Art criticism.
概要
| 作品: | 438 作品在 9 項出版品 9 種語言 | |
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書目資訊
An analysis on the correlation between commercial success and institutional success for contemporary artists.
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The "Shock Effect:" The Influence of Audience Reactions on the Price of Contemporary Art.
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Through the Body: Corporeality, Subjectivity, and Empathy in Contemporary American Art.
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Art in between empires: Visual culture & artistic knowledge in late Mughal Delhi 1748--1857.
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Between Conviviality and Antagonism: Transactionalism in Contemporary Art Social Practice and Political Life.
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Another Way of Being: The Performative Practices of Contemporary Female Colombian Artists.
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Creating the Photographic Subject On the Role of Site, Subject, and the Spectator in the Work of JR.
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Le vetement et ses derives comme pratique interdisciplinaire, un corps graphique et organique dans un parcours limite.
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Some Island Unknown to the Rest of the World Inscrutability, Asian Americanness, Performance.
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Aesthetics and politics: A cross cultural analysis of social practice art in Western and East Asian societies.
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Condemned to Invisibility? Antonio Canova and the Impact of Photographic Reproduction on the History of Art.
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Aesthetics and criticism in art education : = problems in defining, explaining, and evaluating art /
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The Market for Chinese Contemporary Ceramics Art An Overview and Analysis of the Chinese Art Market from 1978 to 2015.
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Transformation From Wax to Metal: A Symbolic Interactionism Study of Jewelry Casting Class.
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Mycological provisions: An a/r/tographic portraiture of four contemporary teaching artists.
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Art critiques and ecological perspectives of contextuality, equity, and harmony: Recommendations for Korean art education.
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Aligning visual art curriculum with common core state standards through the methodology of visual thinking strategies.
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Art Installations In The Desert: A Participant Observation Study Of The Art Of Real Life Burning Man And Second Life Burn2.
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Navigating floating worlds: Curatorial strategies in contemporary Chinese art, 1979-2008.
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American Indian graffiti muralism: Survivance and geosemiotic signposts in the American cityscape.
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Re-imaging antiquities in Lincoln Park: Digitized public museological interactions in a post-colonial world.
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The perturbed national body: Kiyoji Otsuji and Nobuya Abe's postwar surrealist body-object.
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The Urgent Modernity -- Reviewing Displays of New Urban China amidst the Curatorial Turn and Global Biennalization.
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The influence of the automobile on Frank Lloyd Wright's architectural projects and works.
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Death of Utopia: The Necessity of Critical Curatorial Process and Alternative Exhibition Forms.
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Visualizing masculinity: Men, family, and country in nineteenth-century French print culture.
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Becoming Nonhuman: Uncanniness, Impossibility and Human-Animal Indistinction in Recent Literature and Visual Art.
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Performing the Museum: Displaying Gender and Archiving Labor, from Performance Art to Theater.
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Social medium: Virtual vs. actual realities in post-internet art An exhibition catalogue essay.
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The modern art father of spirit: Spirituality in color and experiences in the paintings of Mark Rothko.
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The materialization of the Internet art object: The evolution of Internet art and its contemporary market.
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Critical topographies of two films: Aura, temporality, and place in El Sol del Membrillo and rivers and tides.
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Textual deviants: Women, madness, and embodied performance in late twentieth-century American literature and photography.
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Conflict, Controversy, and Art Education: Social and Pedagogical Implications of Traveling Exhibitions of Contemporary Art.
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Registering Vision: Saturation, Surveillance and the Contemporary Image in Spain and Mexico.
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Visual Dialogue: Learning Journeys, 21st Century Skills, and Arts-Based Research in the University Art Studio.
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Visualizing Zones of Occupation: Making Tangible the Violent Infrastructures in the Global Economy of Fear.
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Art and the picturesque: An artist uses oil painting techniques and concepts from Romanticism and Luminism.
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Beyond visible cities: Avant-garde actions and the materialized word in twenty-first-century New York City.
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Empathic Resonance and Repetition in Art and Psychotherapy: Attunement With Image and Archetype.
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The dreamer: An examination of Chinese philosophical concepts and audience through animation.
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Fashion and Art Collaborations: The Benefits for Both Brands in a Designer x Artist Brand Alliance.
