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A Study of form and Structure in Pierre Boulez's Pli Selon Pli.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	A Study of form and Structure in Pierre Boulez's Pli Selon Pli./
作者:	Adamowicz, Emily J.
面頁冊數:	1 online resource (284 pages)
附註:	Source: Dissertations Abstracts International, Volume: 84-02, Section: B.
Contained By:	Dissertations Abstracts International84-02B.
標題:	Language. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29243299click for full text (PQDT)
ISBN:	9798841709015

A Study of form and Structure in Pierre Boulez's Pli Selon Pli.
Adamowicz, Emily J.

A Study of form and Structure in Pierre Boulez's Pli Selon Pli. - 1 online resource (284 pages)

Source: Dissertations Abstracts International, Volume: 84-02, Section: B.

Thesis (Ph.D.)--The University of Western Ontario (Canada), 2015.

Includes bibliographical references

In his 1963 treatise, Penser la musique aujourd'hui, Pierre Boulez proposes that there should be no distinction between serial materials and large-scale form. After his self-professed failure with Structures 1a and Polyphonie Xdue to the incapacity of the twelve-tone series to provide form in and of itself, Boulez reassessed and expanded his compositional approach to include what he refers to as "indiscipline," which permitted him a new freedom to modify his materials as he saw fit through a plethora of new techniques, and to link these materials to large-scale forms that take their inspiration largely from literary influences. This investigation seeks to concretize Boulez's proposed relationship between serial content and large-scale form in "Don" (1962) and "Tombeau" (1959), the framing movements of Pli selon Pli, largely by establishing the nature of their formal organization and the origin of the serial materials used in their construction. The course of this investigation traces the developmental history of materials used in "Don" and "Tombeau" which includes analyses of materials used in the unpublished Oubli signal lapide (1952), the retracted drama L'Orestie (1954-55), the unpublished work for solo flute Strophes (1955-56), the Troisieme Sonate (1955-57), Le Marteau sans maitre(1953-55) and the inner movements of Pli selon Pli: the "Improvisation[s] sur Mallarme I, II, and III" (1957, 1957, and 1959 respectively). The materials developed for "Don" and "Tombeau" are largely continuations of different lineages of serial materials developed for these earlier works and form constellations of structurally related materials that persist beyond the boundaries of individual works. Taken together, the works composed during the period 1952-62 are the most inspired and creative in Boulez's compositional history. The trajectory of this investigation incrementally introduces the reader to increasingly larger-scale means of organizing serial materials that culminate in Boulez's evolving theory of discontinuous musical form. Connections among works and their organizational structure are largely derived from sketch studies undertaken at the Paul Sacher Foundation in Basel, Switzerland.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798841709015Subjects--Topical Terms:

643551
Language.
Index Terms--Genre/Form:

542853
Electronic books.

A Study of form and Structure in Pierre Boulez's Pli Selon Pli.
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