Theater history.
概要
| 作品: | 153 作品在 0 項出版品 0 種語言 | |
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書目資訊
A Study of The Glorious Music of a Brilliant Age ( Zhaodai xiaoshao) and the Court Theatre in the Qing Dynasty.
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From monody to modernity: An examination of the connection between early Baroque opera and contemporary musical theatre.
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Mockmusicals: Parody, Satire, and Musical Comedy at the Turn of the Twenty-First Century.
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The Aesthetic Which is Not One: The Feminist (un)Aesthetic in the Works of Caryl Churchill and Suzan Lori-Parks.
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Finding the rhythms and the accidental poetry: Annie Baker and the condition of a contemporary female playwright.
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Performing Scottish identity: From the rise of the Stage Scot to the National Theatre of Scotland.
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The mystification of Christian salvation: On the Anxiety of Redemption in Renaissance Poetry and Drama.
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"For the Soldier, By the Soldier": Self-produced Theater on Stateside U.S. Army Bases from 1983-2013.
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This Island's Mine: Enacting Shakespeare, Race, and U.S. Belonging in Progressive Era Manhattan.
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Playing hippies and Indians: Acts of cultural colonization in the theatre of the American counterculture.
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Constructing the Russian Moral Project through the Classics: Reflections of Pushkin's "Eugene Onegin", 1833-2014.
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The Art of Ambiguity: Mirrors, Mimesis, and Metamorphosis in Italian Renaissance Comedy.
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Staging as youth culture in colonial-modern Shanghai: Student theatre from the 1890s to the 1920s.
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The Anima in theatre: Animating a Jungian concept for devisers, directors, and actors.
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Performing the Racial Ambiguity Act: Settler Colonialism, Imperialism, and Performance.
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"Great nature, refuge of the weary heart": A regional and literary exploration of the early Grove Plays of the Bohemian Club.
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"Kiss today goodbye, and point me toward tomorrow": Reviving the time-bound musical, 1968-1975.
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The Spanish "Lamento": Discourses of Love, Power, and Gender in the Musical Theatre (1696-1718).
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Costume Design for "The Basilisk of Barnagasso": An Exploration in Producing Commedia Dell'Arte for the Modern Audience.
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A scenic design for Adam Rapp's Red Light Winter: Creating two universes on a small stage.
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Iphigenia in Adaptation: Neoclassicism, Gender, and Culture on the Public Stages of France and England, 1674-1779.
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Spectacular Conversions: Religious Conversion and Self-Fashioning in Colonial Mexican Theater.
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From Garden to Kino: Evgenii Bauer, Cinema, and the Visuality of Moscow Amusement Culture, 1885 -- 1917.
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The Encyclopedia Show: Community-Based Performance in Pursuit of Classroom Interdisciplinarity.
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The oversubtle maxim chasers: Aristophanes, Euripides, and their Reciprocal Pursuit of Poetic Identity.
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The Spyglass of the Demon Optician: Uncanny Perception in the Drama of Maeterlinck and Strindberg.
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Gender and the king's two bodies: Interpreting female characters in select Elizabethan and Jacobean drama.
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"The idea of beauty in their persons:" Dandyism and the haunting of contemporary masculinity.
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Opera in Warsaw, 1765-1830: Operatic Migration, Adaptation, and Reception in the Enlightenment.
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Music, the Market, and the Marvelous: Parisian Feerie and the Emergence of Mass Culture, 1864-1900.
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A Progressive World Theatre : = The International Theatre Institute's Third World Committee, 1971-1977.
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Peering through the Stage : = Tamil Naṭakam, Cinema, and the Politics of Discernment in South India, 1891 - 1975.
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Advice and Discontent: Staging Identity Through Legal Representation on the British Stage, 1660-1800.
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The interconnection of culture and manufacture in Japanese No theater costume: Conservation of an Edo Period choken.
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The Intercultural Process of Creating Jingju Adaptations of Western Literature in the 21st Century.
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Constructing Celebrity: Strategies of Nineteenth Century British Actresses to Enhance Their Image and Social Status.
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Staging Belonging: Performance, Migration, and the Middle Eastern Diaspora in the United States.
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The Musical Turn: a New Dramaturgy for Stage Instruments and Actor-Musicianship in Twentieth-Century Irish Drama.
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A History of the First and Second Varieties Theatres of New Orleans, Louisiana, 1849 to 1870. (Volumes I and II).
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The Property Man - An Exploration of Representation of and within Traditional Chinese Opera.
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Immersive Shakespeare : = Locating Early Modern Immersion in Contemporary Adaptations.
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Productive Polemics : = The Interplay Between Early Modern Anti-Theatricalism and Drama.
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The Evolution of Musical Theatre in Nigeria : = A Case Study of Bolanle Austen-Peters' Musicals.
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"For 'Their Own Good'" : = Education, The Performing Arts, and Social Justice at the Brooklyn Academy of Music, 1915-2023.
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Melodrama, Liederspiel and Revolution: Robert Schumann's Domestication of Theater after 1848.
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Theatre of Operations / Operating Theatre: Medical Dramaturgies in Anti-War Plays, 1919-2019.
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Transformational Festivals and the Enchantment Economy: Performance and Race in Neoliberal Times.
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Play Studies: Integrating Drama, Games, and Ludi from the Medieval to the Digital Age.
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'Poisoning the Viewer': The Status of Drama and Dramatists, Paintings and Painters in Renaissance England.
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Negotiating Democracy: A Cultural and Theoretical Analysis of Theatre for Children and Young People in Postwar Japan.
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Theaters of Reform and Remediation: Xiqu (Chinese Opera) in the Mid-Twentieth Century.
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Casting Gender: A Critical History of Women and Performance in China's Twentieth Century.
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The Myth of the Diva: Female Opera Singers and Collaborative Performance in Early Eighteenth-Century London.
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Colonial Choreography: Staging Sri Lankan Dancers under British Colonial Rule from the 1870s - 1930s.
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Learning How to Do It: Local, Regional, and National Latinx Theatre Alliance Building in the 21st Century.
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