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Dead Woman Walking: Articulating His...
~
Starcovic, Angelica Elizabeth.
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Dead Woman Walking: Articulating Historical Violence Toward the Femme Through Visual Art and Cultural Experience.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Dead Woman Walking: Articulating Historical Violence Toward the Femme Through Visual Art and Cultural Experience./
Author:
Starcovic, Angelica Elizabeth.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2024,
Description:
50 p.
Notes:
Source: Masters Abstracts International, Volume: 85-12.
Contained By:
Masters Abstracts International85-12.
Subject:
Fine arts. -
Online resource:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31296682
ISBN:
9798383055793
Dead Woman Walking: Articulating Historical Violence Toward the Femme Through Visual Art and Cultural Experience.
Starcovic, Angelica Elizabeth.
Dead Woman Walking: Articulating Historical Violence Toward the Femme Through Visual Art and Cultural Experience.
- Ann Arbor : ProQuest Dissertations & Theses, 2024 - 50 p.
Source: Masters Abstracts International, Volume: 85-12.
Thesis (M.F.A.)--Syracuse University, 2024.
Individual identity formation is a crucial tool in my artistic practice. I rely on articulating my experiences as femme to reclaim and denounce the signifiers of femininity invented and perverted by patriarchy. Using historical survey of instances and explorations of fear and violence through art and visual culture, my works reckon with how archaic gender beliefs still entrench themselves in our contemporary worldviews and their psychological results. The deconstructions of these facades uncover the violence and fear ingrained in feminine identity inflicted through bodily control in culture. Here I argue for her humanity against the abject violence culture and media perpetuate toward her body.
ISBN: 9798383055793Subjects--Topical Terms:
2122690
Fine arts.
Subjects--Index Terms:
Feminism
Dead Woman Walking: Articulating Historical Violence Toward the Femme Through Visual Art and Cultural Experience.
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Individual identity formation is a crucial tool in my artistic practice. I rely on articulating my experiences as femme to reclaim and denounce the signifiers of femininity invented and perverted by patriarchy. Using historical survey of instances and explorations of fear and violence through art and visual culture, my works reckon with how archaic gender beliefs still entrench themselves in our contemporary worldviews and their psychological results. The deconstructions of these facades uncover the violence and fear ingrained in feminine identity inflicted through bodily control in culture. Here I argue for her humanity against the abject violence culture and media perpetuate toward her body.
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https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31296682
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