveals About His Life and Music.
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A Performer's Analysis of Isang Yun's Monolog for Bassoon with an Emphasis on the Role of Traditional Korean Influences.
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Popular Music Careers : = Arguing Contemporary Strategy for the Hybridised But Disempowered Akademi Fantasia Musicians in the Malaysian Music Industry.
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A Foundation for Collaboration : = an Analysis of Robert Schumann's Dichterliebe, Op. 48.
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Composing for the Performance Space : = A Practice-Based Investigation on the Design of Interfaces for Spatial Sound and Lighting.
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The Classical Sonata Forms of Franz Schubert's Great C-Major Symphony : = Exploring Tonal Structure in the New Romantic Style.
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A Woman's Place: Lesbian Feminist Conflicts in Contemporary Popular Culture.
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Gerhard Krapf, Organist: His Life, Pedagogy, Works, and Place in the North American Orgelbewegung.
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Applying Transmedia Storytelling to Develop a Brand Narrative for a South African Hip Hop Musician.
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Experimental Knowledge: Toward a Performance-Oriented Synthesis of Sources on Musical Improvisation, 1600-1800.
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An Analytical Study of Isang Yun's Oboe and Oboe D'Amore Concerto : = The Intercultural Adaptation of Sigimsae for the Korean Piri with Modern Western Compositional Techniques for the Oboe.
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Music Making and Learning at a School for the Visually Impaired : = A Case Study.
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Technical Efficacy for Violin Improvisation : = How Not to Run Out of Fingers.
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The Use of Orchestration and Structure in the Exploration of Fluid Musical Hierarchies.
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The Biology of Heavy Metal : = Evolutionary Links Between Science and Culture.
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Gesture in Steve Reich's Music and Its Signification : = A Referential Approach to His Process, Stylistic, and Postminimalist Works.
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Music Theory Pedagogy in Malta : = Implications for Practice in Higher Education from the Perspectives of Teachers, Lecturers and Students.
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Les Jours de Gloire : = The French Violin School and the Paris Conservatoire, 1795-1842.
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