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Opening the Door: A Director's Appro...
~
Murphy, Cason Warinner.
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Opening the Door: A Director's Approach to Ingmar Bergman's "Nora".
Record Type:
Electronic resources : Monograph/item
Title/Author:
Opening the Door: A Director's Approach to Ingmar Bergman's "Nora"./
Author:
Murphy, Cason Warinner.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2016,
Description:
166 p.
Notes:
Source: Masters Abstracts International, Volume: 55-05.
Contained By:
Masters Abstracts International55-05(E).
Subject:
Theater. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10118458
ISBN:
9781339797892
Opening the Door: A Director's Approach to Ingmar Bergman's "Nora".
Murphy, Cason Warinner.
Opening the Door: A Director's Approach to Ingmar Bergman's "Nora".
- Ann Arbor : ProQuest Dissertations & Theses, 2016 - 166 p.
Source: Masters Abstracts International, Volume: 55-05.
Thesis (M.F.A.)--Baylor University, 2016.
In 1981, Swedish filmmaker Ingmar Bergman radically adapted Henrik Ibsen's classic stageplay "A Doll's House" in order to create his own theatrical work, "Nora." Through cutting much of Ibsen's text and many of his characters, Bergman focused his adaptation on the figure of Nora Helmer, a naive 19th-century wife and mother desperately trying to avoid the consequences of her past actions. This thesis examines the process undertaken in bringing Bergman's play to its November 2015 performance run at Baylor University, with explorations of playwright and playscript histories, of directorial analysis and production concepts, and the creative collaborations established between director, designers, and actors.
ISBN: 9781339797892Subjects--Topical Terms:
522973
Theater.
Opening the Door: A Director's Approach to Ingmar Bergman's "Nora".
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In 1981, Swedish filmmaker Ingmar Bergman radically adapted Henrik Ibsen's classic stageplay "A Doll's House" in order to create his own theatrical work, "Nora." Through cutting much of Ibsen's text and many of his characters, Bergman focused his adaptation on the figure of Nora Helmer, a naive 19th-century wife and mother desperately trying to avoid the consequences of her past actions. This thesis examines the process undertaken in bringing Bergman's play to its November 2015 performance run at Baylor University, with explorations of playwright and playscript histories, of directorial analysis and production concepts, and the creative collaborations established between director, designers, and actors.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10118458
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