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Self-consciousness in modern british...

Miller, Brook.

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Self-consciousness in modern british fiction

Record Type:	Electronic resources : Monograph/item
Title/Author:	Self-consciousness in modern british fiction/ Brook Miller.
Author:	Miller, Brook.
Published:	New York :Palgrave Macmillan, : c2013.,
Description:	1 online resource.
[NT 15003449]:	Self-consciousness, embodiment, and the narrativising self -- Embodiment, narrativity, and identification in under western eyes -- Selfhood and the sensorium in A portrait of the artist as a young man -- Removing the serpent's tail from its mouth: DH Lawrence's vision of embodied consciousness -- Narrative identity, embodied consciousness, and the waves -- Scriptive consciousness and embodied empathy in the golden notebook.
Subject:	English fiction - History and criticism. -
Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9781137076656An electronic book accessible through the World Wide Web; click for information
ISBN:	9781137076656 (electronic bk.)

Self-consciousness in modern british fiction
Miller, Brook.

Self-consciousness in modern british fiction[electronic resource] /Brook Miller. - New York :Palgrave Macmillan,c2013. - 1 online resource.

Includes bibliographical references and index.

Self-consciousness, embodiment, and the narrativising self -- Embodiment, narrativity, and identification in under western eyes -- Selfhood and the sensorium in A portrait of the artist as a young man -- Removing the serpent's tail from its mouth: DH Lawrence's vision of embodied consciousness -- Narrative identity, embodied consciousness, and the waves -- Scriptive consciousness and embodied empathy in the golden notebook.

"Self-consciousness in Modern British Fiction" examines the emergence of self-consciousness as a central trope in experimental fictions published between 1911 and 1962. Representations of self-consciousness are a lynchpin of these novels' attempts to simulate the operations of consciousness. By exploring this relation, this study participates in a critical conversation within cognitive literary studies about novels that offer models of consciousness. The study offers new readings of works by Conrad, Joyce, Lawrence, Woolf, and Lessing. Readings of individual novels are informed by early twentieth century British psychology and philosophy, and by contemporary scholarship in embodied cognition and narrative identity. The models of self-consciousness rendered visible by this analysis improve our understanding of modernist technical experiment with stream-of-consciousness and free indirect discourse.

ISBN: 9781137076656 (electronic bk.)

Source: 608714Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

533980
English fiction
--History and criticism.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PR830.S427 / M55 2013

Dewey Class. No.: 823.009/353

Self-consciousness in modern british fiction
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020 $a 9781137076656 (electronic bk.)
020 $a 1137076658 (electronic bk.)
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035 $a ocn828144842
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100 1 $a Miller, Brook. $3 1973510
245 1 0 $a Self-consciousness in modern british fiction $h [electronic resource] / $c Brook Miller.
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300 $a 1 online resource.
504 $a Includes bibliographical references and index.
505 0 $a Self-consciousness, embodiment, and the narrativising self -- Embodiment, narrativity, and identification in under western eyes -- Selfhood and the sensorium in A portrait of the artist as a young man -- Removing the serpent's tail from its mouth: DH Lawrence's vision of embodied consciousness -- Narrative identity, embodied consciousness, and the waves -- Scriptive consciousness and embodied empathy in the golden notebook.
520 $a "Self-consciousness in Modern British Fiction" examines the emergence of self-consciousness as a central trope in experimental fictions published between 1911 and 1962. Representations of self-consciousness are a lynchpin of these novels' attempts to simulate the operations of consciousness. By exploring this relation, this study participates in a critical conversation within cognitive literary studies about novels that offer models of consciousness. The study offers new readings of works by Conrad, Joyce, Lawrence, Woolf, and Lessing. Readings of individual novels are informed by early twentieth century British psychology and philosophy, and by contemporary scholarship in embodied cognition and narrative identity. The models of self-consciousness rendered visible by this analysis improve our understanding of modernist technical experiment with stream-of-consciousness and free indirect discourse.
588 $a Description based on print version record.
650 0 $a English fiction $x History and criticism. $3 533980
650 0 $a Self-consciousness (Awareness) in literature. $3 1324199
650 0 $a Self in literature. $3 581235
655 7 $a Electronic books. $2 lcsh $3 542853
710 2 $a Palgrave Connect (Online service) $3 1081578
776 0 8 $i Print version: $a Miller, Brook. $t Self-consciousness in modern british fiction. $d New York : Palgrave Macmillan, c2013 $z 9780230337565 $w (DLC) 2012034153 $w (OCoLC)795759244
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137076656 $z An electronic book accessible through the World Wide Web; click for information
994 $a C0 $b TEF