English fiction - History and criticism. - 20th century
概要
| 作品: | 244 作品在 43 項出版品 43 種語言 | |
|---|---|---|
書目資訊
Femininity, crime and self-defence in Victorian literature and society = from dagger-fans to suffragettes /
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The contemporary Anglophone travel novel : = the aesthetics of self-fashioning in the era of globalization /
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Modernism and the fate of individuality : = character and novelistic form from Conrad to Woolf /
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Gender and ventriloquism in Victorian and neo-Victorian fiction = passionate puppets /
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Postcolonial fiction and disability = exceptional children, metaphor and materiality /
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The contemporary Anglophone travel novel = the aesthetics of self-fashioning in the era of globalization /
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Satire & the postcolonial novel : = V. S. Naipaul, Chinua Achebe, Salman Rushdie /
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Wisps of violence : = producing public and private politics in the turn-of-the-century British novel /
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The challenge of bewilderment : = understanding and representation in James, Conrad, and Ford /
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African identities : = race, nation and culture in ethnography, pan-Africanism and Black literatures /
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Impressionist subjects : = gender, interiority, and modernist fiction in England /
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Postmodern characters : = a study of characterization in British and American postmodern fiction /
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I write therefore I am? : = fictional autobiography and the idea of selfhood in the postmodern age /
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The birth of liberal guilt in the English novel : = Charles Dickens to H.G. Wells /
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Gendering classicism = the ancient world in twentieth-century women's historical fiction /
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Post-war Jewish fiction : = ambivalence, self-explanation and transatlantic connections /
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Theorists of the modernist novel : = James Joyce, Dorothy Richardson, Virginia Woolf /
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Narcissus from rubble = competing models of character in contemporary British and American fiction /
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Lies that tell the truth = magic realism seen through contemporary fiction from Britain /
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Modernism, romance, and the fin de si墈cle = popular fiction and British culture, 1880-1914 /
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The feminine middlebrow novel, 1920s to 1950s : = class, domesticity, and bohemianism /
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Narrative desire and historical reparations : = A.S. Byatt, Ian McEwan, Salmon Rushdie /
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Cosmopolitan fictions : = ethics, politics, and global change in the works of Kazuo Ishiguro, Michael Ondaatje, Jamaica Kincaid, and J.M. Coetzee /
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Fiction and the Northern Ireland Troubles since 1969 : = (de-)constructing the North /
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The non-literate other : = readings of illiteracy in twentieth-century novels in English /
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Safe at last in the middle years : = the invention of the midlife progress novel : Saul Bellow, Margaret Drabble, Anne Tyler, and John Updike /
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Sapphic primitivism : = productions of race, class, and sexuality in key works of modern fiction /
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British working-class writing for children = scholarship boys in the mid-twentieth century /
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Authors and adaptation = writing across media in the nineteenth and early twentieth centuries /
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The British adventure hero = industrial gentlemanliness in text and image, 1870-1914 /
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National identities and imperfections in contemporary Irish literature = unbecoming Irishness /
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The world broke in two : = Virginia Woolf, T.S. Eliot, D.H. Lawrence, E.M. Forster, and the year that changed literature /
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