東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

God and lovers in the sonnet sequenc...

Emporia State University.

FindBook

Google Book

Amazon

博客來

God and lovers in the sonnet sequences of Petrarch, Sidney, and Wroth.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	God and lovers in the sonnet sequences of Petrarch, Sidney, and Wroth./
作者:	Myers, Laura Marie.
面頁冊數:	110 p.
附註:	Source: Masters Abstracts International, Volume: 46-05, page: 2435.
Contained By:	Masters Abstracts International46-05.
標題:	History, Medieval. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1455039
ISBN:	9780549551164

God and lovers in the sonnet sequences of Petrarch, Sidney, and Wroth.
Myers, Laura Marie.

God and lovers in the sonnet sequences of Petrarch, Sidney, and Wroth. - 110 p.

Source: Masters Abstracts International, Volume: 46-05, page: 2435.

Thesis (M.A.)--Emporia State University, 2008.

The sonnet sequences of Petrarch (Rime sparse), Sir Philip Sidney (Astrophil and Stella), and Lady Mary Wroth (Pamphilia to Amphilanthus), all have overarching spiritual themes involving the Lover's attitude towards God and virtue. In the Platonic love tradition, the Beloved was the being who inspired spiritual transcendence in the Lover. However, certain poems in these sequences challenge this convention and present a paradox between the Beloved as inspiration or distraction. Petrarch and the character of Astrophil confess that those they love do not inspire them to spiritual fulfillment, but distract them from their spiritual responsibilities. Petrarch's sequence concludes with a deliberate choice to love God more than he loves Laura. When read in light of these spiritual ideas, these confessional poems alter the view of various conceits Petrarch established, such as unrequited love and the Beloved as a heavenly being. In contrast, Sidney allows Astrophil to confess his inability to move towards God. This, coupled with Stella's refusal of his advances, leaves Astrophil sad and alone at the end of the sequence. Other works of Sidney suggest that his sequence was to be instructive about what not to do in love. In Pamphilia to Amphilanthus, Pamphilia's unique female perspective allows Wroth to alter the traditional Petrarchan conceits to gain credibility. Through Pamphilia's stance as both the male poet-lover and the virtuous lady, Wroth argues that traditional female virtues should be shared by all genders. In each sequence, the Lover's love was always unrequited; however, if the Lover would first seek God, instead of looking to an earthly love for satisfaction, the Lover would find spiritual peace of mind. God would become the Lover of the Lover and he or she would attain a love from God that would not be unrequited.

ISBN: 9780549551164Subjects--Topical Terms:

925067
History, Medieval.

God and lovers in the sonnet sequences of Petrarch, Sidney, and Wroth.
LDR:02636nmm 2200265 a 45 001 867153
005 20100802
008 100802s2008 ||||||||||||||||| ||eng d
020 $a 9780549551164
035 $a (UMI)AAI1455039
035 $a AAI1455039
040 $a UMI $c UMI
100 1 $a Myers, Laura Marie. $3 1035861
245 1 0 $a God and lovers in the sonnet sequences of Petrarch, Sidney, and Wroth.
300 $a 110 p.
500 $a Source: Masters Abstracts International, Volume: 46-05, page: 2435.
502 $a Thesis (M.A.)--Emporia State University, 2008.
520 $a The sonnet sequences of Petrarch (Rime sparse), Sir Philip Sidney (Astrophil and Stella), and Lady Mary Wroth (Pamphilia to Amphilanthus), all have overarching spiritual themes involving the Lover's attitude towards God and virtue. In the Platonic love tradition, the Beloved was the being who inspired spiritual transcendence in the Lover. However, certain poems in these sequences challenge this convention and present a paradox between the Beloved as inspiration or distraction. Petrarch and the character of Astrophil confess that those they love do not inspire them to spiritual fulfillment, but distract them from their spiritual responsibilities. Petrarch's sequence concludes with a deliberate choice to love God more than he loves Laura. When read in light of these spiritual ideas, these confessional poems alter the view of various conceits Petrarch established, such as unrequited love and the Beloved as a heavenly being. In contrast, Sidney allows Astrophil to confess his inability to move towards God. This, coupled with Stella's refusal of his advances, leaves Astrophil sad and alone at the end of the sequence. Other works of Sidney suggest that his sequence was to be instructive about what not to do in love. In Pamphilia to Amphilanthus, Pamphilia's unique female perspective allows Wroth to alter the traditional Petrarchan conceits to gain credibility. Through Pamphilia's stance as both the male poet-lover and the virtuous lady, Wroth argues that traditional female virtues should be shared by all genders. In each sequence, the Lover's love was always unrequited; however, if the Lover would first seek God, instead of looking to an earthly love for satisfaction, the Lover would find spiritual peace of mind. God would become the Lover of the Lover and he or she would attain a love from God that would not be unrequited.
590 $a School code: 1340.
650 4 $a History, Medieval. $3 925067
650 4 $a Literature, English. $3 1017709
650 4 $a Literature, Medieval. $3 571675
690 $a 0297
690 $a 0581
690 $a 0593
710 2 $a Emporia State University. $3 1020324
773 0 $t Masters Abstracts International $g 46-05.
790 $a 1340
791 $a M.A.
792 $a 2008
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1455039