Theater history.
Overview
| Works: | 153 works in 0 publications in 0 languages | |
|---|---|---|
Titles
"Let Wonder Seem Familiar": Objects of Affection as Other Minds in Shakespeare.
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A Study of The Glorious Music of a Brilliant Age ( Zhaodai xiaoshao) and the Court Theatre in the Qing Dynasty.
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From monody to modernity: An examination of the connection between early Baroque opera and contemporary musical theatre.
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Lost sound: Singing, theater, and aesthetics in late Ming China, 1547-1644.
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Constructing the Russian Moral Project through the Classics: Reflections of Pushkin's "Eugene Onegin", 1833-2014.
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The Art of Ambiguity: Mirrors, Mimesis, and Metamorphosis in Italian Renaissance Comedy.
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Samurai, Jesuits, puppets, and bards: The end(s) of the kowaka ballad. Volume One: Sagamigawa, Transformations of a Post-Kowaka Ballad. Volume Two: Ballad Discourse in Jesuit Mission Literature in Japanese.
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From the avant-garde to the popular: A history of Blue Man Group, 1987--2001.
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Staging as youth culture in colonial-modern Shanghai: Student theatre from the 1890s to the 1920s.
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Staging "The Merchant of Venice" in the 21st century: A dramaturgical case study.
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"Great nature, refuge of the weary heart": A regional and literary exploration of the early Grove Plays of the Bohemian Club.
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Beyond "Regietheater": The Oper Frankfurt Behind the Curtain, 1979 - 2015.
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Performing the Racial Ambiguity Act: Settler Colonialism, Imperialism, and Performance.
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A scenic design for Adam Rapp's Red Light Winter: Creating two universes on a small stage.
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Repetitive Novelty: Italian Opera in Paris and London in the 1830s and 1840s.
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The Encyclopedia Show: Community-Based Performance in Pursuit of Classroom Interdisciplinarity.
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Bolshoi Ballerina Vera Karalli: Russia's First Film Star, the Imperial-Era Dance Film, and the Modernization of Cinema Going Practices and Perceptions in Prerevolutionary Russia.
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From Garden to Kino: Evgenii Bauer, Cinema, and the Visuality of Moscow Amusement Culture, 1885 -- 1917.
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Tragedy and the Ethics of Resistance Rights in Early Modern French Theater.
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From the theater of education to the Theâtre du Petit Monde: Child performers, education, and commerical theater for children in modern France.
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This is Not My Body: Alienated Corporeality and Brechtian Critical Theatre Practices.
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The Spyglass of the Demon Optician: Uncanny Perception in the Drama of Maeterlinck and Strindberg.
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Gender and the king's two bodies: Interpreting female characters in select Elizabethan and Jacobean drama.
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"The idea of beauty in their persons:" Dandyism and the haunting of contemporary masculinity.
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Embodied Astronomies: Performances of Telescopes and Other Detection Devices.
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Advice and Discontent: Staging Identity Through Legal Representation on the British Stage, 1660-1800.
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"Important Things to Give Each Other": The Politics of Thornton Wilder's Drama.
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The interconnection of culture and manufacture in Japanese No theater costume: Conservation of an Edo Period choken.
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"Melinda and Her Sisters": Reconsidering a Suffrage Operetta as Pageantry.
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Sartorial Spectacle: Clothing, Identity, and the State in Early Qing Drama.
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The Myth of the Diva: Female Opera Singers and Collaborative Performance in Early Eighteenth-Century London.
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Colonial Choreography: Staging Sri Lankan Dancers under British Colonial Rule from the 1870s - 1930s.
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Learning How to Do It: Local, Regional, and National Latinx Theatre Alliance Building in the 21st Century.
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"Children and Art": Stephen Sondheim's Influence on the Current Prolific Generation of Broadway Composer/Lyricists.
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Fortresses of Culture: Cold War Mobilization, Urban Renewal, and Institutional Identity in the Repertory Theatre of Lincoln Center and Center Theatre Group.
