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Associations with the Visual Arts in the Music of Debussy.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Associations with the Visual Arts in the Music of Debussy./
作者:
Ashworth, Amanda Pauline.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2021,
面頁冊數:
371 p.
附註:
Source: Dissertations Abstracts International, Volume: 83-06, Section: A.
Contained By:
Dissertations Abstracts International83-06A.
標題:
Photographs. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28889439
ISBN:
9798759928065
Associations with the Visual Arts in the Music of Debussy.
Ashworth, Amanda Pauline.
Associations with the Visual Arts in the Music of Debussy.
- Ann Arbor : ProQuest Dissertations & Theses, 2021 - 371 p.
Source: Dissertations Abstracts International, Volume: 83-06, Section: A.
Thesis (Ph.D.)--Open University (United Kingdom), 2021.
This item must not be sold to any third party vendors.
Debussy's writings make frequent reference to his artistic leanings and his penchant for visual inspirations, particularly those in the natural world. He enjoyed the company of both writers and artists, and his contemporaries, particularly his friend and early biographer Louis Laloy, were quick to point to a perceived analogy with Impressionism. Debussy's 'visualities,' however, stretched far beyond this movement, taking in Post-Impressionist techniques and the philosophies and ideas of both French and Belgian Symbolists among others - all of whom demonstrate certain parallels between subject matter, the articulation of specific procedural techniques and emotional correlations with Debussy's music. Sometimes his compositional strategies form direct equivalences with artists such as Seurat and Monet's later practices.Many studies over the last sixty years have articulated the notion of visual ideas within the French composer's pieces, but this study proposes that they were far more prevalent than previously supposed, not only in his songs and opera, Pelleas et Melisande, where such associations are more obvious, but also encompassed within the fabric of his more abstract instrumental works. Claude Debussy's life straddles the second half of the nineteenth centurywhen both music and art underwent radical changes, away from that which followed a given format or was purely representational towards the pursuit of the 'inner self' and the 'idee.' He became the catalyst for the movement towards a modern music in his challenge to the Romantic aesthetic, taking in modality and atonality and all that that allowed. In Debussy's coalescence of musical and visual correspondances, we find a composer who was truly visionary in his outlook.
ISBN: 9798759928065Subjects--Topical Terms:
627415
Photographs.
Associations with the Visual Arts in the Music of Debussy.
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Debussy's writings make frequent reference to his artistic leanings and his penchant for visual inspirations, particularly those in the natural world. He enjoyed the company of both writers and artists, and his contemporaries, particularly his friend and early biographer Louis Laloy, were quick to point to a perceived analogy with Impressionism. Debussy's 'visualities,' however, stretched far beyond this movement, taking in Post-Impressionist techniques and the philosophies and ideas of both French and Belgian Symbolists among others - all of whom demonstrate certain parallels between subject matter, the articulation of specific procedural techniques and emotional correlations with Debussy's music. Sometimes his compositional strategies form direct equivalences with artists such as Seurat and Monet's later practices.Many studies over the last sixty years have articulated the notion of visual ideas within the French composer's pieces, but this study proposes that they were far more prevalent than previously supposed, not only in his songs and opera, Pelleas et Melisande, where such associations are more obvious, but also encompassed within the fabric of his more abstract instrumental works. Claude Debussy's life straddles the second half of the nineteenth centurywhen both music and art underwent radical changes, away from that which followed a given format or was purely representational towards the pursuit of the 'inner self' and the 'idee.' He became the catalyst for the movement towards a modern music in his challenge to the Romantic aesthetic, taking in modality and atonality and all that that allowed. In Debussy's coalescence of musical and visual correspondances, we find a composer who was truly visionary in his outlook.
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