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Dead Woman Walking: Articulating His...

Starcovic, Angelica Elizabeth.

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Dead Woman Walking: Articulating Historical Violence Toward the Femme Through Visual Art and Cultural Experience.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Dead Woman Walking: Articulating Historical Violence Toward the Femme Through Visual Art and Cultural Experience./
Author:	Starcovic, Angelica Elizabeth.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2024,
Description:	50 p.
Notes:	Source: Masters Abstracts International, Volume: 85-12.
Contained By:	Masters Abstracts International85-12.
Subject:	Fine arts. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31296682
ISBN:	9798383055793

Dead Woman Walking: Articulating Historical Violence Toward the Femme Through Visual Art and Cultural Experience.
Starcovic, Angelica Elizabeth.

Dead Woman Walking: Articulating Historical Violence Toward the Femme Through Visual Art and Cultural Experience. - Ann Arbor : ProQuest Dissertations & Theses, 2024 - 50 p.

Source: Masters Abstracts International, Volume: 85-12.

Thesis (M.F.A.)--Syracuse University, 2024.

Individual identity formation is a crucial tool in my artistic practice. I rely on articulating my experiences as femme to reclaim and denounce the signifiers of femininity invented and perverted by patriarchy. Using historical survey of instances and explorations of fear and violence through art and visual culture, my works reckon with how archaic gender beliefs still entrench themselves in our contemporary worldviews and their psychological results. The deconstructions of these facades uncover the violence and fear ingrained in feminine identity inflicted through bodily control in culture. Here I argue for her humanity against the abject violence culture and media perpetuate toward her body.

ISBN: 9798383055793Subjects--Topical Terms:

2122690
Fine arts.
Subjects--Index Terms:

Feminism

Dead Woman Walking: Articulating Historical Violence Toward the Femme Through Visual Art and Cultural Experience.
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245 1 0 $a Dead Woman Walking: Articulating Historical Violence Toward the Femme Through Visual Art and Cultural Experience.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2024
300 $a 50 p.
500 $a Source: Masters Abstracts International, Volume: 85-12.
500 $a Advisor: Clarke, Ann.
502 $a Thesis (M.F.A.)--Syracuse University, 2024.
520 $a Individual identity formation is a crucial tool in my artistic practice. I rely on articulating my experiences as femme to reclaim and denounce the signifiers of femininity invented and perverted by patriarchy. Using historical survey of instances and explorations of fear and violence through art and visual culture, my works reckon with how archaic gender beliefs still entrench themselves in our contemporary worldviews and their psychological results. The deconstructions of these facades uncover the violence and fear ingrained in feminine identity inflicted through bodily control in culture. Here I argue for her humanity against the abject violence culture and media perpetuate toward her body.
590 $a School code: 0659.
650 4 $a Fine arts. $3 2122690
650 4 $a Art criticism. $3 526357
650 4 $a Gender studies. $3 2122708
653 $a Feminism
653 $a Femme identity
653 $a Misogyny
653 $a Patriarchy
653 $a Violence
653 $a Visual art
690 $a 0357
690 $a 0365
690 $a 0733
710 2 $a Syracuse University. $b Studio Arts. $3 3682373
773 0 $t Masters Abstracts International $g 85-12.
790 $a 0659
791 $a M.F.A.
792 $a 2024
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31296682