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Moliere in Denmark, then and now.
~
Leysieffer, Annelise.
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Moliere in Denmark, then and now.
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Moliere in Denmark, then and now./
作者:
Leysieffer, Annelise.
面頁冊數:
215 p.
附註:
Source: Dissertation Abstracts International, Volume: 68-04, Section: A, page: 1441.
Contained By:
Dissertation Abstracts International68-04A.
標題:
Language, Modern. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3263892
ISBN:
9780549022473
Moliere in Denmark, then and now.
Leysieffer, Annelise.
Moliere in Denmark, then and now.
- 215 p.
Source: Dissertation Abstracts International, Volume: 68-04, Section: A, page: 1441.
Thesis (Ph.D.)--The Florida State University, 2007.
The aim of this dissertation is to examine the role of Moliere in Danish theatre. More specifically, this dissertation identifies the extent to which Danish productions are faithful to the original French plays and discusses factors that have contributed to the success or failure of such productions in recent years. Factors relevant to this analysis include cross-cultural contrasts and similarities between France and Denmark, the themes of the individual plays and their transformations when translated into Danish, the quality of translations and adaptations and the use of modern or traditional dress. Included are comparisons of Danish translations of Moliere from the seventeenth century to present-day productions.
ISBN: 9780549022473Subjects--Topical Terms:
1018098
Language, Modern.
Moliere in Denmark, then and now.
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Thesis (Ph.D.)--The Florida State University, 2007.
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The aim of this dissertation is to examine the role of Moliere in Danish theatre. More specifically, this dissertation identifies the extent to which Danish productions are faithful to the original French plays and discusses factors that have contributed to the success or failure of such productions in recent years. Factors relevant to this analysis include cross-cultural contrasts and similarities between France and Denmark, the themes of the individual plays and their transformations when translated into Danish, the quality of translations and adaptations and the use of modern or traditional dress. Included are comparisons of Danish translations of Moliere from the seventeenth century to present-day productions.
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Methodologically, I proceed by examining the above-mentioned factors in relation to six plays: L'Avare, Tartuffe, L'Ecole des femmes, Le Bourgeois gentilhomme, Les Fourberies de Scapin and Le Misanthrope. In each case, I compare the original text with Danish translations and adaptations and draw on interviews with Danish directors, scenographers, other theatre practitioners, scholars, translators and journalists. The extensive interviews combined with research in theatre archives and national libraries, were conducted in order to analyze the ways in which Moliere has been adapted for and received by the Danish public.
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After interviewing the above-mentioned people, after examining a vast number of manuscripts and newspaper reviews and conducting extensive research in Danish archives and libraries, I have documented and thus established that Moliere has had a crucial and lasting effect upon the development of Danish theatre ever since the early eighteenth century. After researching the various productions, I have identified the extent to which Danish theatre professionals remain faithful to the original plays including aspects such as theme, language and costumes. From this research, it is clear that Moliere has had a tremendous impact on and remains a cornerstone in contemporary Danish theatre.
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