Self in literature.
Overview
| Works: | 144 works in 23 publications in 23 languages | |
|---|---|---|
Titles
Subjectivities : = a history of self-representation in Britain, 1832-1920 /
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Marketing the author : = authorial personae, narrative selves, and self-fashioning, 1880-1930 /
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Wordsworth in his major lyrics : = the art and psychology of self-representation /
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Yeats & the poetry of death : = elegy, self-elegy, and the sublime /
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Masks outrageous and austere : = culture, psyche, and persona in modern women poets /
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Aesthetic autobiography : = from life to art in Marcel Proust, James Joyce, Virginia Woolf, and Ana Nin /
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Self-speaking in medieval and early modern English drama : = subjectivity, discourse, and the stage /
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Being in the text : = self-representation from Wordsworth to Roland Barthes /
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The Corporeal self : = allegories of the body in Melville and Hawthorne /
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The autobiographical subject : = gender and ideology in eighteenth-century England /
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The shattering of the self : = violence, subjectivity, and early modern texts /
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The irony of identity : = self and imagination in the drama of Christopher Marlowe /
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The empathic reader = a study of the narcissistic character and the drama of the self /
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Jack Kerouac's Duluoz legend = the mythic form of an autobiographical fiction /
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The disenchanted self = representing the subject in the Canterbury tales /
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Narcissus from rubble = competing models of character in contemporary British and American fiction /
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Impossible individuality = Romanticism, revolution, and the origins of modern selfhood, 1787-1802 /
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Locating exiled writers in contemporary Russian literature : = exiles at home /
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Textual & visual selves = photography, film,and comic art in French autobiography /
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Beyond the piazza = public and private spaces in modern Italian culture /
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Autre-biography = poetics of self in J. M. Coetzee's fictionalized memoirs /
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The American counterfeit : = authenticity and identity in American literature and culture /
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Self as narrative : = subjectivity and community in contemporary fiction /
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Men and women writers of the 1930s : = the dangerous flood of history /
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Painterly abstraction in modernist American poetry : = the contemporaneity of modernism /
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A Genealogy of the modern self : = Thomas De Quincey and the intoxication of writing /
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I write therefore I am? : = fictional autobiography and the idea of selfhood in the postmodern age /
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Masks outrageous and austere = culture, psyche, and persona in modern women poets /
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Engendering the subject = gender and self-representation in contemporary women's fiction /
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Monumental anxieties = homoerotic desire and feminine influence in 19th century U.S. literature /
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Charlotte Bront鋀 and defensive conduct = the author and the body at risk /
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Passionate doubts = designs of interpretation in contemporary American fiction /
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World, self, poem = essays on contemporary poetry from the "Jubliation of poets" /
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The imaginary puritan = literature, intellectual labor, and the origins of personal life /
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Byron's othered self and voice = contextualizing the homographic signature /
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Wordsworth in his major lyrics = the art and psychology of self-representation /
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Amnesiac selves = nostalgia, forgetting, and British fiction, 1810-1870 /
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Out of the shadow : = ecopsychology, story, and encounters with the land /
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Membranes : = metaphors of invasion in nineteenth-century literature, science, and politics /
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The contemporary Anglophone travel novel : = the aesthetics of self-fashioning in the era of globalization /
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Ecocriticism : = creating self and place in environmental and American Indian literatures /
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Performing the Victorian : = John Ruskin and identity in theater, science, and education /
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Solitude and society in the works of Herman Melville and Edith Wharton
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The American counterfeit = authenticity and identity in American literature and culture /
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Making a new man = Ciceronian self-fashioning in the rhetorical works /
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The literature of the Irish in Britain = autobiography and memoir, 1725-2001 /
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Locating exiled writers in contemporary Russian literature = exiles at home /
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Modernism and the fate of individuality : = character and novelistic form from Conrad to Woolf /
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Declamation, paternity, and Roman identity = authority and the rhetorical self /
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Writing combat and the self in early modern English literature = the pen and the sword /
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The contemporary Anglophone travel novel = the aesthetics of self-fashioning in the era of globalization /
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Universes without us : = posthuman cosmologies in American literature /
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Religious voices in self-narratives = making sense of life in times of transition /
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Habit in the English Novel, 1850-1900 : = Lived Environments, Practices of the Self /
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Regard for the other : = autothanatography in Rousseau, De Quincey, Baudelaire, and Wilde /
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Transformative learning through creative life writing = exploring the self in the learning process /
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Multiculturalism, multilingualism and the self = literature and culture studies /
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Modernity and autobiography in nineteenth-century America = literary representations of communication and transportation technologies /
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Quete identitaire et subjectivite dans la prose Quebecoise du dix-neuvieme siecle /
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Impressionist subjects : = gender, interiority, and modernist fiction in England /
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Naturally woman : = the search for self in Black Canadian women's literature /
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A Poetics of women's autobiography : = marginality and the fictions of self-representation /
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Gender, discourse and the self in literature : = issues in Mainland China, Taiwan and Hong Kong /
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Never say I : = sexuality and the first person in Colette, Gide, and Proust /
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Opacity and the closet : = queer tactics in Foucault, Barthes, and Warhol /
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