東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Opening the Horse: An Approach to Qu...

Balousek, Matthew.

FindBook

Google Book

Amazon

博客來

Opening the Horse: An Approach to Queer Game Design .

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Opening the Horse: An Approach to Queer Game Design ./
作者:	Balousek, Matthew.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2017,
面頁冊數:	89 p.
附註:	Source: Masters Abstracts International, Volume: 79-09.
Contained By:	Masters Abstracts International79-09.
標題:	Fine arts. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10599926
ISBN:	9780355670431

Opening the Horse: An Approach to Queer Game Design .
Balousek, Matthew.

Opening the Horse: An Approach to Queer Game Design . - Ann Arbor : ProQuest Dissertations & Theses, 2017 - 89 p.

Source: Masters Abstracts International, Volume: 79-09.

Thesis (M.F.A.)--University of California, Santa Cruz, 2017.

This item must not be sold to any third party vendors.

The aim of this project is the development of a new approach to queer formalism in games. To paraphrase Bertolt Brecht, unpolitical art is only that which espouses accepted ideologies. Art which aims to challenge these ideologies risks dismissal from audiences who regard it as political. There is a potential remedy in formalism. Formalist art communicates ideology foremost through the formal elements of a medium. For games, these formal elements include data and procedure. Formalism brings obfuscation, as understanding data and procedure requires extended interaction. Because of this, formalist games can function as ideological Trojan Horses. But this advantage is also a flaw, as the Greeks inside must wait for the audience to open the horse's door. If this never happens, the work fails as a piece of rhetoric. Queer formalist games, for example, risk being misread as participating in heteronormativity. Two things are proposed. The first is a framework for understanding ideology in art. Ideology can inscribed through formalism, as well as represented through imaging. These are orthogonal approaches. Failing both, it is absent; succeeding both, it is present. The second proposal is an approach to queer formalism in games called Opening the Horse. This approach seeks to maintain the qualities of formalist work while mitigating misreadings. A game enacting this method at first only inscribes ideology, adding representation at a later stage of interaction. This collapses the distance of metaphor as a kind of failsafe to make clear what the game is speaking to. A series of tabletop games created by the author serve to illustrate this design approach.

ISBN: 9780355670431Subjects--Topical Terms:

2122690
Fine arts.
Subjects--Index Terms:

Game design

Opening the Horse: An Approach to Queer Game Design .
LDR:02946nmm a2200421 4500 001 2396296
005 20240611104213.5
006 m o d
007 cr#unu||||||||
008 251215s2017 ||||||||||||||||| ||eng d
020 $a 9780355670431
035 $a (MiAaPQ)AAI10599926
035 $a (MiAaPQ)ucsc:11309
035 $a AAI10599926
040 $a MiAaPQ $c MiAaPQ
100 1 $a Balousek, Matthew. $3 3765980
245 1 0 $a Opening the Horse: An Approach to Queer Game Design .
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2017
300 $a 89 p.
500 $a Source: Masters Abstracts International, Volume: 79-09.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Hunicke, Robin.
502 $a Thesis (M.F.A.)--University of California, Santa Cruz, 2017.
506 $a This item must not be sold to any third party vendors.
520 $a The aim of this project is the development of a new approach to queer formalism in games. To paraphrase Bertolt Brecht, unpolitical art is only that which espouses accepted ideologies. Art which aims to challenge these ideologies risks dismissal from audiences who regard it as political. There is a potential remedy in formalism. Formalist art communicates ideology foremost through the formal elements of a medium. For games, these formal elements include data and procedure. Formalism brings obfuscation, as understanding data and procedure requires extended interaction. Because of this, formalist games can function as ideological Trojan Horses. But this advantage is also a flaw, as the Greeks inside must wait for the audience to open the horse's door. If this never happens, the work fails as a piece of rhetoric. Queer formalist games, for example, risk being misread as participating in heteronormativity. Two things are proposed. The first is a framework for understanding ideology in art. Ideology can inscribed through formalism, as well as represented through imaging. These are orthogonal approaches. Failing both, it is absent; succeeding both, it is present. The second proposal is an approach to queer formalism in games called Opening the Horse. This approach seeks to maintain the qualities of formalist work while mitigating misreadings. A game enacting this method at first only inscribes ideology, adding representation at a later stage of interaction. This collapses the distance of metaphor as a kind of failsafe to make clear what the game is speaking to. A series of tabletop games created by the author serve to illustrate this design approach.
590 $a School code: 0036.
650 4 $a Fine arts. $3 2122690
650 4 $a Design. $3 518875
650 4 $a LGBTQ studies. $3 2122706
653 $a Game design
653 $a Queer formalism
653 $a Queer game studies
653 $a Storygames
653 $a Tabletop games
690 $a 0357
690 $a 0389
690 $a 0492
710 2 $a University of California, Santa Cruz. $b Digital Arts and New Media. $3 3354450
773 0 $t Masters Abstracts International $g 79-09.
790 $a 0036
791 $a M.F.A.
792 $a 2017
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10599926