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Bill Evans: His contributions as a j...

Berardinelli, Paula.

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Bill Evans: His contributions as a jazz pianist and an analysis of his musical style.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Bill Evans: His contributions as a jazz pianist and an analysis of his musical style./
作者:	Berardinelli, Paula.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 1992,
面頁冊數:	351 p.
附註:	Source: Dissertations Abstracts International, Volume: 54-05, Section: A.
Contained By:	Dissertations Abstracts International54-05A.
標題:	Music education. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9222946

Bill Evans: His contributions as a jazz pianist and an analysis of his musical style.
Berardinelli, Paula.

Bill Evans: His contributions as a jazz pianist and an analysis of his musical style. - Ann Arbor : ProQuest Dissertations & Theses, 1992 - 351 p.

Source: Dissertations Abstracts International, Volume: 54-05, Section: A.

Thesis (Ph.D.)--New York University, 1992.

This item must not be sold to any third party vendors.

This study sought to identify the contributions made to the jazz medium by pianist Bill Evans, through the musical analysis of selected solo performances and an investigation of his life, career, and recorded output. The biographical account of Bill Evans' life focused on his musical training and the development of his musical style. The evolution of his career was documented, as were the events which affected his life and the people with whom he associated. Through an examination of Evans' recorded output, many aspects of his musical preferences were revealed, such as the musical settings in which he liked to perform, the nature of his repertoire, and the rhythmic and tonal structure of his musical arrangements. The discussion of his discography was supplemented by the critical reviews that accompanied the release of his recordings in order to illustrate the high regard in which he was held. Based on the data concerning the composition of Evans' musical arrangements, four representative piano solos were selected for analysis, three of which were subsequently transcribed by the researcher. The style analyses utilized techniques drawn from the analytic methods of Jan LaRue, Jerry Coker, and Heinrich Schenker. Conclusions drawn from the style analyses provided the basis for a pedagogical guide through which the stylistic characteristics of Bill Evans' musical style may be applied to the teaching of jazz piano. The outcomes suggested that although Bill Evans was traditional in his approach to jazz, he was also innovative. He drew from many sources, using existing jazz materials as the basis of his style, and building upon them to create something new. His contributions to the jazz piano style were manifested in his development of various types of open and close chord voicings, his skillful use of harmonic substitutions and quartal harmonies, his extensive use of motivic development, and the application of both rhythmic displacement and polyrhythmic concepts.Subjects--Topical Terms:

3168367
Music education.
Subjects--Index Terms:

Evans, Bill

Bill Evans: His contributions as a jazz pianist and an analysis of his musical style.
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500 $a Source: Dissertations Abstracts International, Volume: 54-05, Section: A.
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520 $a This study sought to identify the contributions made to the jazz medium by pianist Bill Evans, through the musical analysis of selected solo performances and an investigation of his life, career, and recorded output. The biographical account of Bill Evans' life focused on his musical training and the development of his musical style. The evolution of his career was documented, as were the events which affected his life and the people with whom he associated. Through an examination of Evans' recorded output, many aspects of his musical preferences were revealed, such as the musical settings in which he liked to perform, the nature of his repertoire, and the rhythmic and tonal structure of his musical arrangements. The discussion of his discography was supplemented by the critical reviews that accompanied the release of his recordings in order to illustrate the high regard in which he was held. Based on the data concerning the composition of Evans' musical arrangements, four representative piano solos were selected for analysis, three of which were subsequently transcribed by the researcher. The style analyses utilized techniques drawn from the analytic methods of Jan LaRue, Jerry Coker, and Heinrich Schenker. Conclusions drawn from the style analyses provided the basis for a pedagogical guide through which the stylistic characteristics of Bill Evans' musical style may be applied to the teaching of jazz piano. The outcomes suggested that although Bill Evans was traditional in his approach to jazz, he was also innovative. He drew from many sources, using existing jazz materials as the basis of his style, and building upon them to create something new. His contributions to the jazz piano style were manifested in his development of various types of open and close chord voicings, his skillful use of harmonic substitutions and quartal harmonies, his extensive use of motivic development, and the application of both rhythmic displacement and polyrhythmic concepts.
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