Musical performances.
Overview
| Works: | 118 works in 0 publications in 0 languages | |
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Titles
Infusion of Exotic Influences in Selected Collaborative Piano Repertoire.
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The Collaborative Pianist's Role In An Integrated-Arts Setting: Dance, Music, and Visual Arts.
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Music for three stages: Performance preparation for opera, operetta and recital.
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Crossing over: Examining the challenges of a classically trained female performing music theater repertoire.
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H. Leslie Adams' Twenty-Six Etudes for Solo Piano: A performance and stylistic analysis.
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Two unfamiliar works of Franz Liszt (1811--1886): A comparison of Liszt's "Grosses Konzertsolo" (1849--1851) and "Concerto pathetique" (1856).
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The Evolution of Rachmaninov's Pianistic Style from 1892 to 1941 as Seen in Selected Original Works and Transcriptions for Piano.
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Unity Through Variety: Exploring the Cyclic Principle in Selected Works for Piano.
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Sholawat and the Sounds of Islam Nusantara: Music and Religious Authority in Contemporary Indonesia.
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The Effects of Tempo and Tonality on Emotion: A Musicological Approach to Mass Communication Research on Music Effects.
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A 'Bohemian' Premiere? Smetana's "The Bartered Bride" and National Identity in 1909 New York.
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A Performer's Analysis of Isang Yun's Monolog for Bassoon with an Emphasis on the Role of Traditional Korean Influences.
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The World of Tan Dun : = the Central Importance of Eight Memories in Watercolor, Op. 1.
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Understanding Tattoos from the Indonesian Underground Music Scene of the Surabaya Region.
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The performer's influence on Franco-Belgian compositions from 1870 to 1930.
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Taiwanese Composer Tyzen Hsiao: Pedagogical Aspects of Selected Piano Solo Works.
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Conducting from the Piano: A Tradition Worth Reviving?: A Study in Performance Practice: Mozart's Piano Concerto in C minor, K. 491.
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An Introduction to Contemporary Characteristics in Twentiethcentury Piano Music for the Lat E-Intermediate Student: A Pedagogical Analysis of the Bagatelles, Opus 5 by Alexander Tcherepnin.
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In Concert with...: Concert Audio Engineers and Arena Sound Systems, 1965-2018.
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Summary of Dissertation Recitals Three Programs of Collaborative Piano Music.
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Preserving the Narrative of 20th Century Art Song: A Guide for Instrumental Transcriptions of Vocal Music.
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Transcribing Orchestral Excerpts for Concertmaster Solo into Piano Reductions.
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Hearing in Time: Bergsonian Concepts of Time in Maurice Ravel's L'Heure Espagnole.
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The Curating City: A Functional Account of the Agglomeration of Creative Industries.
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"Night and Silence - Who Is Here?": The Impact of Vocal Variety in Arnold Schoenberg's Early Sprechstimmen.
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A History of Keyboard Hand Division: Note (Re)Distribution in Keyboard Music from the Renaissance to the Twentieth Century.
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Seven Nocturnes for Solo Piano: An Original Composition with Critical Essay and Suggestions for the Performer.
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Performance Guide to Selected Solo Violin Works of Sergei Prokofiev and Krzysztof Penderecki.
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A Comprehensive Study of Three Compositions for Percussion by Composer Jonathan Leshnoff, Run (2003), "...without a chance" (2003), and Concerto for Two Percussionists and Orchestra (2011), including a Structural and Aesthetic Analysis.
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Franz Liszt as Transcriber and Editor: An Historical Overview and Analytical Study of His Three Versions of Franz Schubert's "Wanderer Fantasy," D.760.
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Rachmaninoff's Performance Style as Heard in His Recordings: An Artistic and Technical Survey.
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Reger's Variations and Fugue on a Theme by Telemann, Op. 134 and Its Relationship to Brahms's Variations and Fugue on a Theme by Handel, Op. 24.
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Franz Schubert's Unfinished Thoughts: Recurrent Strategies in His Last Sonata Forms.
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Transformational Festivals and the Enchantment Economy: Performance and Race in Neoliberal Times.
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Dr. Aban Mistry, a Renowned Tabla Maestro of Farukhabad Gharana: A Comprehensive Study.
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An Analytical Study of Isang Yun's Oboe and Oboe D'Amore Concerto : = The Intercultural Adaptation of Sigimsae for the Korean Piri with Modern Western Compositional Techniques for the Oboe.
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A Performance Practice Guide for :only.just.almost.never for Solo Vibraphone by Jay Alan Yim.
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Contemporary Music Notation for the Flute : = A Unified Guide to Notational Symbols for Composers and Performers.
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An Introduction to Contemporary Violin Techniques : = A Practical Guide with Exercises for Students and Teachers.
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Technical Efficacy for Violin Improvisation : = How Not to Run Out of Fingers.
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Psychoacoustic Studies of Music Spatialization Strategies in Different Listening Contexts.
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A New Liberation : = Reviving the Piano Literature of Classical-Era Women Composers through Online Teaching Resources.
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The Use of Orchestration and Structure in the Exploration of Fluid Musical Hierarchies.
