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Revolt into style: Images of 1970s W...
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Goldsworthy, Rupert.
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Revolt into style: Images of 1970s West German "terrorists".
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Revolt into style: Images of 1970s West German "terrorists"./
作者:
Goldsworthy, Rupert.
面頁冊數:
302 p.
附註:
Adviser: Nancy Barton.
Contained By:
Dissertation Abstracts International68-12A.
標題:
Education, Art. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3295339
ISBN:
9780549400332
Revolt into style: Images of 1970s West German "terrorists".
Goldsworthy, Rupert.
Revolt into style: Images of 1970s West German "terrorists".
- 302 p.
Adviser: Nancy Barton.
Thesis (Ph.D.)--New York University, 2008.
This dissertation studies the Red Army Faction (RAF), a left-wing West Germany terror group most active during the 1970s. It focuses on two-dimensional print imagery related to the RAF. Since this era, due to a confluence of cultural forces, public conceptions of the RAF have shifted in significant ways. Images relating to the RAF that were villainized in the West German news media have developed other associations in the field of culture. The study argues that from their inception, these Leftist signs were unstable signifiers, and as such, prone to patterns of cultural play. Understanding the ways this type of imagery moves through the community reveals a great deal about a society's interaction with "politically-taboo" subject matter.
ISBN: 9780549400332Subjects--Topical Terms:
1018432
Education, Art.
Revolt into style: Images of 1970s West German "terrorists".
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This dissertation studies the Red Army Faction (RAF), a left-wing West Germany terror group most active during the 1970s. It focuses on two-dimensional print imagery related to the RAF. Since this era, due to a confluence of cultural forces, public conceptions of the RAF have shifted in significant ways. Images relating to the RAF that were villainized in the West German news media have developed other associations in the field of culture. The study argues that from their inception, these Leftist signs were unstable signifiers, and as such, prone to patterns of cultural play. Understanding the ways this type of imagery moves through the community reveals a great deal about a society's interaction with "politically-taboo" subject matter.
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The study discusses the history of RAF imagery in relation to theories concerning visuality and terror from the disciplines of Cultural Studies, Art History and Media Studies, considering the perspectives of among others, Benjamin, Hall, Bourdieu, Ranciere and Jameson.
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