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"Basically a True Story": "The Beginning or the End," "Fat Man and Little Boy," and American Remembrance of the Atomic Bomb.
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You are What You Read: Participation and Emancipation Problematized in Habacuc's "Exposicion #1".
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Adopted Personalities: Exploring Freedom, Creativity and Feminism through the Art of Annette Messager.
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Emotional Synergy: The Transcendent Experience of Abstract Expressionism in the Color Field Work of Mark Rothko.
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The Radical Potential of the Wunderkammer in Contemporary Museum and Exhibition Practice.
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Sites of New Media Art: Using the Internet to Explore Touch, Sociality, and Preservation.
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Minimalist Paintings of Agnes Martin: A Spiritual Experience Disguised as a Simple Grid.
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Textual Hijacking: Strategies of Resistance and Reclaiming the Objectified Woman in Balzac, Baudelaire, and Degas.
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The Effect of Rendering Style on Viewer's Perception of Historic Virtual Architecture.
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Manufactured Apparitions: Materiality and Postsocialist Memory in Contemporary Chinese Visual Art.
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Individual encounters with painting and poetry: Duncan Phillips, Mark Rothko, and Lawrence Ferlinghetti.
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Authenticity, Creativity and the Future---Adidas Advertising and Contemporary Youth Culture.
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Protest Beyond Representation: The Vitalism of Digital Protest Art's Political Aesthetics.
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From Functionality to Aesthetics: Palbo Picasso (1881-1973) and Peter Voulkos (1924-2002).
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Client-driven Creation & Professional Patterns in Modern Design: A Case Study of One Vanderbilt Avenue.
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Schizoanalytic ventures at the end of the world = film, video, art, and pedagogical challenges /
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The Transcendental Nature of New Media Art: An Examination of the Gap Between New Media and Contemporary Art.
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The Spiritual and Emotional Sense of the Form: Kandinsky and De Kooning Aesthetic Experience.
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Radical Queer Gazes: How Lesbian and Nonbinary Contemporary Photographers Are Destabilizing the Male Gaze.
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Reappraising the Rococo: The Enduring Relevance of Eighteenth-Century French Painting.
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The Practices of Everyday Life and the Syrian Body : = Art, Life, and Political Activism of the Syrian Crisis, 2011-2022.
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An Analysis and Case Study of Human Emotions and Their Influence in the Production of Art.
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Getting in on the Action: Spectatorship at the Technologized Interface of Live Performance.
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Cross-domain Image Analysis Approaches Towards Segmentation of Placenta Photos and Pictorial Realism Study of Paintings.
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The Noahic Pattern in Nicolas Rolin's Patronage: Jan Van Eyck's Rolin Virgin and Rogier Van Der Weyden's Beaune Altarpiece.
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Decentralization: The Future of Virtual Visual Culture and the Evolution of Narrative in New Media Art.
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Accessibility and Democracy: the Politics of Christo and Jeanne-Claude's Architectural Installations.
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Making Mockeries, Making Connections: The "Revolutionary Potential" of Parody in Twenty-first Century Art and Literature.
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Visions for the Viewer: The Influence of Two Unique Easel Paintings on the Late Murals of Pierre Puvis de Chavannes.
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Relational Geographies: Toward an Interconnected Vision of Place in French Literature and Geography, 1850-1900.
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The Making of a Modern Art World: The Institutionalisation of Guohua in Shanghai, 1929-1937.
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Realist Agency in the Art Field of Twentieth-century China: Realism in the Art and Writing of Xu Beihong (1895-1953).
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Wits, Shits, and Crits: The Problem of Digestive Interpretation in Pope, Swift, and Fielding.
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The Convergence of Thorstein Veblen and Thomas Eakins: Reflections and Changes of Class and Society in American Realism.
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Between Deeds and Dreams: Identity as Phantasm (Marc Chagall's and Amedeo Modigliani's Diasporic Identities).
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The Social Artist: An Animated Comics Address of Social Media's Impact on Independent Artistry.
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Erotic Heterotopia: Manipulating Queer Force within Yu-pin Huang's Ink Art = = 色/情異托邦：論黃昱斌水墨藝術中的酷兒力操作.
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Informatic Opacity: Biometric Facial Recognition and the Aesthetics and Politics of Defacement.
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Logistics of Space, Material, and Time: Struggles and Strategies for Sustaining Art Practice.
