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The haptic aesthetic in Samuel Becke...

McTighe, Trish,

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The haptic aesthetic in Samuel Beckett's drama /

Record Type:	Electronic resources : Monograph/item
Title/Author:	The haptic aesthetic in Samuel Beckett's drama // Trish McTighe.
Author:	McTighe, Trish,
Description:	1 online resource (196 pages).
[NT 15003449]:	Introduction: Haptics, aesthetics, philosophy -- Eye: failing, myopic, grainy -- Ear: full of relentless echoes -- Mouth: trying to tell it all, failing -- Skin, space, place -- On the one hand ... (the one that writes the body) -- On the other hand ... (the one that refuses to touch) -- Conclusion: Departing bodies, between doubting Thomas and noli me tangere.
Subject:	Self in literature. -
Online resource:	http://link.springer.com/10.1057/9781137275332
ISBN:	1137275332 (electronic bk.)

The haptic aesthetic in Samuel Beckett's drama /
McTighe, Trish,

The haptic aesthetic in Samuel Beckett's drama /Trish McTighe. - First edition. - 1 online resource (196 pages). - New Interpretations of Beckett in the Twenty-first Century. - New interpretations of Beckett in the twenty-first century..

Includes bibliographical references and index.

Introduction: Haptics, aesthetics, philosophy -- Eye: failing, myopic, grainy -- Ear: full of relentless echoes -- Mouth: trying to tell it all, failing -- Skin, space, place -- On the one hand ... (the one that writes the body) -- On the other hand ... (the one that refuses to touch) -- Conclusion: Departing bodies, between doubting Thomas and noli me tangere.

In their sparse and isolated spaces, Samuel Beckett's figures imagine the touch of a lost love or dream of the comfort and care that the hands of a dear one might bring. Applying philosophical writings that feature sensation, particularly touch, Trish McTighe examines how Beckett's later work for stage and screen dramatizes moments of contact between self and self, self and world, and self and other. With implications for how gender and ethics can be approached within Beckett's aesthetic, this study explores the employment of haptic imagery as an alternative to certain dominant codes of visual representation.

ISBN: 1137275332 (electronic bk.)

Source: 632230Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

3254382
Beckett, Samuel,
1906-1989--Criticism and interpretation--Handbooks, manuals, etc.Subjects--Topical Terms:

581235
Self in literature.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PR6003.E282 / Z778 2013

Dewey Class. No.: 842/.914

The haptic aesthetic in Samuel Beckett's drama /
LDR:02444cmm a2200397Ki 4500 001 1949748
003 OCoLC
005 20140910115737.0
006 m o d
007 cr cnu---unuuu
008 231227s2013 nyu ob 001 0 eng d
020 $a 1137275332 (electronic bk.)
020 $a 9781137275332 (electronic bk.)
029 1 $a NLGGC $b 370287975
035 $a (OCoLC)859858849
035 $a ocn859858849
035 $a 1949748
037 $a 632230 $b Palgrave Macmillan $n http://www.palgraveconnect.com
040 $a UKPGM $b eng $e rda $e pn $c UKPGM $d OCLCO $d N$T $d YDXCP $d E7B $d NLGGC $d OCLCF
049 $a TEFA
050 4 $a PR6003.E282 $b Z778 2013
072 7 $a DRA $x 004000 $2 bisacsh
082 0 4 $a 842/.914 $2 23
100 1 $a McTighe, Trish, $e author. $3 3647873
245 1 4 $a The haptic aesthetic in Samuel Beckett's drama / $c Trish McTighe.
250 $a First edition.
264 1 $a New York : $b Palgrave Macmillan, $c 2013.
300 $a 1 online resource (196 pages).
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
490 1 $a New Interpretations of Beckett in the Twenty-first Century
504 $a Includes bibliographical references and index.
505 0 $a Introduction: Haptics, aesthetics, philosophy -- Eye: failing, myopic, grainy -- Ear: full of relentless echoes -- Mouth: trying to tell it all, failing -- Skin, space, place -- On the one hand ... (the one that writes the body) -- On the other hand ... (the one that refuses to touch) -- Conclusion: Departing bodies, between doubting Thomas and noli me tangere.
520 $a In their sparse and isolated spaces, Samuel Beckett's figures imagine the touch of a lost love or dream of the comfort and care that the hands of a dear one might bring. Applying philosophical writings that feature sensation, particularly touch, Trish McTighe examines how Beckett's later work for stage and screen dramatizes moments of contact between self and self, self and world, and self and other. With implications for how gender and ethics can be approached within Beckett's aesthetic, this study explores the employment of haptic imagery as an alternative to certain dominant codes of visual representation.
588 $a Description based on print version record.
600 1 0 $a Beckett, Samuel, $d 1906-1989 $x Criticism and interpretation $v Handbooks, manuals, etc. $3 3254382
600 1 4 $a Beckett, Samuel $q (Samuel Barclay), $d 1906-1989. $3 3647874
600 1 7 $a Beckett, Samuel, $d 1906-1989. $3 764448
650 0 $a Self in literature. $3 581235
650 0 $a Touch in literature. $3 2076159
650 7 $a Criticism and interpretation. $3 1972765
650 7 $a DRAMA / Continental European $2 bisacsh $3 1977868
655 4 $a Electronic books. $2 lcsh $3 542853
776 0 8 $i Print version: $a McTighe, Trish. $t Haptic aesthetic in Samuel Beckett's drama. $b First edition $z 9781137276988 $w (DLC) 2012051315 $w (OCoLC)827256542
830 0 $a New interpretations of Beckett in the twenty-first century. $3 1098747
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9781137275332