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The dramaturgy of spirit: AfriChris...

Coleman, Wendy Renee.

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The dramaturgy of spirit: AfriChristian Spirituality in the plays of August Wilson.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	The dramaturgy of spirit: AfriChristian Spirituality in the plays of August Wilson./
作者:	Coleman, Wendy Renee.
面頁冊數:	197 p.
附註:	Major Professor: Stuart E. Baker.
Contained By:	Dissertation Abstracts International62-05A.
標題:	Black Studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3014342
ISBN:	0493242651

The dramaturgy of spirit: AfriChristian Spirituality in the plays of August Wilson.
Coleman, Wendy Renee.

The dramaturgy of spirit: AfriChristian Spirituality in the plays of August Wilson. - 197 p.

Major Professor: Stuart E. Baker.

Thesis (Ph.D.)--The Florida State University, 2001.

AfriChristian Spirituality is the method through which Africans in America can process the events of everyday life, personal, cultural, and socio-political situations. This way of being is not only an expression of innate and inherited Africanisms, but also a strong indication of the influence of Christian teachings. Built on the premise that both the African and Christian components have a common element, which is spirit, a discussion of AfriChristian Spirituality is best carried out by considering the characteristics of spirit. The necessity for African Americans to define and embrace AfriChristian Spirituality is made clear by examining instances of both success and failure at doing so. Four key aspects of AfriChristian Spirituality are time, the essence of spirit; prophecy through dreams and visions, the realm of spirit; music, the display of spirit; and salvation and redemption, the work of spirit.

ISBN: 0493242651Subjects--Topical Terms:

1017673
Black Studies.

The dramaturgy of spirit: AfriChristian Spirituality in the plays of August Wilson.
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245 1 0 $a The dramaturgy of spirit: AfriChristian Spirituality in the plays of August Wilson.
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520 $a AfriChristian Spirituality is the method through which Africans in America can process the events of everyday life, personal, cultural, and socio-political situations. This way of being is not only an expression of innate and inherited Africanisms, but also a strong indication of the influence of Christian teachings. Built on the premise that both the African and Christian components have a common element, which is spirit, a discussion of AfriChristian Spirituality is best carried out by considering the characteristics of spirit. The necessity for African Americans to define and embrace AfriChristian Spirituality is made clear by examining instances of both success and failure at doing so. Four key aspects of AfriChristian Spirituality are time, the essence of spirit; prophecy through dreams and visions, the realm of spirit; music, the display of spirit; and salvation and redemption, the work of spirit.
520 $a This dissertation defines AfriChristian Spirituality by describing its characteristics in common or familiar terms—time, prophecy (through dreams and visions), music, and salvation through rituals of redemption. Each term is then assigned an attribute that is used to show its relevance as a spiritual concept. Consideration is given to the way in which Wilson's plays draw on these elements and illustrate the influence of AfriChristian Spirituality in the lives of the characters. By examining the varying levels of success Wilson's characters achieve at incorporating AfriChristian Spirituality into their lives, its importance as a source of strength as well as a foundation upon which African Americans can create self-sustaining and positive identities is proven. As archetypes for African Americans, Wilson's characters, through their success or failure at doing so, illustrate the truth that responsibility for discovering and incorporating AfriChristian Spirituality into their individual and collective reality is theirs alone. Six of Wilson's plays are used in this discussion of AfriChristian Spirituality, and the through-line for the dissertation will be <italic>Joe Turner's Come and Gone</italic>.
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