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A Record of an Exhibition of [Sculpture & Photography] Entitled Absorb and Exude with a Corollary Statement.
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Subverting the Selfie: Analysis of Cindy Sherman's Instagram Photos and Untitled Film Stills.
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The Brave New Virtual Art World the Evolution of Digital Art: NFTs and Their Effects on the Art Market in 2021.
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Who Am I? An Examination into the Construction of Postmodern Identity through the Lens of Cindy Sherman.
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Pushing the Public Art Network Database into the Current Digital Age: Collections as Data.
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Translating between Art and Technology through Interactive Visualizations = = 通过交互式可视化在艺术与科技之间进行转换.
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Psychotherapeutic Empathic Art Critique: A New Model for Communication and Understanding.
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Factors Behind the Successful Positioning of Mexico City as an International Contemporary Art Center.
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Critically Conscious Curation and the Role of Arts Based Research in a Curriculum of Care.
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Throwing the Da-Da ... Dice : = The Agonistic Gestures of the Interwar Avant-Gardes (1909-1944).
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'Getting into / Focus' : = Mapping the Influence of Cinema in Marginal British Poetry, 1927-1950.
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The Normative Functions of Artist Intentions in a Twenty-First Century Contemporary Art Practice.
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The Controversy of the Female Nude Body Within Performance Art of the 1960s and 1970s.
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A Rave at the End of World : = The Politics of Queer Hauntology and Psychedelic Chronomancy.
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Making and Exhibiting Modernism : = Gustave Caillebotte in Paris, New York, and Brussels.
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Between Film, Video, and the Digital : = The Art of Hybrid Moving Images, Medium Specificity, and Intermediality.
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Making Material Meaningful: Identifying and Analysing the Role of Material in Contemporary Sculptural Practice and Criticism.
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How Can Art Practice Provide a Rebalancing and Re-Evaluation of the Canonic Legacy of Kurt Schwitters?
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Wounded: The Materialization of Pain and Violence in the Artwork of Doris Salcedo and Ana Mendieta.
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Dead Woman Walking: Articulating Historical Violence Toward the Femme Through Visual Art and Cultural Experience.
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On Currents: How to Inscribe Patterns of the Pacific in Contemporary American Art History.
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Breaking Chains, Forging Beauty: Redefining African Jewelry Design Through the Work of Emefa Cole and Ami Doshi Shah.
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Excess Flesh: A Study on the Universal Commodification and Consumption of the Colored Body.
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Comparative Analyses of Contemporary Fine Art Criticism and Contemporary Ceramics Criticism.
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Feeling Large: Visual Self-Presentation through Personal Aesthetic Choice of Women in China.
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Redefining the American Shopping Mall: Interior Design's Role in Mitigating the Negative Impact of Consumerism.
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Social Texts, Social Audiences, Social Worlds: The Circulation of Popular Dance on YouTube.
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Nubians of Plutonia: Black Women in Modern Post-Apocalyptic and Dystopian Graphic Literature.
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'The People's Glossary': Using Dialogic Art to Create a Common Language for User-Led Museum Practice.
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Art Is My Language: A Study of Artworks Created by Contemporary Artists with Mental Conditions.
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Van Gogh, Picasso, and Dali: Masters of Modern Art, and Their Significance in the Modern World and Beyond.
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Counter-Scripting the Body in Pain: An Artistic Interrogation into Pain as Practice, Site and Subversive Force.
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"Art Is to Sacrifice One's Death": The Aesthetic and Ethic of the Chinese Diasporic Artist Mu Xin.
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Making Cinema Anew: Film Criticism and the Making of the New American Cinema, 1959- 1975.
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For Those in Peril on the Sea: The Motivations of Nineteenth Century European Artists to Create Shipwreck Paintings.
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The Graphic Construct of the Contemporary Reportage Artist: Vision, Experience and Drawing.
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Re-Articulation: Retrieval, Renewal and Beyond: Translating a Visual Aesthetic within the Fold of Postmemory.
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The Presence of Copley: Animacy, Magic, and Afterlife in American Painting, 1765-1925.
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How to Survive the Apocalypse: Using Film, Television, and Video Games as Gateways to Self-Analysis.
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The Words We Can't Hear : = Decoding the Language of Objects Through the Eyes of Object-Oriented Ontology.
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