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Sacred literature into liturgy: Jing...
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Sure, Heng.
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Sacred literature into liturgy: Jingyuan (1011--1088) and the development of the Avatam˙saka liturgy in Song China.
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Sacred literature into liturgy: Jingyuan (1011--1088) and the development of the Avatam˙saka liturgy in Song China./
作者:
Sure, Heng.
面頁冊數:
410 p.
附註:
Coordinator: Ronald Y. Nakasone.
Contained By:
Dissertation Abstracts International64-03A.
標題:
Religion, History of. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3084933
Sacred literature into liturgy: Jingyuan (1011--1088) and the development of the Avatam˙saka liturgy in Song China.
Sure, Heng.
Sacred literature into liturgy: Jingyuan (1011--1088) and the development of the Avatam˙saka liturgy in Song China.
- 410 p.
Coordinator: Ronald Y. Nakasone.
Thesis (Ph.D.)--Graduate Theological Union, 2003.
This dissertation critically examines and demonstrates how Jingyuan (1011–1088), a Song Dynasty Chinese Buddhist monk, transformed the <italic>Avatam˙saka Sūtra</italic> into a liturgy that conveyed the Sutra's vision of the <italic> Mahāyāna</italic> Bodhisattva ideal. In keeping with the earlier interpreters, Chengguan (738–839) and Zongmi (780–841), Jingyuan understood the <italic>Avatam˙saka Sūtra</italic>, long considered the pinnacle of Buddhist philosophy and cosmology, as a handbook of Bodhisattva practices. For them the <italic>Bhadracaripran&dotbelow;idhāna Chapter </italic>, the source of the <italic>Avatam˙saka Liturgy</italic>, held the key to cultivating the Bodhisattva Path articulated by the <italic>Sūtra </italic>. Jingyuan distilled the essential elements of Samantabhadra Bodhisattva's Practices and Vows that comprise the <italic>Bhadracaripran&dotbelow;idhāna </italic> into existing liturgical formats. The result was three recensions, collectively referred to as the <italic>Avatam˙saka Liturgy</italic>—the <italic> Expanded</italic>, the <italic>Condensed</italic>, and the <italic>Popular Versions</italic>—in varying degrees of complexity, suited to the different needs of his Buddhist community.Subjects--Topical Terms:
1017471
Religion, History of.
Sacred literature into liturgy: Jingyuan (1011--1088) and the development of the Avatam˙saka liturgy in Song China.
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410 p.
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Coordinator: Ronald Y. Nakasone.
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Source: Dissertation Abstracts International, Volume: 64-03, Section: A, page: 0947.
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Thesis (Ph.D.)--Graduate Theological Union, 2003.
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This dissertation critically examines and demonstrates how Jingyuan (1011–1088), a Song Dynasty Chinese Buddhist monk, transformed the <italic>Avatam˙saka Sūtra</italic> into a liturgy that conveyed the Sutra's vision of the <italic> Mahāyāna</italic> Bodhisattva ideal. In keeping with the earlier interpreters, Chengguan (738–839) and Zongmi (780–841), Jingyuan understood the <italic>Avatam˙saka Sūtra</italic>, long considered the pinnacle of Buddhist philosophy and cosmology, as a handbook of Bodhisattva practices. For them the <italic>Bhadracaripran&dotbelow;idhāna Chapter </italic>, the source of the <italic>Avatam˙saka Liturgy</italic>, held the key to cultivating the Bodhisattva Path articulated by the <italic>Sūtra </italic>. Jingyuan distilled the essential elements of Samantabhadra Bodhisattva's Practices and Vows that comprise the <italic>Bhadracaripran&dotbelow;idhāna </italic> into existing liturgical formats. The result was three recensions, collectively referred to as the <italic>Avatam˙saka Liturgy</italic>—the <italic> Expanded</italic>, the <italic>Condensed</italic>, and the <italic>Popular Versions</italic>—in varying degrees of complexity, suited to the different needs of his Buddhist community.
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To transform <italic>Mahāyāna</italic> ideals into liturgy, Jingyuan drew upon visualizations from the <italic>Bhadracaripran&dotbelow;idhāna </italic>, which when performed with ritual prostrations, constituted the heart of the liturgical practice. He further integrated two distinctly <italic> Avatam˙saka</italic> visualizations: the Infinite Contemplation of Indra's Net and the Unobstructed Contemplation of the Dharma Realm, into the sitting meditation section of his <italic>Expanded Liturgy</italic>. Thus, Jingyuan combined the movement of bowing with the stillness of meditation to produce a single method for cultivating the <italic>samādhi</italic> states articulated by the <italic>Avatam˙saka Sūtra</italic>. Jingyuan's efforts revitalized the <italic>Avatam˙saka</italic> tradition in twelfth century Hangzhou and earned him recognition as an <italic>Avatam˙saka </italic> patriarch.
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The dissertation concludes with reflections on the continuity of the <italic> Avatam˙saka Liturgy</italic> among contemporary Buddhists and suggests that contemplative-devotional liturgies can be a useful, even necessary aspect of Buddhist practice as it emerges in the West. The appendices include translations of the three recensions of the <italic>Avatam˙saka Liturgy</italic>, the <italic> Bhadracari Chapter </italic>of the <italic>Avatam˙saka Sūtra</italic>, and the <italic>Sūtra on the Contemplation of the Practice Dharmas of Samantabhadra Bodhisattva</italic>.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3084933
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