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Salon, page, world: Jessie Redmon Fa...

Stoeckl, Sarah.

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Salon, page, world: Jessie Redmon Fauset, Mabel Dodge Luhan, Gertrude Stein, and the borderlands of culture.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Salon, page, world: Jessie Redmon Fauset, Mabel Dodge Luhan, Gertrude Stein, and the borderlands of culture./
作者:	Stoeckl, Sarah.
面頁冊數:	106 p.
附註:	Adviser: Melody Graulich.
Contained By:	Masters Abstracts International46-01.
標題:	Language, Modern. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1445085
ISBN:	9780549116592

Salon, page, world: Jessie Redmon Fauset, Mabel Dodge Luhan, Gertrude Stein, and the borderlands of culture.
Stoeckl, Sarah.

Salon, page, world: Jessie Redmon Fauset, Mabel Dodge Luhan, Gertrude Stein, and the borderlands of culture. - 106 p.

Adviser: Melody Graulich.

Thesis (M.A.)--Utah State University, 2007.

I focused this study on borderland spaces of modernism, specifically the artistic salons of three distinctive women: Jessie Fauset, Mabel Luhan, and Gertrude Stein. By "reading" books from these authors alongside the physical/cultural space of their salons, I saw each of them manifesting concerns with the meaning of modernism, patronage, sexuality/gender, domestic/cultural ritual, public/private space, and the meaning of "home." The salon space became a venue for enacting the liminal culture of modernism; but for these women, the salon also gave them flexibility to control and explore their worlds. Ultimately, I discovered the salon to be as created and readable a "text" as any other work of art, particularly for the modernist period when artists and intellectuals attempted to re-create culture in general. Border spaces are not comfortable, but they are rife with opportunities and these women used them as such in dynamic, personal, and intriguing ways.

ISBN: 9780549116592Subjects--Topical Terms:

1018098
Language, Modern.

Salon, page, world: Jessie Redmon Fauset, Mabel Dodge Luhan, Gertrude Stein, and the borderlands of culture.
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520 $a I focused this study on borderland spaces of modernism, specifically the artistic salons of three distinctive women: Jessie Fauset, Mabel Luhan, and Gertrude Stein. By "reading" books from these authors alongside the physical/cultural space of their salons, I saw each of them manifesting concerns with the meaning of modernism, patronage, sexuality/gender, domestic/cultural ritual, public/private space, and the meaning of "home." The salon space became a venue for enacting the liminal culture of modernism; but for these women, the salon also gave them flexibility to control and explore their worlds. Ultimately, I discovered the salon to be as created and readable a "text" as any other work of art, particularly for the modernist period when artists and intellectuals attempted to re-create culture in general. Border spaces are not comfortable, but they are rife with opportunities and these women used them as such in dynamic, personal, and intriguing ways.
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