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Re-Articulation: Retrieval, Renewal and Beyond: Translating a Visual Aesthetic within the Fold of Postmemory.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Re-Articulation: Retrieval, Renewal and Beyond: Translating a Visual Aesthetic within the Fold of Postmemory./
Author:	Vlavianos, Elefteria Elizabeth.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2021,
Description:	276 p.
Notes:	Source: Dissertations Abstracts International, Volume: 83-11, Section: A.
Contained By:	Dissertations Abstracts International83-11A.
Subject:	Prints and printmaking. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29070857
ISBN:	9798426869042

Re-Articulation: Retrieval, Renewal and Beyond: Translating a Visual Aesthetic within the Fold of Postmemory.
Vlavianos, Elefteria Elizabeth.

Re-Articulation: Retrieval, Renewal and Beyond: Translating a Visual Aesthetic within the Fold of Postmemory. - Ann Arbor : ProQuest Dissertations & Theses, 2021 - 276 p.

Source: Dissertations Abstracts International, Volume: 83-11, Section: A.

Thesis (Ph.D.)--The Australian National University (Australia), 2021.

This item must not be sold to any third party vendors.

This practice-led research examines how painting facilitates the retrieval and renewal of a displaced cultural aesthetic from one context and idiom to another. In this project, the relationship between retrieval and renewal is addressed as a visual translation. Within art history and theory, the approach to painting as a visual translation is primarily considered as a metaphor. This approach can be traced back to Charles Baudelaire, who suggested that a visual translation was reliant on the skill, vision, ability and temperament of the artist.This research is set in relation to the impact of the Armenian Genocide 1914-1918, and to my receiving a gift of a catalogue of Armenian manuscript paintings from the 13th and 14th centuries. This context brings together a complex set of interrelated issues that include denial, loss and fragmentation. Set in relation to these issues and contextual framework, visual translation as a metaphor presents as a point of departure in this investigation. Drawing on the images contained within the catalogue and taking into account Marianne Hirsch's concept of postmemory, this research re-examines the relationship between painting and translation. This re-examination takes the form of a series of investigations that involve a critique of the materials, methodologies and formal elements, such as line, structure and colour, that facilitate the process of retrieval and renewal.Through this research, my intention is to create a body of paintings that facilitates the rearticulation of a displaced cultural aesthetic into this current space and time, and that also contributes to broadening our approach regarding what a visual translation entails.

ISBN: 9798426869042Subjects--Topical Terms:

3564376
Prints and printmaking.

Re-Articulation: Retrieval, Renewal and Beyond: Translating a Visual Aesthetic within the Fold of Postmemory.
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520 $a This practice-led research examines how painting facilitates the retrieval and renewal of a displaced cultural aesthetic from one context and idiom to another. In this project, the relationship between retrieval and renewal is addressed as a visual translation. Within art history and theory, the approach to painting as a visual translation is primarily considered as a metaphor. This approach can be traced back to Charles Baudelaire, who suggested that a visual translation was reliant on the skill, vision, ability and temperament of the artist.This research is set in relation to the impact of the Armenian Genocide 1914-1918, and to my receiving a gift of a catalogue of Armenian manuscript paintings from the 13th and 14th centuries. This context brings together a complex set of interrelated issues that include denial, loss and fragmentation. Set in relation to these issues and contextual framework, visual translation as a metaphor presents as a point of departure in this investigation. Drawing on the images contained within the catalogue and taking into account Marianne Hirsch's concept of postmemory, this research re-examines the relationship between painting and translation. This re-examination takes the form of a series of investigations that involve a critique of the materials, methodologies and formal elements, such as line, structure and colour, that facilitate the process of retrieval and renewal.Through this research, my intention is to create a body of paintings that facilitates the rearticulation of a displaced cultural aesthetic into this current space and time, and that also contributes to broadening our approach regarding what a visual translation entails.
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