English fiction - History and criticism. - 20th century
Overview
| Works: | 239 works in 38 publications in 38 languages | |
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Titles
Modernism and the post-colonial : = literature and Empire 1885-1930 /
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The challenge of bewilderment : = understanding and representation in James, Conrad, and Ford /
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The blinding torch : = modern British fiction and the discourse of civilization /
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Erotic faith : = being in love from Jane Austen to D.H. Lawrence /
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Gatsby's party : = the system and the list in contemporary narrative /
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Impressionist subjects : = gender, interiority, and modernist fiction in England /
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I write therefore I am? : = fictional autobiography and the idea of selfhood in the postmodern age /
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Intimate violence = reading rape and torture in twentieth-century fiction /
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Post-war Jewish fiction : = ambivalence, self-explanation and transatlantic connections /
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The autobiographical novel of co-consciousness = Goncharov, Woolf, and Joyce /
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Gender and genre in novels without end = the British roman-fleuve /
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Late modernism = politics, fiction, and the arts between the world wars /
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The nightmare of history = the fictions of Virginia Woolf and D.H. Lawrence /
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Narcissus from rubble = competing models of character in contemporary British and American fiction /
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Colonial strangers = women writing the end of the British empire /
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Fairy tales and the fiction of Iris Murdoch, Margaret Drabble, and A.S. Byatt
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The feminine middlebrow novel, 1920s to 1950s : = class, domesticity, and bohemianism /
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The dandy in Irish and American southern fiction : = aristocratic drag /
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The non-literate other : = readings of illiteracy in twentieth-century novels in English /
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Marketing literature : = the making of contemporary writing in Britain /
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Literary landscapes of Ireland : = geographies of Irish stories, 1929-1946 /
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Literature after Darwin : = human beasts in western fiction, 1859-1939 /
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Postcolonial fiction and disability = exceptional children, metaphor and materiality /
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Ford Madox Ford and the misfit moderns = Edwardian fiction and the first World War /
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Feminine subjects in masculine fiction = modernity, will and desire, 1870-1910 /
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British novelists in Hollywood, 1935-1965 : = travelers, exiles, and expats /
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Fin-de-Siècle fictions, 1890s-1990s : = apocalypse, technoscience, empire /
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The woman's historical novel : = British women writers, 1900-2000 /
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The world broke in two : = Virginia Woolf, T.S. Eliot, D.H. Lawrence, E.M. Forster, and the year that changed literature /
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The rise of the novel : = studies in Defoe, Richardson and Fielding /
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Satire & the postcolonial novel : = V. S. Naipaul, Chinua Achebe, Salman Rushdie /
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Wisps of violence : = producing public and private politics in the turn-of-the-century British novel /
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Equivocal spirits : = alcoholism and drinking in twentieth-century literature /
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A literature of their own : = from Charlotte Bronte to Doris Lessing /
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The Novel today : = a critical guide to the British novel, 1970-1989 /
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African identities : = race, nation and culture in ethnography, pan-Africanism and Black literatures /
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Feminism and the postmodern impulse : = post-World War II fiction /
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Matricentric narratives : = recent British women's fiction in a Postmodern mode /
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Heralds of the postmodern : = madness and fiction in Conrad, Woolf, and Lessing /
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Postmodern characters : = a study of characterization in British and American postmodern fiction /
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The birth of liberal guilt in the English novel : = Charles Dickens to H.G. Wells /
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Lesbian panic : = homoeroticism in modern British women's fiction /
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Gendering classicism = the ancient world in twentieth-century women's historical fiction /
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The self-conscious novel = artifice in fiction from Joyce to Pynchon /
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Feminist alternatives = irony and fantasy in the contemporary novel by women /
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Mother without child = contemporary fiction and the crisis of motherhood /
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Theorists of the modernist novel : = James Joyce, Dorothy Richardson, Virginia Woolf /
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Constructing a world = Shakespeare's England and the new historical fiction /
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Other Britain, other British = contemporary multicultural fiction /
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Modernism, romance, and the fin de si墈cle = popular fiction and British culture, 1880-1914 /
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Cosmopolitan fictions : = ethics, politics, and global change in the works of Kazuo Ishiguro, Michael Ondaatje, Jamaica Kincaid, and J.M. Coetzee /
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Narrative desire and historical reparations : = A.S. Byatt, Ian McEwan, Salmon Rushdie /
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Fiction and the Northern Ireland Troubles since 1969 : = (de-)constructing the North /
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The contemporary Anglophone travel novel : = the aesthetics of self-fashioning in the era of globalization /
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Fantasy and reconciliation = contemporary formulas of women's romance fiction /
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Fiction in the age of photography : = the legacy of British realism /
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Spiritualism and women's writing = from the fin de siáecle to the neo-Victorian /
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Salman Rushdie and Indian historiography = writing the nation into being /
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Haunting and spectrality in neo-Victorian fiction = possessing the past /
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The contemporary British historical novel = representation, nation, empire /
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Safe at last in the middle years : = the invention of the midlife progress novel : Saul Bellow, Margaret Drabble, Anne Tyler, and John Updike /
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Gender and ventriloquism in Victorian and neo-Victorian fiction = passionate puppets /
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Unseasonable youth = modernism, colonialism, and the fiction of development /
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Empty justice = one hundred years of law, literature, and philosophy : existential, feminist, and normative perspectives in literary jurisprudence /
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The contemporary Anglophone travel novel = the aesthetics of self-fashioning in the era of globalization /
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Femininity, crime and self-defence in Victorian literature and society = from dagger-fans to suffragettes /
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Semi-detached empire = suburbia and the colonization of Britain, 1880to the present /
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Fictional dialogue = speech and conversationin the modern and postmodern novel /
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Narratives of love & loss : = studies in modern children's fiction /
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National identities and imperfections in contemporary Irish literature = unbecoming Irishness /
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British working-class writing for children = scholarship boys in the mid-twentieth century /
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British and American school stories, 1910-1960 = fiction, femininity, and friendship /
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Modernism and the fate of individuality : = character and novelistic form from Conrad to Woolf /
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Sapphic primitivism : = productions of race, class, and sexuality in key works of modern fiction /
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Threatened masculinity from British fiction (1880-1915) to Cold War German cinema
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Double visions = women and men in modern and contemporary Irish fiction /
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Lies that tell the truth = magic realism seen through contemporary fiction from Britain /
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Postethnic narrative criticism = magicorealism in Oscar "Zeta" Acosta, Ana Castillo, Julie Dash, Hanif Kureishi, and Salman Rushdie /
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Graphing Jane Austen : = the evolutionary basis of literary meaning /
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Dream revisionaries : = gender and genre in women's utopian fiction, 1870-1920 /
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The origins of transmedia storytelling in early twentieth century adaptation
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The haunted house in women's ghost stories = gender, space and modernity, 1850-1945 /
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