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Beethoven's Egmont, Count Egmont: An Imaginary Reading of Beethoven's Overture.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Beethoven's Egmont, Count Egmont: An Imaginary Reading of Beethoven's Overture./
作者:
Williams, Matthew.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2021,
面頁冊數:
135 p.
附註:
Source: Dissertations Abstracts International, Volume: 82-09, Section: A.
Contained By:
Dissertations Abstracts International82-09A.
標題:
Music theory. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28314929
ISBN:
9798582508373
Beethoven's Egmont, Count Egmont: An Imaginary Reading of Beethoven's Overture.
Williams, Matthew.
Beethoven's Egmont, Count Egmont: An Imaginary Reading of Beethoven's Overture.
- Ann Arbor : ProQuest Dissertations & Theses, 2021 - 135 p.
Source: Dissertations Abstracts International, Volume: 82-09, Section: A.
Thesis (Ph.D.)--State University of New York at Buffalo, 2021.
This item must not be sold to any third party vendors.
Much of the surface structure-the immediate drama of the music-has become lost in scholarship concerning Beethoven's Egmont overture. References to large-scale processes, whether they manifest as exhumations of deeply-embedded hierarchical events or as organic outgrowths of smaller motivic germs, paint an interpretive picture of a composer obsessed with high-level compositional practices. This dissertation instead develops a theory of analysis in which the musical surface drives the analytical perspective. Rather than deferring to subsurface musical events, I highlight the drama often missed in traditional large-scale analysis using hyper-focused, shallow-level technologies unified with agency.My fictional, mixed-reality agency machine, Reactive-Environment-Musical-You (or REMY), incorporates surface-level methodologies with historically-indebted musical agency. The analytical methodologies include pitch-class counterpoint, slicing the musical surface into distinct yet interconnected harmonic states, and maximal outerplanar graphs, graphically depicting musical hierarchy. "REMY" folds surface-level analyses and musical agency into a second-person, user-generated mixed-reality set within the historical confines of the programmatic work in question; here, in the mid-16th century Low Countries. This particular historically-driven perspective provides new musical insights of Beethoven's programmatic Egmont, and fashions the high-level, linear-minded composer into one reveling in the moment-to-moment dramatic immediacy of the Dutch Beeldenstorms.
ISBN: 9798582508373Subjects--Topical Terms:
547155
Music theory.
Subjects--Index Terms:
Agency
Beethoven's Egmont, Count Egmont: An Imaginary Reading of Beethoven's Overture.
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Much of the surface structure-the immediate drama of the music-has become lost in scholarship concerning Beethoven's Egmont overture. References to large-scale processes, whether they manifest as exhumations of deeply-embedded hierarchical events or as organic outgrowths of smaller motivic germs, paint an interpretive picture of a composer obsessed with high-level compositional practices. This dissertation instead develops a theory of analysis in which the musical surface drives the analytical perspective. Rather than deferring to subsurface musical events, I highlight the drama often missed in traditional large-scale analysis using hyper-focused, shallow-level technologies unified with agency.My fictional, mixed-reality agency machine, Reactive-Environment-Musical-You (or REMY), incorporates surface-level methodologies with historically-indebted musical agency. The analytical methodologies include pitch-class counterpoint, slicing the musical surface into distinct yet interconnected harmonic states, and maximal outerplanar graphs, graphically depicting musical hierarchy. "REMY" folds surface-level analyses and musical agency into a second-person, user-generated mixed-reality set within the historical confines of the programmatic work in question; here, in the mid-16th century Low Countries. This particular historically-driven perspective provides new musical insights of Beethoven's programmatic Egmont, and fashions the high-level, linear-minded composer into one reveling in the moment-to-moment dramatic immediacy of the Dutch Beeldenstorms.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28314929
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