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The interpersonal idiom in Shakespea...

Selleck, Nancy Gail, (1956-)

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The interpersonal idiom in Shakespeare, Donne, and early modern culture

Record Type:	Electronic resources : Monograph/item
Title/Author:	The interpersonal idiom in Shakespeare, Donne, and early modern culture/ Nancy Selleck.
Author:	Selleck, Nancy Gail,
Published:	Basingstoke [England] ;Palgrave Macmillan, : 2008.,
Description:	ix, 214 p.
[NT 15003449]:	Introduction : other selves -- Properties of a 'self' : words and things, 1580-1690 -- Persons in play : Donne's body and the humoral actor-- Material others : Shakespeare's mirrors and other perspectives -- 'Womans constancy' : the poetics of consummation -- Epilogue : subjects,objects, and contemporary theory.
Subject:	Drama - Psychological aspects. -
Online resource:	http://link.springer.com/10.1057/9780230582132access to fulltext (Palgrave)
ISBN:	0230582133

The interpersonal idiom in Shakespeare, Donne, and early modern culture
Selleck, Nancy Gail,1956-

The interpersonal idiom in Shakespeare, Donne, and early modern culture[electronic resource] /Nancy Selleck. - Basingstoke [England] ;Palgrave Macmillan,2008. - ix, 214 p.

Includes bibliographical references (p. 168-207) and index.

Introduction : other selves -- Properties of a 'self' : words and things, 1580-1690 -- Persons in play : Donne's body and the humoral actor-- Material others : Shakespeare's mirrors and other perspectives -- 'Womans constancy' : the poetics of consummation -- Epilogue : subjects,objects, and contemporary theory.

Sixteenth-century English speakers understood identity in radically different terms than ours. The Interpersonal Idiom explores the ways early modern usage figures selves as a function of otherselves, particularly in the tropes of humoralism, visual perception, and sexual constancy. Challenging the current critical preoccupation with subjectivity, Selleck argues that Shakespeare, Donne, andother early modern writers often emphatically resist emerging conventions of subjective authority and cast selfhood instead as the experience of others. Analyzing a diverse range of texts b7 s fromtreatises on medicine, faculty psychology,and the controversy over women to drama, poetry, and devotional literature b7 s Selleck's study proposes a new theoretical understanding of identity in early modern culture.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230582133

Standard No.: 10.1057/9780230582132doiSubjects--Personal Names:

592767
Donne, John,
1572-1631--Criticism and interpretation.Subjects--Topical Terms:

698261
Drama
--Psychological aspects.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PR2248 / .S34 2008eb

Dewey Class. No.: 821/.3

The interpersonal idiom in Shakespeare, Donne, and early modern culture
LDR:02292cmm 2200301 a 45 001 903685
003 OCoLC
005 20101209
006 m d
007 cr nn muauu
008 231227s2008 enk sb 001 0 eng d
020 $a 0230582133
020 $a 9780230582132
024 7 $a 10.1057/9780230582132 $2 doi
035 $a Palgrave
035 $a 903685
040 $a UKPGM $b eng $c UKPGM $d IDEBK
041 0 $a eng
049 $a APTA
050 1 4 $a PR2248 $b .S34 2008eb
082 0 4 $a 821/.3 $2 22
100 1 $a Selleck, Nancy Gail, $d 1956- $3 1083571
245 1 4 $a The interpersonal idiom in Shakespeare, Donne, and early modern culture $h [electronic resource] / $c Nancy Selleck.
260 $a Basingstoke [England] ; $a New York : $c 2008. $b Palgrave Macmillan,
300 $a ix, 214 p.
504 $a Includes bibliographical references (p. 168-207) and index.
505 0 $a Introduction : other selves -- Properties of a 'self' : words and things, 1580-1690 -- Persons in play : Donne's body and the humoral actor-- Material others : Shakespeare's mirrors and other perspectives -- 'Womans constancy' : the poetics of consummation -- Epilogue : subjects,objects, and contemporary theory.
520 $a Sixteenth-century English speakers understood identity in radically different terms than ours. The Interpersonal Idiom explores the ways early modern usage figures selves as a function of otherselves, particularly in the tropes of humoralism, visual perception, and sexual constancy. Challenging the current critical preoccupation with subjectivity, Selleck argues that Shakespeare, Donne, andother early modern writers often emphatically resist emerging conventions of subjective authority and cast selfhood instead as the experience of others. Analyzing a diverse range of texts b7 s fromtreatises on medicine, faculty psychology,and the controversy over women to drama, poetry, and devotional literature b7 s Selleck's study proposes a new theoretical understanding of identity in early modern culture.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
600 1 0 $a Donne, John, $d 1572-1631 $x Criticism and interpretation. $3 592767
600 1 0 $a Shakespeare, William, $d 1564-1616 $x Criticism and interpretation. $3 523005
650 0 $a Drama $x Psychological aspects. $3 698261
650 0 $a English literature $y Early modern, 1500-1700 $x History and criticism. $3 568384
650 0 $a Identity (Psychology) in literature. $3 543700
650 0 $a Self in literature. $3 581235
655 7 $a Electronic books. $2 lcsh $3 542853
710 2 $a Palgrave Connect (Online service) $3 1081578
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230582132 $z access to fulltext (Palgrave)