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The Intercultural Process of Creating Jingju Adaptations of Western Literature in the 21st Century.
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The Aesthetic Which is Not One: The Feminist (un)Aesthetic in the Works of Caryl Churchill and Suzan Lori-Parks.
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Mockmusicals: Parody, Satire, and Musical Comedy at the Turn of the Twenty-First Century.
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Politics and poetics: Tradition, genre, and poetic innovation in Euripidean tragedy.
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Finding the rhythms and the accidental poetry: Annie Baker and the condition of a contemporary female playwright.
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Performing Scottish identity: From the rise of the Stage Scot to the National Theatre of Scotland.
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Stages of belief: The nature of audience response in medieval and early modern drama.
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The mystification of Christian salvation: On the Anxiety of Redemption in Renaissance Poetry and Drama.
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Exhibiting scenographic identities at the 2007 & 2011 Prague Quadrennials.
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Singer's Inner Space: A new work space for opera singers addressing their well-being.
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"For the Soldier, By the Soldier": Self-produced Theater on Stateside U.S. Army Bases from 1983-2013.
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This Island's Mine: Enacting Shakespeare, Race, and U.S. Belonging in Progressive Era Manhattan.
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Developing the modern scene design process: Cognition and the new stagecraft.
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The Spanish "Lamento": Discourses of Love, Power, and Gender in the Musical Theatre (1696-1718).
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The Anima in theatre: Animating a Jungian concept for devisers, directors, and actors.
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Costume Design for "The Basilisk of Barnagasso": An Exploration in Producing Commedia Dell'Arte for the Modern Audience.
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The oversubtle maxim chasers: Aristophanes, Euripides, and their Reciprocal Pursuit of Poetic Identity.
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Shakespeare's Middle Comedies: Human Agency and the Early Modern Experience.
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'Poisoning the Viewer': The Status of Drama and Dramatists, Paintings and Painters in Renaissance England.
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Cortar, copiar y pegar: autoria y publicacion en el siglo de oro espanol.
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Playing hippies and Indians: Acts of cultural colonization in the theatre of the American counterculture.
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Success in new play development: Recommendations for playwrights and developers.
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Cultural Improvisations: Luigi Riccoboni and the Nouveau Theâtre Italien.
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Iphigenia in Adaptation: Neoclassicism, Gender, and Culture on the Public Stages of France and England, 1674-1779.
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Spectacular Conversions: Religious Conversion and Self-Fashioning in Colonial Mexican Theater.
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Finding the Shakespeare in Ambroise Thomas's "Hamlet": A Comparison of Plot and Character in the Seventeenth-Century English Play and the Nineteenth-Century French Opera.
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Yesterday, Today, and Tomorrow: A Study of Aurelio Tolentino's Articulation of Nationalism and Identity through Theatre in the Philippines during the American Colonial Period.
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The history of the formation of Deaf Children's Theatre in the United States.
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Negotiating Democracy: A Cultural and Theoretical Analysis of Theatre for Children and Young People in Postwar Japan.
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Interpreting Musical Character in the Dances of Seventeenth-Century ballets de cour.
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Exuberant Intermediality: Hypermediacy, Technology, Space-Time, and Cyborgs in the U.S. Popular Theater 1873-1915.
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Dying Laughing: On the Death and Resurrection of the Clown in Shakespearean Drama.
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Theatrical Realism: Staging Reality in French Theory and British Fiction, 1670-1764.
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Constructing Celebrity: Strategies of Nineteenth Century British Actresses to Enhance Their Image and Social Status.
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Shakespeare and Religion: Capricious and Concealed Faith in Three Tragicomic Plays = = Shakespeare und Religion: Willkurlicher und verborgener Glaube in drei tragikomischen Stucken.
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Performing Suicide: Transformation of the Superfluous Man in Soviet Drama = = Разыгрывая самоубийство: трансформация лишнего человека в советской драме.
