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The Body and Techno-Sensory Aestheti...

Chun, Emily E.

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The Body and Techno-Sensory Aesthetics in Installation Art, 1994-2015.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Body and Techno-Sensory Aesthetics in Installation Art, 1994-2015./
Author:	Chun, Emily E.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	104 p.
Notes:	Source: Masters Abstracts International, Volume: 81-12.
Contained By:	Masters Abstracts International81-12.
Subject:	Art history. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27957921
ISBN:	9798645498375

The Body and Techno-Sensory Aesthetics in Installation Art, 1994-2015.
Chun, Emily E.

The Body and Techno-Sensory Aesthetics in Installation Art, 1994-2015. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 104 p.

Source: Masters Abstracts International, Volume: 81-12.

Thesis (M.A.)--Tufts University, 2020.

This item must not be sold to any third party vendors.

This thesis explores the aesthetics of embodiment in technologized installation art through the work of four artists-Mona Hatoum, YoHa, Anicka Yi, and Pamela Rosenkranz-who employ multisensory means to reconstruct the body as an entity to be sensed, rather than strictly seen. In conceiving the human body in unbounded, open-ended ways, beyond the disciplining constraints of the visual, these works give way to deeply phenomenological experiences as a result of their non-visual, sensorially immediate apprehension. Rather than mobilizing technology to disavow the body, therefore, these artists use technology in order to reconfigure bodily intimacy not as proximity but as contingency, whether that takes the form of intermixed molecules or anxiety about where our bodies begin and end. Ultimately, through a biopolitical framework, I argue that the potential freedom invoked by the works' expansive, generous reimaginings of the human body is co-constituted with a form of technological domination that subjects the audience to the works' formlessness.

ISBN: 9798645498375Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

Contemporary art

The Body and Techno-Sensory Aesthetics in Installation Art, 1994-2015.
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506 $a This item must not be sold to any third party vendors.
520 $a This thesis explores the aesthetics of embodiment in technologized installation art through the work of four artists-Mona Hatoum, YoHa, Anicka Yi, and Pamela Rosenkranz-who employ multisensory means to reconstruct the body as an entity to be sensed, rather than strictly seen. In conceiving the human body in unbounded, open-ended ways, beyond the disciplining constraints of the visual, these works give way to deeply phenomenological experiences as a result of their non-visual, sensorially immediate apprehension. Rather than mobilizing technology to disavow the body, therefore, these artists use technology in order to reconfigure bodily intimacy not as proximity but as contingency, whether that takes the form of intermixed molecules or anxiety about where our bodies begin and end. Ultimately, through a biopolitical framework, I argue that the potential freedom invoked by the works' expansive, generous reimaginings of the human body is co-constituted with a form of technological domination that subjects the audience to the works' formlessness.
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