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Salman Rushdie and Indian historiogr...
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Thiara, Nicole Weickgenannt.
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Salman Rushdie and Indian historiography = writing the nation into being /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Salman Rushdie and Indian historiography/ Nicole Weickgennant Thiara.
其他題名:
writing the nation into being /
作者:
Thiara, Nicole Weickgenannt.
出版者:
Basingstoke :Palgrave Macmillan, : 2009.,
面頁冊數:
viii, 226 p. ;23 cm.
內容註:
Contents -- Acknowledgements -- Introduction -- A Biography of the Nation -- Wives, Widows, and Witches -- The New God-and-Mammon India -- Mother India -- The Idea of a Hybrid India -- Notes --Bibliography -- Index --.
標題:
English fiction - History and criticism. - 20th century -
標題:
India - Historiography. -
電子資源:
http://link.springer.com/10.1057/9780230244412access to fulltext (Palgrave)
ISBN:
0230244416
Salman Rushdie and Indian historiography = writing the nation into being /
Thiara, Nicole Weickgenannt.
Salman Rushdie and Indian historiography
writing the nation into being /[electronic resource] :Nicole Weickgennant Thiara. - Basingstoke :Palgrave Macmillan,2009. - viii, 226 p. ;23 cm.
Includes bibliographical references (p. 213-224) and index.
Contents -- Acknowledgements -- Introduction -- A Biography of the Nation -- Wives, Widows, and Witches -- The New God-and-Mammon India -- Mother India -- The Idea of a Hybrid India -- Notes --Bibliography -- Index --.
This book explores the depiction of Indian history in Salman Rushdie's novels in relation to the way in which Indian history is narrativised in modern Indian historiography. The central argument is that Rushdie's conception of India is framed within the parameters of nationalist discourse andnationalist historiography, and that it was inspired in particular by the political and historical writings of India's first Prime Minister, Jawaharlal Nehru. The book explores for the first time themarked parallels between Rushdie's critique of the Nehruvian legacy andthe most significant recent trends in Indian historiography, specifically the feminist and subalternist movements. Particular attention is paid to the representation of women and to gendered notions of the nation, such as the concept of Mother India. Drawing on the theoretical work of Mikhail Bakhtin, this book proposes that Rushdie advocates a democratic, 'novelistic' intersubjectivity as a basis for a new imagining of India.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.
Mode of access:World Wide Web.
ISBN: 0230244416
Standard No.: 10.1057/9780230244412doiSubjects--Personal Names:
1098612
Nehru, Jawaharlal,
1889-1964--Influence.Subjects--Topical Terms:
537366
English fiction
--History and criticism.--20th centurySubjects--Geographical Terms:
591049
India
--Historiography.Index Terms--Genre/Form:
542853
Electronic books.
LC Class. No.: PR6068.U757 / Z895 2009
Dewey Class. No.: 823.914
Salman Rushdie and Indian historiography = writing the nation into being /
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writing the nation into being /
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Contents -- Acknowledgements -- Introduction -- A Biography of the Nation -- Wives, Widows, and Witches -- The New God-and-Mammon India -- Mother India -- The Idea of a Hybrid India -- Notes --Bibliography -- Index --.
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This book explores the depiction of Indian history in Salman Rushdie's novels in relation to the way in which Indian history is narrativised in modern Indian historiography. The central argument is that Rushdie's conception of India is framed within the parameters of nationalist discourse andnationalist historiography, and that it was inspired in particular by the political and historical writings of India's first Prime Minister, Jawaharlal Nehru. The book explores for the first time themarked parallels between Rushdie's critique of the Nehruvian legacy andthe most significant recent trends in Indian historiography, specifically the feminist and subalternist movements. Particular attention is paid to the representation of women and to gendered notions of the nation, such as the concept of Mother India. Drawing on the theoretical work of Mikhail Bakhtin, this book proposes that Rushdie advocates a democratic, 'novelistic' intersubjectivity as a basis for a new imagining of India.
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