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Staging Belonging: Performance, Migration, and the Middle Eastern Diaspora in the United States.
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Melodrama, Liederspiel and Revolution: Robert Schumann's Domestication of Theater after 1848.
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The Fascination of Manga: Cross-dressing and Gender Performativity in Japanese Media.
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Ines de Castro in Theatre and Film: A Feminist Exhumation of the Dead Queen.
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Photography and Film in Nineteenth-Century France: Negative Space Performance and Projected Unreality in a Joint Doctoral Program.
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"Kiss today goodbye, and point me toward tomorrow": Reviving the time-bound musical, 1968-1975.
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Play Studies: Integrating Drama, Games, and Ludi from the Medieval to the Digital Age.
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Unlimited Passion: The Opposing Schools of Stage Violence in Shakespeare and Kane.
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Reading the Old Left in the Ewan MacColl and Joan Littlewood's Theatre Workshop and Beyond: In Joan Littlewood's Post-theatrical Engagements in the 1960s.
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Theaters of Reform and Remediation: Xiqu (Chinese Opera) in the Mid-Twentieth Century.
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Nandan, Gender Plasticity, and the Dichotomization of "Artistic" Femininity versus "Natural" Masculinity from China's Republican Era to the Early PRC, 1912-Early 1960s.
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Casting Gender: A Critical History of Women and Performance in China's Twentieth Century.
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Opera in Warsaw, 1765-1830: Operatic Migration, Adaptation, and Reception in the Enlightenment.
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Music, the Market, and the Marvelous: Parisian Feerie and the Emergence of Mass Culture, 1864-1900.
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The Early Plays of Shakespeare: Chronology, Authorship, and Intertextuality.
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"Carv'd Out in Bloody Lines": Interiority, Truth, and Violence in Early Modern Drama.
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Interactions and Negotiations between Theater and Buddhism in Late Imperial China.
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Embodying Race, Performing Citizenship: Racial Impersonation and Immigrant Identity in American Popular Entertainment, 1870-1920.
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The Musical Turn: a New Dramaturgy for Stage Instruments and Actor-Musicianship in Twentieth-Century Irish Drama.
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A History of the First and Second Varieties Theatres of New Orleans, Louisiana, 1849 to 1870. (Volumes I and II).
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Meeting Trees Halfway: Environmental Encounters in Theatre and Performance.
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Transformational Festivals and the Enchantment Economy: Performance and Race in Neoliberal Times.
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Theatre of Operations / Operating Theatre: Medical Dramaturgies in Anti-War Plays, 1919-2019.
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Immersive Shakespeare : = Locating Early Modern Immersion in Contemporary Adaptations.
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Playing with (My)Self : = Reconfiguring 21st Century Performance Art as an Emerging Encounter Amongst the Becoming-Stage, the Becoming-Actor, and the Becoming-Audience.
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An Examination of the History and Evolution of Senior Adult Theatre Accomplishments that Impact Intergenerational Theatre of the 21st Century.
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Staging Mysteries : = Transnational Medievalist Performance in the Twentieth Century.
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Productive Polemics : = The Interplay Between Early Modern Anti-Theatricalism and Drama.
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The Evolution of Musical Theatre in Nigeria : = A Case Study of Bolanle Austen-Peters' Musicals.
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Acts of Terror : = Representations of Terrorism on the Early Modern Stage.
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"For 'Their Own Good'" : = Education, The Performing Arts, and Social Justice at the Brooklyn Academy of Music, 1915-2023.
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A Progressive World Theatre : = The International Theatre Institute's Third World Committee, 1971-1977.
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Jie she yu xi qu : = wan Ming wen ren she qun han xi qu fa zhan guan xi xin tan = Literati's Associations and Drama : New Explorations in Literati Community and Drama Development of the Late Ming.
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Peering through the Stage : = Tamil Naṭakam, Cinema, and the Politics of Discernment in South India, 1891 - 1975.
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The Property Man - An Exploration of Representation of and within Traditional Chinese Opera.
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