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The haptic aesthetic in Samuel Becke...

McTighe, Trish,

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The haptic aesthetic in Samuel Beckett's drama /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The haptic aesthetic in Samuel Beckett's drama // Trish McTighe.
作者:	McTighe, Trish,
面頁冊數:	1 online resource (196 pages).
內容註:	Introduction: Haptics, aesthetics, philosophy -- Eye: failing, myopic, grainy -- Ear: full of relentless echoes -- Mouth: trying to tell it all, failing -- Skin, space, place -- On the one hand ... (the one that writes the body) -- On the other hand ... (the one that refuses to touch) -- Conclusion: Departing bodies, between doubting Thomas and noli me tangere.
標題:	Self in literature. -
電子資源:	http://link.springer.com/10.1057/9781137275332
ISBN:	1137275332 (electronic bk.)

The haptic aesthetic in Samuel Beckett's drama /
McTighe, Trish,

The haptic aesthetic in Samuel Beckett's drama /Trish McTighe. - First edition. - 1 online resource (196 pages). - New Interpretations of Beckett in the Twenty-first Century. - New interpretations of Beckett in the twenty-first century..

Includes bibliographical references and index.

Introduction: Haptics, aesthetics, philosophy -- Eye: failing, myopic, grainy -- Ear: full of relentless echoes -- Mouth: trying to tell it all, failing -- Skin, space, place -- On the one hand ... (the one that writes the body) -- On the other hand ... (the one that refuses to touch) -- Conclusion: Departing bodies, between doubting Thomas and noli me tangere.

In their sparse and isolated spaces, Samuel Beckett's figures imagine the touch of a lost love or dream of the comfort and care that the hands of a dear one might bring. Applying philosophical writings that feature sensation, particularly touch, Trish McTighe examines how Beckett's later work for stage and screen dramatizes moments of contact between self and self, self and world, and self and other. With implications for how gender and ethics can be approached within Beckett's aesthetic, this study explores the employment of haptic imagery as an alternative to certain dominant codes of visual representation.

ISBN: 1137275332 (electronic bk.)

Source: 632230Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

3254382
Beckett, Samuel,
1906-1989--Criticism and interpretation--Handbooks, manuals, etc.Subjects--Topical Terms:

581235
Self in literature.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PR6003.E282 / Z778 2013

Dewey Class. No.: 842/.914

The haptic aesthetic in Samuel Beckett's drama /
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505 0 $a Introduction: Haptics, aesthetics, philosophy -- Eye: failing, myopic, grainy -- Ear: full of relentless echoes -- Mouth: trying to tell it all, failing -- Skin, space, place -- On the one hand ... (the one that writes the body) -- On the other hand ... (the one that refuses to touch) -- Conclusion: Departing bodies, between doubting Thomas and noli me tangere.
520 $a In their sparse and isolated spaces, Samuel Beckett's figures imagine the touch of a lost love or dream of the comfort and care that the hands of a dear one might bring. Applying philosophical writings that feature sensation, particularly touch, Trish McTighe examines how Beckett's later work for stage and screen dramatizes moments of contact between self and self, self and world, and self and other. With implications for how gender and ethics can be approached within Beckett's aesthetic, this study explores the employment of haptic imagery as an alternative to certain dominant codes of visual representation.
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