Language:
English
繁體中文
Help
回圖書館首頁
手機版館藏查詢
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
Hallucinatory figures in modern Amer...
~
Prugh, Stephanie.
Linked to FindBook
Google Book
Amazon
博客來
Hallucinatory figures in modern American drama.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Hallucinatory figures in modern American drama./
Author:
Prugh, Stephanie.
Description:
96 p.
Notes:
Source: Masters Abstracts International, Volume: 53-02.
Contained By:
Masters Abstracts International53-02(E).
Subject:
Theater. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1558742
ISBN:
9781303989742
Hallucinatory figures in modern American drama.
Prugh, Stephanie.
Hallucinatory figures in modern American drama.
- 96 p.
Source: Masters Abstracts International, Volume: 53-02.
Thesis (M.A.)--University of Colorado at Boulder, 2014.
This item must not be sold to any third party vendors.
In drama, a "hallucinatory figure" is an absent, imaginary, or allegorical individual that a dramatic character perceives to be present. Hallucinatory figures are featured in some of the most prominent works in the American theatre canon including Arthur Miller's Death of a Salesman, August Wilson's Fences, Mary Chase's Harvey, David Auburn's Proof, Edward Albee's Who's Afraid of Virginia Woolf?, and Tom Kitt and Brain Yorkey's musical Next to Normal. Despite its prevalence, the hallucinatory figure has managed to slip through the cracks of scholarly analysis and avoid any formal systematic study. This thesis focuses on the role of the hallucinatory figure in canonical and contemporary American dramas in relation to a leading character's haunted mind. By looking at this figure as a product of the character's psyche, we learn that each figure is a manifestation of the character's loneliness; this lends valuable insight into the relationships between fathers and sons, society and the individual, and the members of a nuclear family. As haunted characters seek to fill the void in their lives, the hallucinatory figure reveals the fallacies behind their unwavering belief in the mythic ideals of American life and ultimately represents nothing more than the hallucinatory quality of the American Dream.
ISBN: 9781303989742Subjects--Topical Terms:
522973
Theater.
Hallucinatory figures in modern American drama.
LDR
:02210nmm a2200289 4500
001
2063498
005
20151028113910.5
008
170521s2014 ||||||||||||||||| ||eng d
020
$a
9781303989742
035
$a
(MiAaPQ)AAI1558742
035
$a
AAI1558742
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
Prugh, Stephanie.
$3
3178011
245
1 0
$a
Hallucinatory figures in modern American drama.
300
$a
96 p.
500
$a
Source: Masters Abstracts International, Volume: 53-02.
500
$a
Adviser: Oliver Gerland.
502
$a
Thesis (M.A.)--University of Colorado at Boulder, 2014.
506
$a
This item must not be sold to any third party vendors.
520
$a
In drama, a "hallucinatory figure" is an absent, imaginary, or allegorical individual that a dramatic character perceives to be present. Hallucinatory figures are featured in some of the most prominent works in the American theatre canon including Arthur Miller's Death of a Salesman, August Wilson's Fences, Mary Chase's Harvey, David Auburn's Proof, Edward Albee's Who's Afraid of Virginia Woolf?, and Tom Kitt and Brain Yorkey's musical Next to Normal. Despite its prevalence, the hallucinatory figure has managed to slip through the cracks of scholarly analysis and avoid any formal systematic study. This thesis focuses on the role of the hallucinatory figure in canonical and contemporary American dramas in relation to a leading character's haunted mind. By looking at this figure as a product of the character's psyche, we learn that each figure is a manifestation of the character's loneliness; this lends valuable insight into the relationships between fathers and sons, society and the individual, and the members of a nuclear family. As haunted characters seek to fill the void in their lives, the hallucinatory figure reveals the fallacies behind their unwavering belief in the mythic ideals of American life and ultimately represents nothing more than the hallucinatory quality of the American Dream.
590
$a
School code: 0051.
650
4
$a
Theater.
$3
522973
650
4
$a
Theater history.
$3
2144911
690
$a
0465
690
$a
0644
710
2
$a
University of Colorado at Boulder.
$b
Theatre and Dance.
$3
1024597
773
0
$t
Masters Abstracts International
$g
53-02(E).
790
$a
0051
791
$a
M.A.
792
$a
2014
793
$a
English
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1558742
based on 0 review(s)
Location:
ALL
電子資源
Year:
Volume Number:
Items
1 records • Pages 1 •
1
Inventory Number
Location Name
Item Class
Material type
Call number
Usage Class
Loan Status
No. of reservations
Opac note
Attachments
W9296156
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
On shelf
0
1 records • Pages 1 •
1
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login