東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Antigone in modernism: Classicism, f...

Princeton University.

FindBook

Google Book

Amazon

博客來

Antigone in modernism: Classicism, feminism, and theatres of protest.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Antigone in modernism: Classicism, feminism, and theatres of protest./
作者:	Walsh, Keri.
面頁冊數:	210 p.
附註:	Advisers: Diana Fuss; Maria DiBattista; C. Daniel Blanton.
Contained By:	Dissertation Abstracts International70-01A.
標題:	Literature, Classical. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3341312
ISBN:	9780549969686

Antigone in modernism: Classicism, feminism, and theatres of protest.
Walsh, Keri.

Antigone in modernism: Classicism, feminism, and theatres of protest. - 210 p.

Advisers: Diana Fuss; Maria DiBattista; C. Daniel Blanton.

Thesis (Ph.D.)--Princeton University, 2009.

In 1936, Simone Weil described Sophocles's Antigone to French factory workers as "the story of a human being who, all alone, without any backing, dares to be in opposition to her own country, to the laws of that country, to the head of its government, and who is, naturally, soon put to death." Weil's insistence on Antigone as a civilian protester, rather than Hegel's model of feminine domestic virtue, recurs throughout writing of the fascist period. From Virginia Woolf and Louis MacNeice in the British Isles, to Marguerite Yourcenar and Jean Anouilh in France, Antigone came to embody the brave political resistance of the individual. By 1950, Hegel's influential reading of the play as presenting two rightful but irreconcilable claims seemed ready to collapse: "as for Creon," the Oxford classicist Gilbert Murray told a BBC radio audience after the war, "it was of course preposterous of Hegel to suggest that that he was as much in the right as Antigone and that our sympathies should be evenly divided." This partisan reading of Antigone grew in strength in the post-war period, inspiring feminist, pacifist, and post-colonial engagements with the play.

ISBN: 9780549969686Subjects--Topical Terms:

1017779
Literature, Classical.

Antigone in modernism: Classicism, feminism, and theatres of protest.
LDR:02216nmm 2200337 a 45 001 887218
005 20101020
008 101020s2009 ||||||||||||||||| ||eng d
020 $a 9780549969686
035 $a (UMI)AAI3341312
035 $a AAI3341312
040 $a UMI $c UMI
100 1 $a Walsh, Keri. $3 1058949
245 1 0 $a Antigone in modernism: Classicism, feminism, and theatres of protest.
300 $a 210 p.
500 $a Advisers: Diana Fuss; Maria DiBattista; C. Daniel Blanton.
500 $a Source: Dissertation Abstracts International, Volume: 70-01, Section: A, page: 0176.
502 $a Thesis (Ph.D.)--Princeton University, 2009.
520 $a In 1936, Simone Weil described Sophocles's Antigone to French factory workers as "the story of a human being who, all alone, without any backing, dares to be in opposition to her own country, to the laws of that country, to the head of its government, and who is, naturally, soon put to death." Weil's insistence on Antigone as a civilian protester, rather than Hegel's model of feminine domestic virtue, recurs throughout writing of the fascist period. From Virginia Woolf and Louis MacNeice in the British Isles, to Marguerite Yourcenar and Jean Anouilh in France, Antigone came to embody the brave political resistance of the individual. By 1950, Hegel's influential reading of the play as presenting two rightful but irreconcilable claims seemed ready to collapse: "as for Creon," the Oxford classicist Gilbert Murray told a BBC radio audience after the war, "it was of course preposterous of Hegel to suggest that that he was as much in the right as Antigone and that our sympathies should be evenly divided." This partisan reading of Antigone grew in strength in the post-war period, inspiring feminist, pacifist, and post-colonial engagements with the play.
590 $a School code: 0181.
650 4 $a Literature, Classical. $3 1017779
650 4 $a Literature, Comparative. $3 530051
650 4 $a Literature, English. $3 1017709
650 4 $a Literature, Romance. $3 1019014
650 4 $a Theater. $3 522973
690 $a 0294
690 $a 0295
690 $a 0313
690 $a 0465
690 $a 0593
710 2 $a Princeton University. $3 645579
773 0 $t Dissertation Abstracts International $g 70-01A.
790 $a 0181
790 1 0 $a Blanton, C. Daniel, $e advisor
790 1 0 $a DiBattista, Maria, $e advisor
790 1 0 $a Fuss, Diana, $e advisor
791 $a Ph.D.
792 $a 2009
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3341312