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Staging "The Merchant of Venice" in ...

Germinder, Alyson Elizabeth.

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Staging "The Merchant of Venice" in the 21st century: A dramaturgical case study.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Staging "The Merchant of Venice" in the 21st century: A dramaturgical case study./
作者:	Germinder, Alyson Elizabeth.
面頁冊數:	178 p.
附註:	Source: Masters Abstracts International, Volume: 54-05.
Contained By:	Masters Abstracts International54-05(E).
標題:	Theater. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1591066
ISBN:	9781321815191

Staging "The Merchant of Venice" in the 21st century: A dramaturgical case study.
Germinder, Alyson Elizabeth.

Staging "The Merchant of Venice" in the 21st century: A dramaturgical case study. - 178 p.

Source: Masters Abstracts International, Volume: 54-05.

Thesis (M.A.)--University of Missouri - Kansas City, 2015.

"Staging The Merchant of Venice in the 21st Century: A Dramaturgical Case Study" aims to document the Heart of America Shakespeare Festival's 2015 production of The Merchant of Venice by framing it within the historical narrative of the play's place in Kansas City theatrical history. This thesis also seeks to further define the relationship between the production process and dramaturgy by examining the development and implementation of dramaturgical responsibilities as they related to audience engagement with The Merchant of Venic.

ISBN: 9781321815191Subjects--Topical Terms:

522973
Theater.

Staging "The Merchant of Venice" in the 21st century: A dramaturgical case study.
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520 $a "Staging The Merchant of Venice in the 21st Century: A Dramaturgical Case Study" aims to document the Heart of America Shakespeare Festival's 2015 production of The Merchant of Venice by framing it within the historical narrative of the play's place in Kansas City theatrical history. This thesis also seeks to further define the relationship between the production process and dramaturgy by examining the development and implementation of dramaturgical responsibilities as they related to audience engagement with The Merchant of Venic.
520 $a Chapter 1 provides a brief overview of The Merchant of Venic and examines the progression of the play from comedy to anti-Semitic tragedy beginning in the late nineteenth century. This chapter also identifies the decades-long hiatus of The Merchant of Venic from Kansas City. Chapter 2 will explore this gap in Kansas City's production history of The Merchant of Venic by looking at the two most recent productions of the play in 1950 and 1986, and introducing the initial conversation about bringing the play to Kansas City audiences in 2015. Chapter 3 then explains the nature of the production's rehearsal process by exploring the role of dramaturgy in the rehearsal hall. Chapter 4 continues the discussion of dramaturgy's involvement by looking at the role the dramaturg played in preparing audiences for the upcoming production. Chapter 5 analyzes the play's success with engaging an audience in a dialogue about The Merchant of Venic, and points to the play's importance in discussing larger social issues of the Kansas City community.
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