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Qin yun zai xian wu zheng ming : = yi Fan Weici gai bian zhi "Guangling San" ji "Longshuo Cao" wei li = The Charm of Guqin Menifasted in Guzeng Music : A Case Study on The Guangling San and Longshuo Cao Arranged by Wei-Tsu Fan.
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Shuman zhu ti bian zou qu : = Kelala Shuman zuo pin 20 yu Bulamusi zuo pin 9 de tong ti yi yun = Variations on a Theme of Robert Schumann : The Thoughts between Clara Schumann's Op.20 and Johannes Brahms' Op.9.
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A Comprehensive Remedial and Enhancing Cello Method for Professors and Undergraduate Students : = Conformation-Based Theoretical Methodology and Sequential Practical Solutions.
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"Stateside : = An Opera in One Act" on the Experiences of the Military Spouse.
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Sound Judgements : = Music Education Framework for Guiding Digital Mixing Practice.
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A Study of Traditional Korean Rhythm and Its Potential for Western Art Music.
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A Content Analysis : = Composer Representation in Choral Conducting Textbooks Published in the United States from 1983-2011.
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Contemporary Improvised Music Methodologies, Modes of Reading, and Hybridity of Notation in Burr Van Nostrand's Voyage in a White Building I and Ae.M/Four-Mile Run for Fixed Media and Optional Performers.
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Learning and Teaching Conducting Through Musical and Non-Musical Skills : = An Evaluation of Orchestral Conducting Teaching Methods.
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Live Processing into the 21st Century : = Delay-Based Performance and Temporal Manipulation in the Music of Joel Ryan, Radiohead, and Sam Pluta.
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Jeff Scott's "Startin' Sumthin', Composed for the Monmouth Winds," Transcribed for Full Wind Band.
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The Message of Music : = Music as Communication in the Multimedia Composition : Reflex 2/3 Self-Portrait.
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Whistling in the Workplace : = How Music Improves Motivation and Impacts Performance.
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Piano Performance in Musical Symbolism: Interpretive Freedom through Understanding Symbolist Aesthetics.
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The Voice and Architecture: Translating the Fundamentals of Vocal Mechanism in the Design of a Music Performance Hall Facility.
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Symphonic Effects and a Performance Guide in Richard Strauss's Violin Sonata in E-flat Major, Op. 18.
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Cello-Piano Duos : = Analytical, Practical and Rehearsal Strategies for the Collaborative Pianist.
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Philosophies on Arranging for Marching Percussion : = Santa Clara Vanguard Drum and Bugle Corps, 1968 to 2023.
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Tracing neoclassical influences in selected solo and chamber music for the clarinet.
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A Ne W Method to Estimate the Impact on the L5/Si Spinal Disc from Speed Lifting of Unstable Loads, Asymmetrically.
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The Grateful Dead and Their World: Popular Music and the Avant-Garde in the San Francisco Bay Area, 1965-75.
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Three Empirical Studies on the Evolution of Musical Syntax in Popular Music from the 1960s.
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Harmonica-Inspired Digital Musical Instrument Design Based on an Existing Gestural Performance Repertoire.
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Music Experience and Achievement of Students in Thai Public, Private, and International Schools.
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Novel Semi-Monolithic Tandem Device Architecture for Photovoltaic and Photoelectrochemical Devices.
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"Play Your Broken Music to My Broken Song?" Contemporary Implications of Performing Schubert Lieder in English Translation.
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The Music Festival: A Case Study on the Establishment, Development, and Long-Term Success of an Instrumental Music Education Event From a Logistical Perspective.
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An Instrumental Song without Words about Hope: A Melodic Motivic Analysis of the Third Violin Sonata by Charles Ives (1874-1954).
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Bohuslav Martinu's Oboe Concerto, H. 353: A New Piano Reduction of the Orchestral Score.
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German Opera and Operetta at the new Orleans National Theatre, 1866--1878.
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A History of the First and Second Varieties Theatres of New Orleans, Louisiana, 1849 to 1870. (Volumes I and II).
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Non-Tonal Pitch Hierarchies and Dramatic Narratives in Oliver Knussen's Variations, Op. 24.
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Chamber Music Fundamentals and Rehearsal Techniques for Advancing String Students.
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The Music Industry in the Streaming Age: Predicting the Success of a Song on Spotify.
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Computational Analysis and Modeling of Expressive Timing in Music Performance.
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Built for Performance: Designing Digital Musical Instruments for Professional Use.
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The Memorization, Preparation, and Performance of Piano Music: Cognitive Foundations and Current Neuro-Music Research.
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Modeling and Analyzing Parasitic Parameters in High Frequency Converters.
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Beethoven's Egmont, Count Egmont: An Imaginary Reading of Beethoven's Overture.
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Heterojunction Bipolar Transistor Parameter Extraction and Small Signal Modeling.
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Beyond Boundaries : = The Aesthetics of the Scream in the Music of the Second Viennese School.
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A New Edition of Anlun Huang's A Requiem in Chinese with an English Translation and International Phonetic Alphabet Transliteration.
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Compositional Use of Contemporary Techniques for Clarinet and Bass Clarinet : = A Study of Literature.
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Luciano Berio's "Six Encores Pour Piano" : = A Guide for Performance Preparation.
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The Choral Conductor-Composer : = A Symbiotic Relationship of Musical Disciplines.
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