Composers.
Overview
| Works: | 77 works in 1 publications in 1 languages | |
|---|---|---|
Titles
Wolferl : = the first six years in the life of Wolfgang Amadeus Mozart, 1756-1762 /
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Professional careers in music, perfomer, composer, conductor = your passion for making music can become a fulfilling lifelong career.
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The New Grove twentieth-century French masters : = Faure, Debussy, Satie, Ravel, Poulenc, Messiaen, Boulez /
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Performance Guide to Selected Solo Violin Works of Sergei Prokofiev and Krzysztof Penderecki.
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"What I Do Is All I Have": Gesture and Contour in Harrison Birtwistle's Trio for Violin, Cello, and Piano.
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A Contemporary Adaptation of America's Musical Heritage: The American Folk Set by Steven Mark Kohn.
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A Comprehensive Study of Three Compositions for Percussion by Composer Jonathan Leshnoff, Run (2003), "...without a chance" (2003), and Concerto for Two Percussionists and Orchestra (2011), including a Structural and Aesthetic Analysis.
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Topics, Form, and Expression in the Music of Gyorgy Ligeti and Thomas Ades.
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Hearing in Time: Bergsonian Concepts of Time in Maurice Ravel's L'Heure Espagnole.
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"Play Your Broken Music to My Broken Song?" Contemporary Implications of Performing Schubert Lieder in English Translation.
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Symphonic Effects and a Performance Guide in Richard Strauss's Violin Sonata in E-flat Major, Op. 18.
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An Instrumental Song without Words about Hope: A Melodic Motivic Analysis of the Third Violin Sonata by Charles Ives (1874-1954).
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Bohuslav Martinu's Oboe Concerto, H. 353: A New Piano Reduction of the Orchestral Score.
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Musical Resistance Against Cultural Repression in the Soviet Union: A Comparative Study of the Prokofiev Violin Sonata in F Minor Op.80 and Shostakovich Violin Sonata in G Major Op.134.
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Motivic Metamorphosis: Modelling Intervallic Transformations in Schoenberg's Early Works.
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An Analytical Study of Isang Yun's Oboe and Oboe D'Amore Concerto : = The Intercultural Adaptation of Sigimsae for the Korean Piri with Modern Western Compositional Techniques for the Oboe.
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A Performer's Analysis of Isang Yun's Monolog for Bassoon with an Emphasis on the Role of Traditional Korean Influences.
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Learning and Teaching Conducting Through Musical and Non-Musical Skills : = An Evaluation of Orchestral Conducting Teaching Methods.
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Live Processing into the 21st Century : = Delay-Based Performance and Temporal Manipulation in the Music of Joel Ryan, Radiohead, and Sam Pluta.
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Jeff Scott's "Startin' Sumthin', Composed for the Monmouth Winds," Transcribed for Full Wind Band.
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Pedagogical Piano Works by Four Contemporary Composers : = Emma Lou Diemer, Dianne Goolkasian Rahbee, Karen Tanaka and Chee-Hwa Tan.
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Prokofiev and the Soviet Dilemma : = Censorship, Autonomy and the Piano Transcriptions.
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German Opera and Operetta at the new Orleans National Theatre, 1866--1878.
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Chamber Music Fundamentals and Rehearsal Techniques for Advancing String Students.
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From the Creative Drive to the Musical Product : A Psychoanalytic Account of Musical Creativity.
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Sound of the City : = Creating a Balanced Sound Composition in Urban Green Spaces.
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A Performance Practice Guide for :only.just.almost.never for Solo Vibraphone by Jay Alan Yim.
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Beyond Boundaries : = The Aesthetics of the Scream in the Music of the Second Viennese School.
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An Introduction to Contemporary Violin Techniques : = A Practical Guide with Exercises for Students and Teachers.
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Technical Efficacy for Violin Improvisation : = How Not to Run Out of Fingers.
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The Use of Orchestration and Structure in the Exploration of Fluid Musical Hierarchies.
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Contemporary Improvised Music Methodologies, Modes of Reading, and Hybridity of Notation in Burr Van Nostrand's Voyage in a White Building I and Ae.M/Four-Mile Run for Fixed Media and Optional Performers.
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Les Jours de Gloire : = The French Violin School and the Paris Conservatoire, 1795-1842.
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The Classical Sonata Forms of Franz Schubert's Great C-Major Symphony : = Exploring Tonal Structure in the New Romantic Style.
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The Early Songs (1880-1885) of Claude Debussy : = An Analytical Approach to Defining a Repertoire.
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Functional Transformations and Octatonality in Selected Works by George Crumb.
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